Quotes About Actor

I definitely consider myself a Method actor, because of my training. I might dispute what people consider a Method actor to be. For my money, a Method actor is an actor who has a technique. That has a method. And not one method, but whatever might be required. So a Method actor is always learning.

For me, some of the happiest moments on a live-action film are the awkward moments. One actor says something to another actor. They didn't expect that performance from that actor; that affects their return performance.

I've never trained as an actor. I've always thought I'm not a good actor. I've been told I'm not a good actor by a lot of people.

Dakota Fanning is a child, but she is a wonderful actor. I don't know what a child actor is. She's an actor who's a child.

I think of myself as a character actor, compared to a straight actor. I know a character actor in England is pretty much the same as in the States; you're actually hired to put on terrible teeth and stuff like that.

I actually cut my sentences a lot. I'm very aware of the actor, giving them too many words - just a mouthful of words - it's difficult sometimes for an actor. So I'm kind of aware of breaking sometimes the line, the sentence with a comma where maybe there wouldn't be a comma there. Just to give a breathing space for the actor, just to be aware of that.

Performing as a musician is a lot different than performing as an actor. As an actor, you can hide behind the character in the play, and there's a director and other actors. When you're a musician, you're right there. It's sort of like being a comedian. You're giving the audience in real time something authentic from yourself. As an actor, my bullshit meter was going off like crazy at my first attempts to find my own rock star.

I just enjoy the filmmaking side of things. I feel like when you're an actor, sometimes you're in other people's hands and they're in charge of your creative life. Whereas with my production company, I'm the one that gets to make those choices for how I'm gonna spend my time and what content I'm going to be creating. I definitely learn a lot, especially about acting, by producing and directing and seeing how it all comes together, and seeing the other side of things, appreciating what goes into pre- and post-production, and all those things you don't see when you're an actor.

Are you genuine? Or just an actor? A representative? Or what it is that is represented?-In the end, you might merely be someone mimicking an actor ... Second question of conscience.

The bad thing about being with an actor is that the role he's in stays with him all the time. The good thing about being with an actor - well, I can't think of any good thing.

Dustin Hoffman said this one time, that if he hadn't made it as a film star, he would still be happy as a character actor because he was a character actor because of his face from day one, so he would always work in the theater.

The most important definition of an actor, the job of the actor, is to serve the writer, not yourself. Way too many actors serve themselves.

The first state an actor experiences onstage is the one he just experienced in life. One needs great courage not to portray this experience. One must surrender entirely to the power of one s artistic nature. It will do all the necessary things. Do not impose any solution upon yourself in advance. The quality to develop in an actor is courage.

Claude Rains was what we call an actor's actor. He was very involved with himself and his performance.

Filming in Cloak & Dagger I was trying to get my Screen Actors Guild card. Everybody tries to get their SAG card if they want to be an actor. People might say that it was their dream to be an actor, but for me, I was a comedian. I already had a job. But I felt like there could be money there, and comedians don't make very much money, or they didn't in 1984.

If you're not an actor, or if you're any other kind of artist, there's this sense that, "I must express this thing." Why make a painting if you don't feel like you have to for something inside of yourself? Why make a song if you don't feel like you have to because there's something that you need to get out? And when you're an actor and you're not performing text that you've written, I think there's this bizarre disconnect with the must-ness of it.

There are moments when it's unbelievable how people who work on the hair or on the little bit of skin here, they have no other care or interest since this part of their job is the only thing that needs to look good. So you have to push everybody to the side so that you can have a connection with your actor and give some air to your actor.

I'm a people's actor, not a critics' actor, and I always have been.

And I think that's why I was going to be a musician. I was very rebellious. And I didn't want to be an actor. My father used to say to me you should be an actor if you want to be in the arts.

Any role that big is going to be a challenge for any actor, but for an actor of a young age, it's going to be even tougher.

What I had found after the success of Karate Kid II is that an actor basically needs to - a primary requirement on my part as how I view as actor is you have to create a background, you have to create a history of that character and place her into the script that you're reading and carry on forward because you don't know how the future unfolds. This is what storytelling is you place a certain set of circumstances with a certain set of characters and you see what unfolds after an event happens.

Sometimes you choose the wrong actor, he could be the best actor ever, but hes not cast in the right part then it doesnt work.

Just as the good actor perform well whatever role the poet assigns, so too must the good man perform whatever Fortune assigns. For she, says Bion, just like a poet, sometimes assigns the leading role, sometimes that of the supporting role; sometimes that of a king, sometimes that of a beggar. Do not, therefore, being a supporting actor, desire the role of the lead.

