Quotes About Actress

I am only an actress when they say, 'action' and I stop being an actress when they say, 'cut'. I am a normal person outside of acting.

What is Camille Paglia doing, writing that an actress as gifted as Anne Heche has the mental depth of a pancake? How many pancake brains could do what Heche did with David Mamet's dialogue in Wag the Dog? No doubt Heche has been stuck with a few bad gigs, but Paglia, of all people, must be well aware that being an actress is not the same safe ride as being the tenured university professor of humanities and media studies at the University of the Arts in Philadelphia.

My nana was an actress, my mom was an actress, and my sister, too. So because I was surrounded by it, it really came naturally.

Once an actress always an actress.

It's bad enough that I'm an actress that wants to be recognized as an actress. Instead, I am known for doing game shows.

As an actress, there's a lot of waiting. You wait for a script to come in that you want to do. You get to a point where you decide that if you want good things to be made, you're going to have to start making them yourself as an actress. You can't just wait around for it. But you can also just enjoy the breaks, and use them to kind of refuel. I've been working so long at this point that I don't mind the breaks. I think they make me better, actually.

There's nothing wrong with making little kids happy, but there's nothing wrong with wanting to be an adult actress. I mean a grown-up actress.

Basically, I have a gift as an actress, and I want to present the sophisticated side of me as an actress and a person.

I think my parents were worried when I said I wanted to be an actress, but they also understood what that feeling is like. Maybe if I had shone at anything at school they would have encouraged me to try that, but it has been the only thing I have ever wanted to do.

Some critics saw fit to say that I was a great actress. I thought that was a foolish, wicket thing to say because it put such an onus and such a responsibility onto me, which I simply wasn't able to carry.

Playing good girls in the '30s was difficult, when the fad was to play bad girls. Actually I think playing bad girls is a bore; I have always had more luck with good girl roles because they require more from an actress.

I will never date an actor or a model. My family will never accept her. We are a middle class family, and an actress will never be able to gel with us.

I was embarrassed that I even wanted to become an actress because coming from L.A., with two older sisters in the business and a mom who had been a ballet dancer, it was such a cliche.

I forget about the relationship between myself and any actress when working with her.

No amount of skill on the part of the actress can make up for the loss of youth.

I'd like to break some new ground, maybe in TV presenting, rather than just be an actress.

I'm an actress and I want to act, and I'm a mom and I want to be with my kids, and it's trying to find a way to do both.

Finally, I was called for "The Office" and I was really lucky, because a lot of the shows that I went out for I would work my way up from, like, an audition with the casting director to the director to the producers to the studio, I'd go through seven auditions, and then they'd give the role to a famous actress.

The more famous an actress becomes, the less she's allowed to eat. Unless she wants to play people's mothers. And in bad clothes, yet.

I had never even thought I'd be an actress - I was supposed to be a lawyer. But the motivation is the same: when you act, you defend a role; you have to be convincing. It's the same career.

Ultimately I'll probably end up going out with an actress again. But an architect would be cool. They need to do something creative. I'm attracted to talent. But it would maybe be healthier if it wasn't in the industry.

I've always been business-minded. I worked in corporate America before becoming an actress and knew that acting wasn't the end but a means to an end. It gave me the platform and the exposure I needed to do my philanthropic work. It also gave me the financial security to focus on my other businesses, start new businesses, and even help other people start businesses.

Marilyn Monroe gave more to the still camera than any actress, any woman I've ever photographed; infinitely more patient, more demanding of herself and more comfortable in front of the camera than away from it.

All you have to do is to look like crap on film and everyone thinks you're a brilliant actress. Actually, all you've done is look like crap.

I'd wanted to be an actress my whole life, that was my goal, that was all I cared about.

You dont grow up in a town of 700 thinking youre going to be an actress. I loved doing [school] plays, but it was just something to keep me busy.

I was lucky enough to be able to grow and mature in a natural way as an actress.

