Quotes About Aesthetic

Originality is another criterion of aesthetic value. We may formulate an originality principle, according to which highly valuable works of art provide hitherto unavailable insights.... Notice that, although originality is a necessary condition of high aesthetic value, it is far from a sufficient condition. Many original works have little or no aesthetic value. An artwork may present a novel but uninteresting perspective, or one that is original but wrong.

Evidence that [feminine aesthetic preferences and ways of expressing oneself] may be hardwired comes from the fact that they typically appear early in childhood and often in contradiction to one's socialization. […] This indicates that some aspects of feminine verbal and aesthetic expression precede and/or supersede gender socialization.

My first girlfriend, when I was about 18, was a fashion designer, and my sister was a fashion designer as well. I've always been into shopping, and I've always been very aesthetic, in a sense.

The evolutionary vision is agnostic in regard to systems in the universe of greater complexity than those of which human beings have clear knowledge. It recognizes aesthetic, moral, and religious ideas and experiences as a species, in this case of mental structures or of images, which clearly interacts with other species in the world's great' ecosystem.

Man's first expression, like his first dream, was an aesthetic one. Speech was a poetic outcry rather than a demand for communication. Original man, shouting his consonants, did so in yells of awe and anger at his tragic state, at his own self-awareness and at his own helplessness before the void.

Novels usually evolve out of 'character.' Characters generate stories, and the shape of a novel is entirely imagined but should have an aesthetic coherence.

A dramatic experience concerned with the mundane may inform but it cannot release; and one concerned essentially with the aesthetic politics of its creators may divert or anger, but it cannot enlighten.

The best and most innovative products don't always win...(it's an) aesthetic flaw in how the universe worked

The information is there, you may not perceive it, but it does affect the lower orders. There are places where it just peaks out. It is like the color spectrum, it just simply goes beyond where you can perceive it any more but it is still going on. If you decide that the invisible continuation of the color spectrum is important to your sense of what reality is about, then you would want to extend it. Extend it as far as you could, as an aesthetic.

A part of sexuality may go to research, and a much larger part must lead to aesthetic creation. The art of the future will, because of the very opportunities and materials it will have at its command, need an infinitely stronger formative impulse than it does now.

I come from a culture that was isolated for a long time - I have my own story to tell, in my own style, and an aesthetic approach that was mostly self-taught. So, does it fit a reader's curiosity? Will it meet their expectations?

Radio football is football reduced to its lowest common denominator. Shorn of the game's aesthetic pleasures, or the comfort of a crowd that feels the same way as you, or the sense of security that you get when you see that your defenders and goalkeeper are more or less where they should be, all that is left is naked fear.

I think I just have a natural operatic aesthetic. I can't help it.

We as the band are passionate and energetic musicians. We have minimised the amount of self-criticism. Fear of death, total impatience and an unconcerned attitude to weary notions of good and bad is what's making us exceed speed limits. We're hijacking the holy inspiration from otherness, and we don't spoil it with personal aesthetic preferences. We are panthers and gazelles, not slugs and tortoises. Though it must be said that after turning forty I've started to resemble a sloth more and more.

The aesthetic came along the way, I think - just through experimenting, and going on tour, and trying stuff out on stage, having fun with it, and not taking it too seriously. If I had a ballgown at home, I'd wear it onstage. If I found something in a charity shop, I'd wear it. That's where it grew from - just wanting to play dress-up.

I wanted to get to that aesthetic proposition that comes out of learning the human elements of a world, so that those notes and rhythms mean something to you besides just the academic way in which they fall in place.

I don't make records that way, where I'm trying to please the marketplace or anything. Not because I have anything against that, it's just never been a part of my aesthetic, even when I was with the Pixies.

If you ever saw All That Jazz [1979], Bob Fosse was kind of raised dancing in strip joints and the whole era of burlesque, and that form ran his visual aesthetic, the pacing and rhythm of what he did.

Frequently, I have been asked if an experiment I have planned is pure or applied science; to me it is more important to know if the experiment will yield new and probably enduring knowledge about nature. If it is likely to yield such knowledge, it is, in my opinion, good fundamental research; and this is more important than whether the motivation is purely aesthetic satisfaction on the part of the experimenter on the one hand or the improvement of the stability of a high-power transistor on the other.

The true traveller is the one urged to move about for physical, aesthetic, intellectual as well as spiritual reasons.

The aesthetic event is something as evident, as immediate, as indefinable as love, the taste of fruit, of water. We feel poetry as we feel the closeness of a woman, or as we feel a mountain or a bay. If we feel it immediately, why dilute it with other words, which no doubt will be weaker than our feelings?

The best stroked putt in a lifetime does not bring the aesthetic satisfaction of a perfectly hit wood or iron shot. There is nothing to match the whoosh and soar, the almost magical flight of a beautifully hit drive or 5-iron.

Only men are capable of aesthetic greatness.

