Quotes About Ancient

When you're 16, 30 seems ancient. When you're 30, 45 seems ancient. When you're 45, 60 seems ancient. When you're 60, nothing seems ancient.

So too, monks, I saw the ancient path, the ancient road traveled by the Perfectly Enlightened Ones of the past. And what is that ancient path, that ancient road? It is just this Noble Eightfold Path; that is, right view, right intention, right speech, right action, right livelihood, right effort, right mindfulness, right concentration.

The story, it's really important to The Ancient One that Doctor Strange does cut it because The Ancient One needs a successor, or certainly needs - you could say - a son. So The Ancient One is really invested in Doctor Strange, it's a very kind of primal relationship.

The Bible is an ancient text from an ancient context. We live thousands of miles and thousands of years away from that context, which also represents different cultures. Archaeology is a modern means of revealing both the lost record of the ancient world, and the historical and social world of the Bible. While the purpose of archaeology is not to prove the historicity of the people and events recorded in Scripture, it can help immeasurably to confirm the historical reality and accuracy of the Bible and to demonstrate that faith has a factual foundation.

Experts in ancient Greek culture say that people back then didn't see their thoughts as belonging to them. When ancient Greeks had a thought, it occurred to them as a god or goddess giving an order. Apollo was telling them to be brave. Athena was telling them to fall in love. Now people hear a commercial for sour cream potato chips and rush out to buy, but now they call this free will. At least the ancient Greeks were being honest.

Ancient art has a specific inner content. At one time, art possessed the same purpose that books do in our day, namely: to preserve and transmit knowledge. In olden days, people did not write books, they incorporated their knowledge into works of art. We would find a great many ideas in the works of ancient art passed down to us, if only we knew how to read them.

What I mean by context is worldview - having the ancient Israelite or first-century Jew in your head as you read. How would an ancient Israelite or first-century Jew read the Bible - what would they be thinking in terms of its meaning? The truth is that if we put one of those people into a small group Bible study and asked them what they thought about a given passage meant, their answer would be quite a bit different in many cases than anything the average Christian would think. They belonged to the world that produced the Bible, which is the context the Bible needs to be understood by.

It has been long considered possible to explain the more ancient revolutions on... the Earth surface by means of these still existing causes; in the same manner as it is found easy to explain past events in political history, by an acquaintance with the passions and intrigues of the present day. But we shall presently see that unfortunately this is not the case in physical history:-the thread of operation is here broken, the march of nature is changed, and none of the agents that she now employs were sufficient for the production of her ancient works.

We who have lived before railways were made belong to another world. It was only yesterday, but what a gulf between now and then! Then was the old world. Stage-coaches, more or less swift, riding-horses, pack-horses, highwaymen, knights in armor, Norman invaders, Roman legions, Druids, Ancient Britons painted blue, and so forth -- all these belong to the old period. But your railroad starts the new era, and we of a certain age belong to the new time and the old one. We who lived before railways, and survive out of the ancient world, are like Father Noah and his family out of the Ark.

Photography intervenes in a very strange way. It makes the streets, gates, squares of the city into illustrations of a trashy novel, draws off the banal obviousness of this ancient architecture to inject it with the most pristine intensity.

Ancient and modern languages teem with happily expressed sentiments of more or less force and beauty, sufficiently individualized and excellent to warrant their reproduction and classification.

All over the world major museums have bowed to the influence of Disney and become theme parks in their own right. The past, whether Renaissance Italy or Ancient Egypt, is re-assimilated and homogenized into its most digestible form. Desperate for the new, but disappointed with anything but the familiar, we recolonize past and future. The same trend can be seen in personal relationships, in the way people are expected to package themselves, their emotions and sexuality, in attractive and instantly appealing forms.

To me, the circle and the square where the sky and the earth, as symbolized by the ancient Oriental religions; they formed a kind of rudimentary alphabet by means of which everything could be expressed with the most limited means. They evoked prehistoric runes and the early I-Ching, or Book of Changes.

Ah; but my courage fails me, and my heart is sick within me! —Lord, take pity on the Christian who doubts, on the skeptic who would fain believe, on the galley-slave of life who puts to sea alone, in the darkness of night, beneath a firmament illumined no longer by the consoling beacon-fires of the ancient hope.

If in the library of your house you do not have the works of the ancient Greek writers, then you live in a house with no light.

Maui is a beautiful island. It's really the site of an ancient civilization that we've forgotten about, a civilization that existed millions of years ago. When their time came, they left this world and another race was born, the race of human beings.

Natural causes, as we know, are at work, which tend to modify, if they do not at length destroy, all the arrangements and dimensions of the earth and the whole solar system. But though in the course of ages catastrophes have occurred and may yet occur in the heavens, though ancient systems may be dissolved and new systems evolved out of their ruins, the molecules [i.e. atoms] out of which these systems are built-the foundation stones of the material universe-remain unbroken and unworn.‎ They continue to this day as they were created-perfect in number and measure and weight.

Part of my attraction to ancient art is that there is an element of risk, of speculation.

Where is your ancient courage? You were used to say extremities was the trier of spirits; That common chances common men could bear; That when the sea was calm all boats alike showed mastership in floating.

