There's that weird and cool line that music can cross where it still gives you the goosebumps and you think it's cool but on the other hand it's sort of like also letting you off the hook a little bit with the ironic aspects of the thing. I think that's the inexplicable, the smell of a movie. That's the taste of the movie.

We can't just go, like, oh that'd be cool then not do it. So it's one of those weird things. You gain all these things on your journey. You get smarter. It's interesting how you are who you are in high school in a lot of ways. When I look at my friends, I feel no different about them than I did when I was in high school. I mean that in a great way. They've taken on a micro scale what they were doing and making it bigger.

You can't teach anyone. You can't tell anyone. That's the thing you have to sit down and experience in order for it to mean anything. You can't intellectualize it. It's like why movies are cool. It's a combination of pictures and design and acting and music can create an experience that is outside of the experience that you can actually have in reality, which gets to my motion picture philosophy. People are like, 'aren't you trying to make the movies as real as you can?'

You can't will something into being. If you follow that philosophy all the way, to will something into being, that's animal style. That's what man does. But if you're looking at the philosophy correctly, and I never did - I like to think I did sometimes - you have to do it without ego, without the I. You have to separate yourself.

There's very few dork movies made by dorks.

My mom always encouraged me, it was never weird. She'd look at 'Heavy Metal' and go 'Woo-hoo!'

Reality's its own thing. And I'm not really into reality that much. I'm into this cinematic stylized reality that can comment on reality. It's like the most beautiful parts of reality and the saddest parts, but it's none of this middle ground.