Because of the amount of press attention, people went to see this dirty bed, as if it was a freak show. But when they got there, they saw something else - the bed, stuff on the walls, whatever. For the Tate, it's the highest attendance they ever received for the Turner Prize show. There was a massive queue, and when you got into my bit, you couldn't move.

I like poor materials. I couldn't see myself making a bronze sculpture - it's not me. I like neon, because it's moving constantly and like drawing. The chemicals going through the neon turns me on really - it's sexy. I like fabrics, but one of the main things with objects is that I really have to love them before I can use them. I have to have the object around me a long time. The little chairs I used in my last White Cube show are ones that my dad bought for me. A sort of a psychometry with objects and things. It's like the pieces I've made are my things.

When I have an exhibition, I usually arrange it so that if people want to, they can spend two hours there. That way, people who like it don't feel cheated when they go. I want them to walk into the exhibition space and look low and at other levels and angles. The same with emotions. I want them to be emotionally manipulated, to come out feeling something. I want them to laugh, smile, feel sad. Even if they feel angry, that's okay.

I found that life has to be edited to continue.

The soul will always do what it needs to do.

All the mistakes I've ever made in my life have been when I've been drunk. I haven't made hardly any mistakes sober, ever, ever.

Maybe I don't believe things myself, as well. Truth is such a transient thing...