The fact that I haven't been married might qualify me as belonging in the nutty category to a lot of women.

One that always stings is "Grow up." And it stings most when you have the suspicion that it is justified, that you have just done somethingchildish and you got nailed for it. It's probably been said to me a few times.

But all actors go through the process, it's hit and miss, you have achievement and failure.

There's moments that are very personal in The Divorce. There are moments that are sort of unwatchably vulgar or intimate or pathetic. I even had this conversation with my mom. My mom saw the pilot and she was like, "I just thought that some of it seemed nasty." I'm like, "Mom. You're from a whole different generation. And yeah. There's some nastiness that goes on."

I did a series called Ned and Stacey for two years for Fox back in the 90s. I was writer on it as well as a producer, and it was very important to me that there were no contemporary references.

Villains with a conscience have this sad realization of who they are, and the monster they've become — there's a sense of regret. So at the end of these movies there's a dramatic resonance that really stays with the audience.

Between Clive Owen winning at the Golden Globes and the British Academy announcing its nominations, of which Sideways received only one, I'm feeling pretty humbled these days.