My brothers are so much a part of who I am, and such a large part of my heart and my drive. I've never had a kid, but I understand that whole, "I would kill for my family" kind of thing. I understood it, it resonated with me. It's a very primal, animal thing that you feel for your family.

For me, comedy literally is way more terrifying than doing drama, so it's always about stretching what I think I can do and putting myself out there in different context.

I think that's why it's difficult for women when they watch TV and we see one version of a woman who is attached at the hip to a guy, and that's kind of her whole thing. You kind of go, 'I don't relate to this, I don't feel this.' You know? Maybe somebody does, but not everyone. That's the other thing about storytelling, is you can't represent everybody. You know, you can't seek to do that. You have to tell stories that you're interested in talking about and characters that intrigue you.

John Cassavetes' films have really altered the way I see film and acting and storytelling and emotion and love, so I see acting as this incredible revealing of human nature and this means of telling our story, sharing our voice with the world. That's what acting is for me. It allows for people to experience things through the character, through the story.

I'm fascinated with psychology, and with why a person walks the way they walk or why they walk into a room the way they do or why we are the way we are, and it's not exclusive to the psychology of a character.

I love hip-hop; I love Sleigh Bells. I also love classical music and musical theater.

I love nerdy work. I love writing notes. I try to go back, as much as I can, to feed what happens and why they do what they do.