To my fellow nominees, whoever they are - I'm not that familiar with their work - I just want to say, there's always next year - except, you know, for Ray Romano.

I don't look as handsome in Men in Black II as I did in the first one.

With what's happened in the world the last three years, it's easier to see why it's become popular again to diminish and revile Arabs and Muslims in American popular culture.

My ritual it's kind of an involuntary ritual. I lie awake the night before, worrying about award ceremony. Try and think of something to write in case I actually get up there. I write it at the very last minute like either in the car on the way to the ceremony or, you know, in the bathroom before the show starts. It's all of jumbled mess written on a napkin or a piece of toilet paper. That's my good luck ritual. It's just like being in college waiting for the last minute to do everything.

I've been so fortunate throughout my career, when I was doing theater, more theater than anything else, and when I was doing films that I got a chance just to do a broad range of things.

And Big Night, I think by the end, the brothers find that balance, when they touch each other on the shoulder over breakfast and it's understood that what should never have driven them apart almost drove them apart. I think that's a true moment.

It's always a problem with television and with films, you always shoot things out of sequence, so you just take your best stab at every moment. You can't really - you'll drive yourself crazy if you dwell on the negative aspects of it or your shortcomings.