Quotes About Actor

The biggest thing about me, as an actor, is I'm never a finished product, you know? I always want to try something or be in a new genre because, one, it's much more fun to do that because you're not doing the same thing over and over. One of the greatest reasons is that it keeps stretching you as an actor. So, hopefully, my method is that it makes me a better actor, and a more believable actor, so then, the more experience I have in any way possible, in a drama or a musical genre, different formats of working, the better I can be on all different platforms.

Being large and muscular, you are not taken very seriously as an actor. When bigger roles come up and the actor needs to be muscular they tend to cast a regular sized actor and get him to hit the weight program as opposed to hiring an actor who's already muscular and developed in that area.

I want to be an actor, maybe a comic actor but a real actor.

When there's an actor involved, the actor's talking to the director or the director's talking to the actor. But when there are not those two people interacting, it's all one person in your own mind, you have to be so extra-clear about what you need.

I'm an actor. I've always been an actor. I've always approached all my comedy as an actor. I don't really care about jokes either. I tire of jokes.

The amount of preparation I saw from someone like [David] Fincher, and how aware he is of everybody else's job on the set, and how much respect he has for every aspect of the film, and every aspect of the frame - that's the type of actor I am now; it's not the type of actor I was then. But without understanding his process, and then coming to learn it later on, I would never be the actor I am now.

Bob Duvall is a great actor because each time out, he creates a whole, complete character. You have the feeling that you're not seeing an actor at all, but a fully realized human being. Think of how he was in The Godfather. If you didn't know Bobby, you'd think that he really was Tom, the consigliere. Then you see him in Santini, and he's completely different. He's not only a personality, he's a consummate actor.

When an actor plays a scene exactly the way a director orders, it isn't acting. It's following instructions. Anyone with the physical qualifications can do that. So the director's task is just that – to direct, to point the way. Then the actor takes over. And he must be allowed the space, the freedom to express himself in the role. Without that space, an actor is no more than an unthinking robot with a chest-full of push-buttons.

For an actor to be working at all is a kind of miracle, because most actors aren't. So it's just silly for a working actor to say, 'Oh, I don't care if anybody knows I'm gay' especially if you're a leading man. Personally, I wouldn't advise a gay leading man-type actor to come out.

I never think of an actor as a model. A model wears what you tell them to wear, that's their job. An actor is different. It's important to work with the actor because in the end that's who the audience sees and that's the success that you need.

I don't think that many people today, understand the nature of what an improv does for an actor in a specific setting. What an improv does for an actor is help him find the life; it's the life that an actor's after.

You can't get an actor to do something that is beyond his range, so you have to be aware of the range of the actor and, if necessary, alter the part to suit the actor.

Once you've gotten the job, there's nothing to it. If you're an actor, you're an actor. Doing it is not the hard part. The hard part is getting to do it.

As an actor, particularly because I'm - I would call myself a character actor. I change my look, my physical appearance and my body, my hair color, my whatever all the time for a role.

Dustin Hoffman said this one time, that if he hadn't made it as a film star, he would still be happy as a character actor because he was a character actor because of his face from day one, so he would always work in the theater.

I’d like to be the kind of actor who is remembered for my character. You know how there are cases where even when you watch all the way through the end of a drama, you remember the actor’s name, not the character’s. I want my character’s name to be more remembered than mine.

In that way, as an actor in particular, you're powerless. And so in that way as an actor in particular you can't make mistakes.

Before I was an actor, I was never able to hold a job for more than 3 months for some reason. It just wouldn't hold my interest, so there was some way that I wound up quitting or getting fired from it. But being an actor is perfect, because movies usually take about three months to shoot. Then it's over and they say, 'Hey, great job!'

Very often the Group actor is a critic when he's acting and an actor when he's criticizing.

Claude Rains was what we call an actor's actor. He was very involved with himself and his performance.

The weird thing is that, with actors, filmmakers and directors, it doesn't really matter if it's Robert Downey Jr., who's one of the biggest stars in the world, when you start to work, he's a hardworking actor. At the end of the day, it doesn't matter who's a big star and who's an unknown actor from wherever. It's all about the work you do.

I think one of the main differences between being an English actor and being an American actor is that we have things like the class system in England.I'm middle class. But I've got what some people might consider to be a working-class accent, so you've got those sorts of elements in this country to consider, which, in America, exist, but not necessarily in the same way.

Acting, music, painting... it's very subjective. So what I might think is a great actor, you might think is not a very good actor at all.

I think that it's much easier for a recording artist to become an actor than for an actor to become a recording artist.

My experience as a young actor on network television was that I couldn't make it work. I was drowning as an actor.

I moved in with my grandma when I was 17 and she had this giant bookshelf and it was fascinating to me. She got me into reading. My grandma is part of the writing community. She's so cute - I went to get breakfast with her out in L.A. and she came in with a giant straw hat and orange jumpsuit. She was always a big inspiration in me in continuing in the arts, whether it was acting or I started to paint. I didn't want to be one of those people that was like, "Oh my dad's an actor, so I'm an actor." It just never works out.

