Criticism on my works is like this: you've worked hard all of your life, you went to Oxford, and you've done this and that, and you're an art critic. Your job is to unravel the "secret" or whatever, and you come across an entity like me. It's going to piss you off. Because there's no great secret, what you see is what you get, and anyone can understand what I'm doing. So, it's almost like I make this critic-person redundant, just by my attitude, and they resent me for that.

The soul will always do what it needs to do.

I want to spend my life with someone and do nice things and go on adventures, read books and have nice food and celebrate things. I don't want to spend the rest of my life in the bedroom like some people who just go to bed and never get out again.

All the people in the late '80s and early '90s were really hell-bent on doing something for themselves, and they wouldn't take no for an answer. There was a lot of determination, and I was definitely part of that way of thinking.

It pleases me that people can be interactive

It wasn't so much destroying my dancing, it was destroying me

Strolling on the plateau of life, desperate for the mountain, I never thought that I would get this far. It's only art that has carried me through, given me faith in my own existence. But now I am approaching a point in my life where I desire more.