I am very much in the instant-gratification camp. I am too much of an actor not to be. I am used to doing my work and having someone comment immediately. So I think that I'm a little hooked on that gratification structure.

I am very much in the instant-gratification camp. I am too much of an actor not to be. I am used to doing my work and having someone comment immediately. So I think that I'm a little hooked on that gratification structure.

When we do something we're not proud of, a lot of people don't want to look at that, people may say "what people don't know won't hurt them."

Too often in the theatre people can't wait for intermission to get some chocolate or something. But with Come Back, Little Sheba I just hope people leave feeling like they've spent a really good two-hours in that house with us.

I think a large part of an actor's job in preparation is just making the words feel organic to them, and obviously they came out of me, so they felt organic to me already. And then I think then it was all about clearing away all the other voices.

I don't feel like I have a super straightforward relationship with the idea of fame. It makes me sort of level things out in my own brain almost immediately when I meet someone.

Anytime that I've felt uninspired, I don't force myself to sit down and write. I only do it when I feel the impulse.