Comedy scares me a lot. I feel like it's way harder than drama. I think my safety net is definitely drama and I would love to kind of be able to be able to push into the comedy world and do something kind of like a Christopher Guest kind of style show. That, to me, is my kind of comedy. Like, Ricky Gervais comedy. That's my kind of thing.

As artists, you always want to push yourself. There's always new territory.

I'm super sad to have it finish because it's been such a dream job, but it's nice to know there's a conclusion.

I was in a Nativity play as a kid. Back then, I played the donkey.

For me, comedy literally is way more terrifying than doing drama, so it's always about stretching what I think I can do and putting myself out there in different context.

I think there's something really freeing about improv, that it's a collective, creative, in-the-moment piece. That's really exciting and really frustrating, because it's there and gone. There's an amazing interaction with the audience that happens because they are very much another scene partner. How they respond determines the kinds of stories we tell.

The most bizarre demographics come up to me. Men in their 50s come up to me and are like, "Alison is my favorite. I hated her at first, and now I love her." I don't know what that says about people's psychology.