The trouble with women in an orchestra is that if they're attractive it will upset my players and if they're not it will upset me.
The British like any kind of music so long as it is loud.
Too much counterpoint; what is worse, Protestant counterpoint.
What can you do with it? It's like a lot of yaks jumping about.
The grand tune is the only thing in music that the great public really understands.
If she is attractive, I can't perform with her; if she is not, then I won't.