I do a lot of conferences, and I did a campaign with the Cerebral Palsy Foundation called "Just Say Hi." They get celebrities to record little messages about how you start a conversation with someone who has a disability, which is to "Just say hi."

Most of my work is comedy; it's meant to inspire empathy in people and help them find joy.

The biggest disabilities are when you sabotage yourself mentally, those personal demons that get on your shoulder and you can't shake 'em.

My experiences of traveling abroad and going to Italy with my father, having to break down a gigantic electric chair to get on trains. You've got three minutes. You go to Pompeii and there are shockingly few accessible hotels in a city that was covered in volcanic ash.

There was an agent who wanted to book me for Glee. He lied and said I could sing. He was like, "If you need a guy in a wheelchair who has a great voice, I've got your guy!" I was like, "What are you talking about?" .

When I read the script [of Glee], the whole premise was that all the high school kids were being cruel to this kid in the wheelchair, and then the quarterback comes along and has a heart of gold and takes him out of a Porta Potty. That's too often what I see in media, that the characters with disabilities are there to make other people seem like heroes for treating the character with a disability with respect. Those are the kinds of roles that are out there.

Technically I can get out of my wheelchair and crawl around and do things, but when I've traveled and they've lost my wheelchair in transit, I feel like I need to be bound to it. My functionality and autonomy are often bound to this.