I do think there will be a better understanding between the two sides - East and West. And eventually, the so-called two sides will disappear, and there will only be the conflict between those with power and those without it.

It's the heart afraid of breaking that never learns to dance.

I do think there will be a better understanding between the two sides - East and West. And eventually, the so-called two sides will disappear, and there will only be the conflict between those with power and those without it.

I’m saying language is a passport. A dubious, dangerous passport too.

Somehow, in the novel format, I don't really like to do upfront, ideological discussion. In my heart, literature remains a poetic and ambiguous medium. On the other hand, I trained as a documentary filmmaker in film school, so my films very much reflect reality and socio-political problems. They're less subtle I would say.

I think our literary tradition has to evolve, has to explore its form and its spirit through writers and thinkers, rather than let the lazy, easy traditional narrative - which is controlled by the publishing industry - roll all over the readers and dominate the market. I think our readers and cinemagoers have been trained to read and watch very mainstream stuff. It's like being given sleeping pills. It sends people to a non-reflective sleep state.

Its important to be comfortable with uncertainty.