If we have a great idea, we'll go, 'Oh, this could be a cool movie.' Or really for us, it's more like, 'Oh, this is a really bad idea. Let's do this. This seems really stupid.'

My favorite musical? I don't. It changes all the time. I'm just a diehard, I'm totally old school, like I'll sit and watch, if they are re-doing Oklahoma in New York, I will be the first one there.

Sean Penn's really the only one stupid enough to put anything down on paper.

I got into this little habit of architecture and building. I designed a house in Colorado and one in Hawaii. The idea is supposed to be build and sell - but then I can never bring myself to sell them.

What we're always looking for is weird social issues and weird connections to make. Luckily for them, there's no shortage of material.

You know, and it really doesn't have a lot to do with the movie. That's the trick to doing a good musical is that, if you take that music number out, there's less to the movie there. You would miss it.

I bought a house for my mom, I bought a house for my dad, I bought a house for my sister.