I think directors can be a little insensitive to how vulnerable an actor is, when he's giving a performance. Part of the job of an actor is to invite scrutiny, but with that, the people around them have to nurture that and put them in an environment where they feel safe and they feel like they can risk something.

Every actor has a natural animosity toward every other actor, present or absent, living or dead

I want to cast correctly, and then I want them to live on screen. If I cast the wrong actor, I'm screwed. But, if I cast the right actor, it really works out. The casting process is so important.

I just always wanted to be an actor. I don't remember ever not wanting to be an actor. I did a lot of musical theater when I was younger, and I really hope to get back there someday.

I knew I wanted to be an actor when I was growing up, really. So when I decided to go to university instead of drama school, it was with the intention of becoming an actor afterwards.

It was difficult in India to find an eight year old who could play a widow. The reason for that is that most of the children in India are really exposed to Bollywood. It's commercial Indian cinema which is really over the top. To find an actor, or even a non-actor, who felt natural was difficult.

If I can be a working actor, if I can be an actor and not have a day job, I'll be fine.

You know, the hard thing about audiences not liking what a character does is that they sometimes take it out on the actor personally. That's something that you know when you become an actor or actress, but it's always hard to deal with when it actually happens.

I'm very old-school. I like a director to direct me. I like to be the actor. I'm not particularly fond of the hybrid writer-director, or actor-director. Writers, directors, actors are all such very different people. I think it's unusual that two of those people are in one human.

You're not actually being a good actor all the time. But people refer to me as a good actor because they read it someplace, not because they've made up their own mind. So I'm very lucky!

I would like to feel that I have a range and that it's not just a matter of being a comic actor or a serious actor, because those are really artificial classifications, I think.

You can always tell when an actor has grown a 'rhino skin' to protect themselves. It comes across on screen, and they aren't believable. They're dead in the eyes because they've been told a million times that they're the greatest actor that ever lived. If you don't realise what's happening, and get your feet back on the ground, it can be the worst thing that ever happens to you.

I don't have any great pickup lines. I was never an extrovert, so I always had to have someone meet me halfway. If she was interested, we'd come together, and if not ... When I became a movie actor and became well-known, it took care of itself. Maybe that's why I became an actor.

The thing is that I'm an actor first, and in 'Once,' I was able to be a musician and a singer as well as an actor.

You spend enough time on set as an actor and it's great when a director was at some point an actor or understands acting. They're able to finesse performances out of you that a lot directors can't get.

An actor said recently that, unless you're a parent, you shouldn't play a parent in a film. I don't know who said it, but I disagree. I understand that maybe there are aspects that you don't understand, or maybe this actor or actress had a really strong recent experience with having their first or second or third born child. I don't know. As a dad, I get that. I get that there is no love like it. But, at the same time, love is love.

An actor will use every piece of information at their disposal, or a good actor will.

I'm just an actor. Just a stupid actor.

The fact that there is no right or wrong is what I think is maddening. I can think you're a phenomenal actor, but the guy next door can think you're a horrible actor, and neither of us is wrong and neither of us is right. It's just a matter of opinion.

I don't think of myself as a TV actor. I think of myself as a film, television and Off-Off-Off-Off Broadway actor.

My goal as an actor, as an up-and-coming actor in this business is to stay consistent with the work, you know, and if you do good work, and stay focused on the work, writers and directors will pay attention.

What's nice about writing and making films is that being able to see a film from the outside - from the inception through production and then completion - just informs what you're doing when you're an actor. And when you're an actor, it informs the decisions you make when you're making a film. It's using two different sides of your personality.

I think I always wanted to be an actor - sounds a bit boring, doesn't it? And I pretended once that I wanted to be a vet because one of the teachers asked me and saying you want to be an actor sounds a little bit silly. And I do still feel a bit silly saying it. You feel a bit fraudulent.

As an actor, it made me realize a really important lesson. I didn't have to put any spin on the ball as Rita [in Dexter]. All I had to do was speak. And there was such simplicity in that as an actor. With Debra, I was trying to put a square peg into a round hole, and it just didn't work, but in my mind, because I had to work so hard on it, I was, like, "Oh, this is acting!" But that's not acting.

I bring excitement on the sets. I'm an exciting actor, overrated, exaggerated. But I'm not an unexciting actor. I excite people. I never lose hope. If I feel that a film is going wrong somewhere, I do even better.