It is true that neither the ancient wisdoms nor the modern sciences are complete in themselves. They do not stand alone. They call for one another. Wisdom without science is unable to penetrate the full sapiential meaning of the created and the material cosmos. Science without wisdom leaves man enslaved to a world of unrelated objects in which there is no way of discovering (or creating) order and deep significance in man's own pointless existence. (p. 4)

MEMRI allows an audience far beyond the Arabic-speaking world to observe the wide variety of Arab voices speaking through the media, schoolbooks, and pulpits to their own people. What one hears is often astonishing, sometimes frightening, and always important. Most importantly, it includes the newly-emerging liberal voices of reform and hope, as well as disturbing echoes of ancient hatreds. Without the valuable research of MEMRI, the non-Arabic speaking world would not have this indispensable window.

This is the launch of the Doctor Strange film interpretation, of - in my view - a classic, which has been interpreted many times by other graphic artists and this is just our graphic interpretation of The Ancient One. I would say the whole approach is about a kind of fluidity.

Knowledge is ancient error reflecting on its youth.

As artists, we belong to an ancient and holy tribe. We are the carriers of the truth that spirit moves through us all. When we deal with one another, we are dealing not merely with our own human personalities but also with the unseen but ever-present throng of ideas, visions, stories, poems, songs, sculptures, art-as-facts that crowd the temple of consciousness waiting their turn to be born.

According to an ancient Sardinian legend, the bodies of those who are born on Christmas Eve will never dissolve into dust but are preserved until the end of time.

Most things are forgotten over time. Even the war itself, the life-and-death struggle people went through, is now like something from the distant past. We're so caught up in our everyday lives that events of the past, like ancient stars that have burned out, are no longer in orbit around our minds. There are just too many things we have to think about every day, too many new things we have to learn. New styles, new information, new technology, new terminology ... But still, no matter how much time passes, no matter what takes place in the interim, there are some things we can never assign to oblivion, memories we can never rub away. They remain with us forever, like a touchstone. And for me, what happened in the woods that day is one of these.

The impulse to mar and to destroy is as ancient and almost as nearly universal as the impulse to create. The one is an easier way than the other of demonstrating power.

Here the artist is, as it were, an archaeologist, uncovering deeper and deeper strata as he works, recovering not an ancient civilization, but something as yet unborn, unseen, unheard, except by the inner eye, the inner ear. He is not just removing apparent surfaces from some external object, he is removing apparent surface from the Self, revealing his original nature.

Trials by the adversarial contest must in time go the way of the ancient trial by battle and blood.

The territorial state is such an ancient form of society - here in Europe it dates back thousands of years - that it is now protected by the sanctity of age and the glory of tradition. A strong religious feeling mingles with the respect and the devotion to the fatherland.

The art of beautiful motion is far and away the oldest. Before man learned how to use any instruments at all, he moved the most perfect instrument of all, his body. He did this with such abandon that the cultural history of prehistoric and ancient man is, for the most part, nothing but the history of the dance.

The reason why the music [jazz] is important is because it's an art form-an ancient art form-that takes in the mythology of our people.

The keys are, or were, the training methods used by the ancient mystery schools. We've got hints and tips, we've got little bits on the papyri, but we don't have, in our hands, a complete curriculum of the ways in which they induced altered states of consciousness and the projection of the mind.

A language is a more ancient and inevitable thing than any state.

I didn't have an identity. It was manufactured. My identity now? It was written on the wall by ancient forces.

To sweat is to pray, to make an offering of your innermost self. Sweat is holy water, prayer beads, pearls of liquid that release your past. Sweat is an ancient and universal form of self healing, whether done in the gym, the sauna, or the sweat lodge. I do it on the dance floor. The more you dance, the more you sweat. The more you sweat, the more you pray. The more you pray, the closer you come to ecstasy.

From the most sacred ancient text of Yoga: Oh Krishna, the mind is restless, turbulent, strong, and unyielding. I consider it as difficult to subdue as the wind.

Meditation while walking has a long, noble history in ancient spiritual disciplines.

If all the ancient sacred writings had been preserved, some would be found to be heretical.

In the ancient recipe, the three antidotes for dullness or boredom are sleep, drink, and travel. It is rather feeble. From sleep you wake up, from drink you become sober, and from travel you come home again. And then where are you? No, the two sovereign remedies for dullness are love or a crusade.

Abstract words are ancient coins whose concrete images in the give and take of talk have worn away with use.

All the stories I have told you are finally as useless as all ancient knowledge is to man and to us. Its images and its poetry can be beautiful; it can make us shiver with the recognition of things we have always suspected or felt. It can draw us back to times when the earth was new to man, and wondrous. But always we come back to the way the earth is now.

Graphic design is a popular art and a practical art, an applied art and an ancient art. Simply put, it is the art of visualizing ideas.

As strange as it sounds, meditation may reveal that we are happier than we thought we were. We may discover that ancient conditioning rather than present circumstances is causing our dissatisfaction , and that this moment is quite sufficient or even wonderful, and we simply hadn't noticed.

You probably won't remember me. I'm probably ancient history. I'm one of the chosen few who went ahead and fell for you. I'm out of vogue, I'm out of touch. I fell too fast, I feel too much. I thought that you might have some advice to give on how to be insensitive.

Writing is one of the most ancient forms of prayer. To write is to believe communication is possible that other people are good, that you can awaken their generosity and their desire to do better.

I believe when I am in the mood that all nature is full of people whom we cannot see, and that some of these are ugly or grotesque, and some wicked or foolish, but very many beautiful beyond any one we have ever seen, and that these are not far away... and the simple of all times and the wise men of ancient times have seen them and even spoken to them.

When I was young, all the politicians looked like ancient Latin teachers or greengrocers. They were mumbly, stumbly men with their hair blowing in their eyes, walking into trees, opening the wrong door. They had no idea how to present themselves.