A garden is a result of an arrangement of natural materials according to aesthetic laws; interwoven throughout are the artist's outlook on life, his past experiences, his affections, his attempts, his mistakes and his successes.

Each season I strive to design a forward-thinking and effortless collection with a very clean minimalist aesthetic.

The more people explore the world, the more they realize in every country there's a different aesthetic. Beauty really is in the eye of the beholder.

My first few weeks in America are always miserable, because the tastes I am cursed with are all of a kind that cannot be gratified here, and I am not enough in sympathy with our gross public to make up for the lack on the aesthetic side. One's friends are delightful; but we are none of us Americans, we don't think or feel as the Americans do, we are the wretched exotics produced in a European glass-house, the most displaced and useless class on earth!

Often, we try to repair broken things in such a way as to conceal the repair and make it “good as new.” But the tea masters understood that by repairing the broken bowl with the distinct beauty of radiant gold, they could create an alternative to “good as new” and instead employ a “better than new” aesthetic. They understood that a conspicuous, artful repair actually adds value. Because after mending, the bowl's unique fault lines were transformed into little rivers of gold that post repair were even more special because the bowl could then resemble nothing but itself.

They gutted the book, making an action movie for 15-25 year olds. Tolkien became...devoured by his popularity and absorbed by the absurdity of the time. The gap widened between the beauty, the seriousness of the work, and what it has become is beyond me. This level of marketing reduces to nothing the aesthetic and philosophical significance of this work.

Mathematics as an expression of the human mind reflects the active will, the contemplative reason, and the desire for aesthetic perfection.

We were a small group of weirdos and baby punks and gays and free spirits who had to use our imaginations a lot. We only saw pictures and read zines, so we could only interpret the aesthetic and message of punk scenes around the world. We were basically the duck-billed platypuses of punk.

To me, art and music inform each other continually, and when I was making more music there was an overall aesthetic that was shared by both mediums. Now I always listen to music when I work, so when I am working a lot, that is when I start searching out new music and finding new things to get excited about.

No student of history can fail to see the moral interest of the Middle Ages, any more than an artist can fail to see their aesthetic interest.

Of one thing we can be sure: our own future is inseparable from the larger community that brought us into being and which sustains us in every expression of our human quality of life, in our aesthetic and emotional sensitivities, our intellectual perceptions, our sense of the divine, as well as in our physical nourishment and bodily healing.

The development that produces great art is a moral and not an aesthetic development.

Learning that aesthetic as a kid - seeing those photos - made me think that that's what photos are supposed to look like. I never understood snapshots. I was looking at them like, "This is horrible; that's not what a picture is supposed to look like." I was taught by these photos. So when I picked up the camera, though I had never done it before, I kind of already knew what I was doing.

A label is like a bank with all these really important relationships, and maybe an aesthetic or a point of view. But if you only want to release two songs, you don't need the guy who can talk to all the retailers, because they're not going to stock two songs.

Whatever they are, can Comics be "Art"? Of course they can. The "Art" in a piece is something independent of genre, form, or material. My feeling is that most paintings, most films, most music, most literature and, indeed, most comics fail as "Art." A masterpiece in any genre, form or material is equally "good." It's ridiculous to impose a hierarchy of value on art. The division between high and low art is one that cannot be defended because it has no correlation to aesthetic response.

What is extraordinary about contemporary art is the energy - it has our energy. New energy. Pieces hundreds of years old are beautiful from an aesthetic point of view, but without our modern energy.

Mankind's self-alienation has reached such a degree that it can experience its own destruction as an aesthetic pleasure of the first order.

We all appreciated a certain aesthetic, and with that appreciation came a certain stylized presence.

Commercial roadways in communities that lack zoning laws, for example, are often an aesthetic nightmare not because of insufficient competition, and not because merchants are stupid or lack taste. Rather, the problem is that any individual merchant's sign won't be noticed unless it's bigger and more garish than those of rival merchants.

Facing the kitsch aesthetic is the unfathomable world of myths.

I don't buy jewelry just for the aesthetic side.

We like to juxtapose our music with a more dour aesthetic.

Don't forget that costumes, like dreams, are symbolic communication. Dreams teach us that a language for everything exists - for every object, every color worn, every clothing detail. Hence, costumes provide an aesthetic objectification that helps to tell the character's story.

For me, reggae music and its aesthetic are touchstones in both simple and complex ways. Reggae's capacity to be a folk music that is created in a wholly modern context of the recording studio (and sometimes that is the sole performance space) is riddled with the kinds of contradictory impulses that we have come to expect from the post-modern. I revel in this, for it gives me, shall I say, permission.

Having Alexei Ratmansky create a new Romeo and Juliet for The National Ballet of Canada to mark our 60th anniversary is a dream come true. His aesthetic -- steeped in the Russian school but open to contemporary sources -- is ideal for this work and for our company, which, with our classical heritage and our passion for the modern, is perfectly suited to his distinctive dance vision.