TV acting is so extremely intimate, because of the peculiar involvement of the viewer with the completion or "closing" of the TV image, that the actor must achieve a great degree of spontaneous casualness that would be irrelevant in movie and lost on the stage. For the audience participates in the inner life of the TV actor as fully as in the outer life of the movie star. Technically, TV tends to be a close-up medium. The close-up that in the movie is used for shock is, on TV, a quite casual thing.

An actor's life is the shadow of a cloud, the echo of a sound, the memory of a dream, nothing come of nothing. The finest actor does not create, he is but a translator of another man's work.

Almost everything I learned about being an actor came from those early years at the Actor's Studio.

When I started writing after my career as an actor, I knew that that other life in the film industry would be pulled into my writing life and that people would see me not as an author but as an actor starting to write.

I was a guy who needed to go to class, because I had some raw talent that I thought was identifiable, when I finally made a decision to be an actor. And yet I wanted to learn how to really do the stuff. You know, 'How do I get to be a serious actor?

My casting process was slightly different and slightly interesting insofar as I knew everybody could act. That's something you've seen. You know people can. You've seen them on the screen and you think either they're a good actor or a bad actor. So that's not the point. What I wanted to do was find people who I thought would have a similar comic sensibility.

Kids kill a show! It's, like, a fun concept when the character is pregnant, but then if a show runs for a while, I'm sorry, but it gets annoying when it starts to talk. You get a child actor in there, and unless that child actor is freakin' awesome, it's going to be annoying.

I know what a good question would be for an actor. What's your least favorite thing that you've ever heard an actor say about acting? Or about being in a movie?

I would love to work with Bill Murray. I've always been such a big fan. I think he's obviously a great comedic actor but a really interesting actor.

One of my heroes is Mr. Sidney Poitier. In his autobiography, "The Measure of a Man," he talks about the difference between being a great person and being a great actor. I'm happiest when I'm acting, and I've dedicated my life to it. Still, as much as I love acting, at the end of the day, I want to be remembered as a great person, first, and as a great actor, second. I believe that acting is a talent while being a great person encompasses so much more: being a good father, a good husband and the ability to show compassion for others.

I've never really felt like I was a child actor. Just an actor who happened to be quite young.

When you go for something because you're curious about it, you get psyched up about the chance of getting into it. It's like an actor meets a role, and you slip into that body and see what happens, to experience certain conditions, to adopt a certain character. Even shooting is a study of the character. I think both the character and the actor, and eventually the filmmaker - myself - are finding a way to accept their environment and being accepted and feel comfortable of themselves.

A large part of how an actor works and their process is the stimulation of what's around you, and none more so than in a period piece. This is a modern piece, as much as it is set in a different time, age and myth. If it wasn't relevant, it wouldn't have been made and we wouldn't be putting our energy into it. It's relevant for us today because, in some ways, it throws up a mirror to all of us. As an actor, you get stimulus and you're effected by that, whether it's costumes or funny beards or castles.

('Mad Men') was my final audition of the pilot season. It had been three miserable, horrible months where I had zero callbacks, zero positive reception, one of those pilot seasons that makes you pretty sure you are never going to be an actor and never want to be an actor. And then that happened.

Instead of being a theater actor who sometimes does movies I became a movie actor who sometimes does theater.

To be an actor, a true actor, you have to be brokenhearted.

Business is very personal. For me, everything is extremely personal. With actors, the fact that I write helps, because when you say to an actor "Oh I want you to do it a little bit more ...," without saying what you want more of, then the actor doesn't know what to do. But if you can put into words exactly what you want, then the experience of writing is helpful with that.

You're not actually being a good actor all the time. But people refer to me as a good actor because they read it someplace, not because they've made up their own mind. So I'm very lucky!

There is no legimate actor who can resist the powerful lure of the movies. It isn't the money that fetches him. It isn't the great publicity. It is simply this: the movies enable an actor to look at himself.

I don't really look at the skillset of being an actor as different in each medium. It asks a different thing of you as an actor, but for me, I draw upon the same skillset. It's just a different tuning of your tools as to who you're doing it for, whether you're doing it for an intimate camera or an audience of 2,000 people.

There's one thing better than having a great actor, and that's having a great actor who's never done this kind of role before and is hungry to do it. They're testing themselves every day. They want to get out of their trailer and get to work.

I feel like being an actor it is a great way to do your job and be a parent, because you have a lot of freedom. You have a job and then the job ends and than maybe you don't have another job for a while or maybe you chose not have another job for a while. For an actor, it's like maybe you don't see your kid for two weeks while you are filming but then you might have three months off where you are at home every day and picking him up from school. I find it's a great thing.