Chris Claremont once said of Alan Moore, "if he could plot, we'd all have to get together and kill him." Which utterly misses the most compelling part of Alan's writing, the way he develops and expresses ideas and character. Plot does not define story. Plot is the framework within which ideas are explored and personalities and relationships are unfolded.

I was having a mildly paranoid day, mostly due to the fact that the mad priest lady from over the river had taken to nailing weasels to my front door again.

Scotch whisky is made from barley and the morning dew on angel's nipples.

He was in blue jeans and a work shirt, which is another weird quirk of Rich Old Men. Just one of the guys here. Blue jeans and a work shirt, salt of the earth, working man like yourself. Like they're somehow uncomfortable about being rich enough to sleep in a bed made of vaginas being pulled around the town at night by a fleet of gold-covered midgets.

What? I bring joy to the world. I am filled with mirth and sunlight. Also, I am Batman.

Listen to the Chair Leg of Truth! It does not lie!

The book is almost always better than the movie. You could have no better case in point than FROM HELL, Alan Moore's best graphic novel to date, brilliantly illustrated by Eddie Campbell. It's hard to describe just how much better the book is. It's like, "If the movie was an episode of Battlestar Galactica with a guest appearance by the Smurfs and everyone spoke Dutch, the graphic novel is Citizen Kane with added sex scenes and music by your favourite ten bands and everyone in the world you ever hated dies at the end." That's how much better it is.