I'll tell the only thing I know in this business, I have had the absolute privilege of making movies that I loved when I was a kid and loved my whole life.

I don't want to talk about anybody else's movie, but I understand fan skepticism when you're like, "Oh yeah, a Godzilla movie." Which, by the way, our first movie was Batman Begins and was not dissimilar from questions and conversations from people about where the Batman franchise was, so I get it.

I'm not the worlds biggest remake guy, meaning finding titles and saying, "Hey it's got some brand awareness, let's just make a movie."

I've been a film geek since I was a little kid and to start with an idea and then get a stack of papers with words on it called a script, then storyboarding the art, and you sit with these guys and now all the sudden it's a movie, and to see fans reactions to it when you put it out.

Each one [movie] is very important to us and from a fiscal responsibility, filmmakers understand that it's highly personal for us and they've been great about it.

For us it's always about making sure that there's substance, that things are well thought out, they're real, they're going to happen versus just haphazardly making Hollywood type announcements. So that's where we are there [on Comic-Con], just making sure that when we do something to say that it's something.

[In remake] you've got to have something new to say, or technology that wasn't available, or a new chapter that kind of speaks to this generation of fans. They've got some unique assets, so we're certainly discussing those things.