I always tell my students to go back after a hundred pages and rewrite from the beginning. It's really harder if you've already finished four hundred pages and realize the first hundred aren't working.
Yiyun LiAlmost all of the stories in The Matchmaker, the Apprentice, and the Football Fan are told in the first person, yet, depending on the angle and distance of the narrator, they exert different effects. The best are those in which the speaker never poses as an objective outsider. (...) Other stories are damaged by the urge to distance the narrator.
Yiyun LiYour characters are always your children. And while you are writing, you're keeping them safe. Now they're ready to go into the world and it's sad. I'm happy with the way the novel came out but all the characters' ending really saddened me.
Yiyun LiNo one is immune from either taking the wrong action or not taking action at all, but the sense that something is completely out of a person's control is stronger in China.
Yiyun LiYou can write about a country without taking a stand, but you cannot write about a country without noting that there's history, and that there's politics going on. To me, that's the same if you write about America. You don't have to write about politics, but the politics have to be present in the characters.
Yiyun Li