I worked with dance a lot, for each character - different ways I could move my body, different music. It's the most fun thing in the world, because I love each and every one of the characters and I'd be happy just to play one of them, but the fact that I get to play upwards of six, seven, eight or whatever, it's a total dream.

You learn from the actors that you're working with. I've taken a lot from all of them.

There's something really unique about Orphan Black is that it has a lot of female leads, so it's about a lot of women's stories, but it's not women’s stories in terms of trying to find a guy or keep a guy; it's about entirely other things.

We do long-form-style improv. Our focus was characters and telling a long arc story over about an hour and a half. It was closer to a one-act play than one-off sketches.

Film has always been where my heart is.

I wanted to get everything right. I was super nerdy and academic. I got so much satisfaction out of getting good grades.

My brothers are so much a part of who I am, and such a large part of my heart and my drive. I've never had a kid, but I understand that whole, "I would kill for my family" kind of thing. I understood it, it resonated with me. It's a very primal, animal thing that you feel for your family.