There is nothing we can't do. So it's just the fact that we're doing topics like that that other people, especially network TV, won't touch, that we're satirists.

My fear is that, as soon as I get married and have kids that I'll kind of do what a lot of people do and suddenly start making, 'Now I'm gonna make films for kids.' I really hope I don't do that.

If we have a great idea, we'll go, 'Oh, this could be a cool movie.' Or really for us, it's more like, 'Oh, this is a really bad idea. Let's do this. This seems really stupid.'

You know, and it really doesn't have a lot to do with the movie. That's the trick to doing a good musical is that, if you take that music number out, there's less to the movie there. You would miss it.

It's this simple law, which every writer knows, of taking two opposites and putting them in a room together. I love anything with Cartman and Butters at the same time, it's great.

No, writing musicals is the hardest thing in the world. And it was really funny, because I remember when the South Park movie came out, there were some critics that said, 'Well it's obvious that in order to get it to be 90 minutes they filled some time with music.'

When someone goes, 'Oh, this group is really pissed off at what you said,' there's not a piece of my body that goes, 'Sweet!' That means I did it wrong. I'm just trying to make people laugh.