Quotes About Artistic

What I want to try to prove is that artistic games, when done properly, can still be a commercial success. By doing that, I will be able to essentially shift the industry and create more opportunity for people to create artistic games. In a way, making money is important for us right now. Not because we need it, but because the industry needs it.

I have often noticed that when Fate has a phenomenal run of ill luck in store for you, she begins by dropping a rare piece of good fortune into your lap, thereby enhancing the artistic effect of the sequel.

Cooking is an art, but all art requires knowing something about the techniques and materials. Using modernist techniques, you get more control, and that allows you to be more artistic, not less!

There are directors who desire to be artistic. It is pathetic to compare the seriousness of their aim with the absurdity of their attainment.

That very concentration of vision and intensity of purpose which is the characteristic of the artistic temperament is in itself a mode of limitation. To those who are preoccupied with the beauty of form nothing else seems of much importance.

You can't write the same book twice. Though I've been in historical musical situations, I can't go back and do that again. And though I run into artistic crises, they keep my life interesting.

The artistic capability of reinforced concrete is so fantastic - that is the way to go.

Think of anybody - Dostoevsky or Jane Austen - [their work] was always something that now we would call political. So I don't see those separations too much, between what is artistic and what is political. Maybe in painting... no, I don't even believe that.

The artistic process in digital art is very much the same as for making other kinds of paintings.

They are more like artistic names. Bá is a nickname. It's short for Gá. When I learned to spell letters and words, instead of calling him Gabriel [Ba], I called him Babio. People call him Gá and I call him Bá. So Bá is a nickname.

The bottom-line, you just have to. You do it because you want to do it and need to do it. You live life just one time. Why sit around and wait for the phone to ring? Even though I'm in a hit phenomenal show and it happens once every ten years - a show this big and popular - the last thing I want to do as an artist is feel comfortable and bide my time. Now is the time, more than ever, in this artistic explosion to do as much as we can!

It should be the privilege of every worker to take advantage of all the improved methods of working that relieve him from the tedium and fatigue of purely mechanical toil, for by this means he gains leisure for the thought necessary to working out his designs, and for the finer touches that the hand alone can give. So long as he remains master of his machinery it will serve him well, and his power of artistic expression will be freed rather than stifled by turning over to it work it is meant to do.

AN ARTISTIC DISCOVERY OCCURS EACH TIME AS A NEW AND UNIQUE IMAGE OF THE WORLD, A HIEROGLYPHIC OF ABSOLUTE TRUTH. IT APPEARS AS A REVELATION, AS A MOMENTARY, PASSIONATE WISH TO GRASP INTUITIVELY AND AT A STROKE ALL THE LAWS OF THIS WORLD-ITS BEAUTY AND UGLINESS, ITS COMPASSION AND CRUELTY, ITS INFINITY AND ITS LIMITATIONS.

Very few people possess true artistic ability. It is therefore both unseemly and unproductive to irritate the situation by making an effort. If you have a burning, restless urge to write or paint, simply eat something sweet and the feeling will pass.

Listen! There was never an artistic period. There was never an art-loving nation.

If you look at how great artists of the past, like Beethoven, for example dealt with art and morality, you see that there was torture and pain in their work, but there was also dignity in the way that was dealt with. So I don't buy this contemporary notion that the only way to be artistic is to be arrogant, offensive or immoral.

Classical music and pop are two different universes, each with its own difficulties, peculiarities, depth and artistic dignity. In Italy, I think there is a fairly clear line of demarcation, but the history of music is full of fusion. Popular and classical music have always found points of contact, of crossing, exchange, both drawing mutual profit.

There is nothing harder for an Artist than to retain his Artistic integrity in the tomb of success. A tomb, nevertheless, which nearly every Artist: whether he admits it or not; naturally wants to get into.

The Internet is the more democratic media them last times. And for being anarchical, it's open to all manifestations, artistic also.

Derivative writers seem versatile because they imitate many others, past and present. Artistic originality has only itself to copy.

If you really want to break it down, on a small movie everybody knows that they're there for artistic reasons to do something special to make something amazing, and they're not going to get their normal hotel and they're not going to get their trailer, but they're willing to forgo that - and of course the salary - because they want to do something really special. On a big movie, most people are getting paid a lot of money, and so they're there to do the work.

My dad was an engineer and so I had this picture of science and technology and pursuits of the mind as being more impressive than artistic pursuits, which I saw a as kind of frivolous.

I wanted to be a visual artist because I grew up around a lot of painters and photographers and had a very artistic upbringing. And I fantasized about being a drug-dealer when I was a kid. I thought it would be a good opportunity; I knew that the market would be strong. Is that bizarre?

I started to write a series of fantasy novels when I was eleven. I have never taken anything artistic as seriously; since then, writing has felt like an attempt to get back there, to my bedroom, my maps, those races and languages and runes.

