I worked with dance a lot, for each character - different ways I could move my body, different music. It's the most fun thing in the world, because I love each and every one of the characters and I'd be happy just to play one of them, but the fact that I get to play upwards of six, seven, eight or whatever, it's a total dream.

Young women are now looking at me for cues. That's definitely been a responsibility. But I feel like I was ready to take on something like this because I wanted to be challenged and I wanted to be afraid, and that's definitely what it's done for me.

My mom's a translator, my dad's a woodworker; that's the world I grew up in, that's the world I'm most comfortable in. The whole idea of Hollywood or any of that other stuff that unfortunately goes along with film, that wasn't part of my upbringing, thankfully.

Just to be on set with Amy Poehler, who's one of my heroes, was a total dream come true.

I started out as a dancer as a kid; I've been dancing since I was 4. So performing was always part of what I was. I don't know if it I enjoyed the response I got from people or if I liked having an audience, but there's something in me that wanted to perform.

All the foundation work you plant in the early seasons pay off in stronger storylines deep into our seasons. I think that only aids in performance.

Auditions are not a natural environment, and you feel judged, even though everyone is just excited to find the right person.