Hold firm to your vision but don't be a tyrant on set.

My contacts with the film industry can be described in very simple terms: The industry does not really need me, and I do not really need the industry.

It is not only my dreams, my belief is that all these dreams are yours as well. The only distinction between me and you is that I can articulate them. And that is what poetry or painting or literature or filmmaking is all about... and it is my duty because this might be the inner chronicle of what we are. We have to articulate ourselves, otherwise we would be cows in the field.

The trees are in misery, and the birds are in misery. I don’t think they sing. They just screech in pain. …Taking a close look at what’s around us, there is some sort of harmony: it’s the harmony of overwhelming and collective murder.

[Tim White] always spoke about his work in terms of forensics, as if he was investigating a crime scene. While we were there, they found the fossilized excrement of a lion that had turned into stone, and we would immediately start to concoct stories. Was it a lion that killed the early human? Of course, the lion could've been there three weeks later, or maybe 20,000 years earlier.

There's this kind of strange mythology about me in the media because I've done unusual things.

I make films because I have not learned anything else and I know I can do it to a certain degree. And it is my duty because this might be the inner chronicle of what we are. We have to articulate ourselves, otherwise we would be cows in the field.