I think in a lot of ways, writing, when you're really in there, is like being an actress because you're in somebody else's head.

I guess I was an early method actress. I would go to a quiet part of the sound stage with my mother. I wouldn't think of anything sad, I would just make my mind a blank. In a minute I could cry.

I spent three years researching American Rose, research that included connecting with Gypsy's sister, the late actress June Havoc (I was the last person to interview her) and Gypsy's son, and also spending countless hours immersed in Gypsy's expansive archives at the New York Public Library. I became obsessed with figuring out the person behind the persona.

I am an actress. I am not a movie star.

I'm not a comedienne. I'm an actress.

My idea of no makeup on actors is really no makeup. I mean, they can be wearing makeup. I don't care what they're wearing as long as it looks like they're not wearing makeup. But an actress will suddenly appear with some lipstick on. And that's makeup. Keener's character wears makeup. Her character would wear makeup. I try to stay true to whoever that person is. I hate that kind of thing where you're waking up in the morning with makeup on in a movie. I just think it pulls you out of the movie.

I'm a trained actress and I can do it, but I think that you have to prove yourself

I was 11 when I first said I wanted to become an actress, and everyone looked at me as if I had said I wanted to go to the moon.

I'm not going to pursue it the way that actors pursue it which means going to all of the auditions and getting a job and all that stuff, because I don't really need to get a job because I have a job as a writer/director. That's how I make my living mostly now. So I don't need to make a living as an actress.

My very first acting job ever, the first time I got paid to be an actress, was in 2001, right between my sophomore and junior year in college, when I was just 19 years old. I got paid $250 every two weeks, 10 shows a week, to be in the Utah Shakespearean Festival. I was Calpurnia in 'Julius Caesar.'

[Mackenzie Foy] is really a fantastic actress and she's very professional, but she is still a kid and that's really nice to see, whenever there is a balance and they're able to have fun and play on set, but still go home and hang out with friends her age. I was really impressed with her. I think the biggest change for us is that we had a "swear jar." And she was rich - she made more money than us.

I never had a doubt about wanting to be an actress, but certainly when there were periods of unemployment, I would think, "Oh, I'm never going to work again." The only thing I don't like about it is the business part of it - the negotiating and all this stuff that you don't learn in school. I'm not good with business.

I just thought acting would be something to help out with my student loans, but my first year as an actress, I made more money than my parents. That's when I realized it could turn into a career. After that, I put everything I had into it.

I think the good thing about my face is it has always been expressive. With Botox that goes - not what you want as an actress.

I'm not an actress who can create a character. I play me.

The fact that I got into acting at all was kind of fluke-ish. I loved movies, but I can't remember ever really wanting to be an actress, and I certainly didn't imagine ever being in a movie. I think I wanted to be a writer.

The relationship between an actress and her director is often a very close one.

I had a Saturday job in a chemist. The pay was something ridiculous like £2 an hour - it was slave labour - and I spent all day cleaning shelves. On my first day an actress from Eldorado, which was on telly at the time, came in and said, 'Can I have some Replense please?' I didn't know what it was, so I had to ask her and she had to say, 'It's vaginal moisturiser,' in front of a massive queue of people. After one day I was like, 'I don't want to do this job any more, it's just boring.'

There's no point putting your heart and soul into a part when you know in advance it isn't worth the trouble. I'm not speaking as a dedicated actress. Enthusiasm and hard work are requisites for any job a person undertakes. I tried working just for money once and it made me almost physically ill.

I'm a full-time mom right now and a part-time actress.

Jen came first, and then they wanted to cast somebody that would... Kevin liked the idea of having a kind of The Ghost of That Character kind of haunt the movie in a way throughout, by having Raquel look so much like her. And also, it was sort of serendipity. I mean, she was also the best actress. I mean, as you can see Raquel has a pretty appealing, engaging kind of precocious, sparkly quality that's... it was just luck really that she happened to the film.