Sometimes I start doing the remix and I just can't find anything good, so I just decline after trying. And I never give a remix if I don't like it. That makes some people angry, but I'm not a production house making remixes, and I try to do them in an artistic way, not trying to repeat myself.

I come from a very small rural village in northern Germany, and being an actor never even seemed like a possibility. I thought you would have to live in a big city, or be discovered somewhere, or be born into an artistic family, which I certainly wasn't.

... yet there is a difference between scientific and artistic observation. The scientist observes to turn away and generalize; the artist observes to seize and use reality in all its individuality and peculiarity.

Artistic judgments are silly if expressed as dogmas, at least until we get an "artometer" which can measure objectively how many micro-michelangelos or kilo-homers of genius a given artifact has in it.

I did some artistic nudes when I was I 8 with a French-Canadian photographer while I was modeling. They were beautiful shots, and they were not about nudity.

The only way to drive out bad culture is to create good culture. We need to recognize that artistic talent is a gift from the Lord - and that developing those talents is the only way to create good culture.

Despite the variety my books reflect my, perhaps foolish, tendency to place artistic above financial concerns; of enjoying the more mature themes in whatever creative form; of being on a mission to show that comics are not just for kids; and on a wider level of standing up for individuality against conformity.

Artistic truth is for me literally the highest truth: art may seize the essence of persons and movements no less truly, and certainly far more vitally, than a scientific generalization unifies a chaos of phenomena. Time and Space are only the conditions through which spiritual facts struggle. Hence I have here and there permitted myself liberties with these categories.

Making an album should be an honest experience. It shouldn't be about trying to gauge where popular music is today; it should be about artistic expression and putting down what you want to put down.

I enjoy creating all types of music and I take inspiration from everything around me. Its not about trends or what’s fashionably popular, its about creative expression, quality, emotion and artistic integrity. I love and listen to all styles of music and try to blend the influences together into my songs. Including elements of funk, soul, dub, disco, ‘80s sounds and rock

Giving style” to one’s character - a great and rare art! It is exercised by those who see all the strengths and weaknesses of their own natures and then comprehend them in an artistic plan until everything appears as art and reason and even weakness delights the eye.

The true, prescriptive artist strives after artistic truth; the lawless artist, following blind instinct, after an appearance of naturalness. The one leads to the highest peaks of art, the other to its lowest depths.

I think it enriches you as a scientist to be able to see things in an artistic perspective and as an artist to see things in a scientific perspective.

The only person who has artistic control is the director, and 'director' is how you spell God in Hollywood.

I think the world that I grew up in was like being in this sort of magical artistic garden.

I don't think Hollywood makes many good films anymore. How many directors can you really trust to have an artistic vision, not a corporate vision or a watered-down communal one?

I've just always been that kid that was like, "Look at me! Look at me!," and doing performances and skits. I'm also, as most artists are, a very sensitive person, so I need that outlet to release that. Art needs to be in my life, otherwise I can't function as a human being. I heard Madonna say, "Live it, breathe it, eat it." That's how I am with the artistic part of myself.

The base of all artistic genius is the power of conceiving humanity in a new, striking, rejoicing way, of putting a happy world ofits own creation in place of the meaner world of common days, of generating around itself an atmosphere with a novel power of refraction, selecting, transforming, recombining the images it transmits, according to the choice of the imaginative intellect. In exercising this power, painting and poetry have a choice of subject almost unlimited.

The young of human beings compare so poorly in original efficiency with the young of many of the lower animals, that even the powers needed for physical sustentation have to be acquired under tuition. How much more, then, is this the case with respect to all the technological, artistic, scientific, and moral achievements of humanity!

It was only when I got to high school and was in the art program that my artistic talent was recognized. The art program was directed by a wonderful and a very important person in my life - Charlotte Ranger, who was referred to as Mrs. Ranger. She had been teaching in the school for many years.

I will not pretend to justify this espionage I carried on, and I will say openly that all these signs of a life full of intellectual curiosity, but thoroughly slovenly and disorderly at the same time, inspired me at first with aversion and mistrust. I am not only a middle-class man, living a regular life, fond of work and punctuality; I am also an abstainer and a nonsmoker, and these bottles in Haller's room pleased me even less than the rest of his artistic disorder.

My parents were very supportive of me and my artistic endeavours. My father and mother came to every school play I ever did.

Artistic form is congruent with the dynamic forms of our direct sensuous, mental, and emotional life; works of art are projections of "felt life", as Henry James called it, into spatial, temporal, and poetic structures.

If you stand back and look at it in a global sense you'll find this [Irish people in music] was happening everywhere. Which is just another example of a wave of artistic endeavour that changes. It reaches a certain point, learn from what its done and move on. We seemed to have picked up on that.