Being a movie star is stressful as hell. You've got to do crunches all day long. You've got to get up and learn lines.

Who is writing these screenwriting books? Not actually writing for the studios in Hollywood. These are people that have one or a half of a credit on maybe one movie, or none. So they're all theoretical.

It's such a great thing to work with people and not have a plan.

I need to be spontaneous sometimes. Sometimes I find that the little detail or nuance that you add to it that's based on what's happening at the time that's not very rehearsed often ends up feeling like the funniest thing.

People kept passing our [ with Robert Ben Garant] script around, and suddenly we had this reputation as screenwriters, which we're not - we're sketch comedy guys.

If you're a studio writer, the funny better be on the page.

Yes, I am complimented on my work in Kids in the Hall once or twice a week. Its a nice feeling.