The book is almost always better than the movie. You could have no better case in point than FROM HELL, Alan Moore's best graphic novel to date, brilliantly illustrated by Eddie Campbell. It's hard to describe just how much better the book is. It's like, "If the movie was an episode of Battlestar Galactica with a guest appearance by the Smurfs and everyone spoke Dutch, the graphic novel is Citizen Kane with added sex scenes and music by your favourite ten bands and everyone in the world you ever hated dies at the end." That's how much better it is.

Read comics. All comics. And then cut them open to steal their power.

You must remember that the common criminal will always join the armed forces for, if nothing else, regular meals and expert training in the use of guns.

Chris Claremont once said of Alan Moore, "if he could plot, we'd all have to get together and kill him." Which utterly misses the most compelling part of Alan's writing, the way he develops and expresses ideas and character. Plot does not define story. Plot is the framework within which ideas are explored and personalities and relationships are unfolded.

So this Zealot comes to my door, all glazed eyes and clean reproductive organs, asking me if I ever think about God. So I tell him I killed God. I tracked God down like a rabid dog, hacked off his legs with a hedge trimmer, raped him with a corncob, and boiled off his corpse in an acid bath. So he pulls an alternating-current taser on me and tells me that only the Official Serbian Church of Tesla can save my polyphase intrinsic electric field, known to non-engineers as "the soul." So I hit him. What would you do?

That means that the universe is two-dimensional. Matter, energy, time, you, me and the floor are holograms.

He was in blue jeans and a work shirt, which is another weird quirk of Rich Old Men. Just one of the guys here. Blue jeans and a work shirt, salt of the earth, working man like yourself. Like they're somehow uncomfortable about being rich enough to sleep in a bed made of vaginas being pulled around the town at night by a fleet of gold-covered midgets.