Quotes About Artistic

For more than twenty years by my own work and personal initiative, I have gathered from all the old streets of Vieux Paris photographic plates, 18 x 24 format, artistic documents of the beautiful civil architecture of the 16th to the 19th century: the old hôtels, historic or curious houses, beautiful facades, beautiful doors, beautiful woodwork, door knockers, old fountains This vast artistic and documentary collection is today complete. I can truthfully say that I possess all of Vieux Paris.

In the commercial theater, I've been pretty fortunate. The producers that I've worked with have allowed me to define the artistic integrity, the artistic limits of the work.

Steve Jobs is perhaps the most competitive human being I have ever met in my life, and yet I would argue one of the most artistic human beings I have ever met in my life. You can trash the movies all you want, but they do have an artistic component. And yet brutal competition knows no peers when it comes to Hollywood.

A statue of Apollo in a museum does not seem naked, but attach a tie to its neck and it will strike us as indecent ... The text is one of the components of an artistic work, albeit an extremely important component ... But the artistic effect as a whole arises from comparisons of the text with a complex set of ontological and ideological esthetic ideas.

I'm still on my demos. I'm still making my mind up and deciding what kind of artistic production to come in. I do things at home with my musicians but I would like an artistic producer to come in and work on them.

It is clear that the building of models is not a purely mechanical process but requires skill of a high order - not merely mathematical skill but a sensitivity to the relative importance of different factors and a critical, almost an artistic, faculty in the selection of behaviour equations which are reasonable, tentative hypotheses in explaining the behaviour of actual economies.

Cooking is an art, but all art requires knowing something about the techniques and materials. Using modernist techniques, you get more control, and that allows you to be more artistic, not less!

My family are doctors and pilots and people involved in indigenous First Nation land rights; not overtly artistic.

In the fullness of artistic life there is, and remains, and will always come back at times, that homesick longing for the truly ideal life that can never come true.

I was a completely normal kid, the school nerd. In Year 8 and 9 I got picked on. I was a freak- no one understood me. I was the kid who wanted to be abducted by ET. Then all the losers left in Year 10. But I was quite good at school, and very artistic. In Year 11 it turned around. I became one of the coolest kids in school. I was in school musicals- the kid who could sing. It was bizzare. I loved school. It's an amazing little world. The rules inside the school are different from the outside world.

You can't write the same book twice. Though I've been in historical musical situations, I can't go back and do that again. And though I run into artistic crises, they keep my life interesting.

Key West, unfortunately, is becoming rather literary and artistic.

All art speaks in signs and symbols. No one can explain how it happens that the artist can waken to life in us the existence that he has seen and lives through. No artistic speech is the adequate expression of what it represents; its vital force comes from what is unspoken in it.

In true-life dramas, you have to do so much research. It's a big responsibility to make sure things are as correct as possible. In 'Robin Hood', you have more artistic license - it's all action, adventure and reaction. This gives everyone a chance to make their characters their own and to make them believable.

There are many kinds of movies in Hong Kong. Some are commercial and others are more artistic.

The bottom-line, you just have to. You do it because you want to do it and need to do it. You live life just one time. Why sit around and wait for the phone to ring? Even though I'm in a hit phenomenal show and it happens once every ten years - a show this big and popular - the last thing I want to do as an artist is feel comfortable and bide my time. Now is the time, more than ever, in this artistic explosion to do as much as we can!

I saw Mikhail Baryshnikov do Twyla Tharp's Sinatra Suite on PBS. I have no numbers to prove it, but I bet that kids who saw that loved it. I think you will see younger dancers, who certainly have the artistic sense and capabilities, start going back to romantic numbers.

We are not saying that all women should be thin like these very thin and young girls. We are creating a show, with its artistic codes and rules, and we have to try not to mix up all the codes together.

The market kills more artistic passion than anything else.

Artistic qualities that once seemed undeniable don't seem so now. Sometimes these fluctuations are only fickleness of taste, momentary glitches in an artist's work, or an artist getting ahead of his audience (it took me ten years to catch up to Albert Oehlen). Other times, however, these problems mean there's something wrong with the art.

In a world of disorder and disaster and fraud, sometimes only beauty can be trusted. Only artistic excellence is incorruptible. Pleasure cannot be bargained down. And sometimes the meal is the only currency that is real.

I think people face that in any artistic field, this idea of: oh, I could do that, if I had the time.

Artistic vision is having the clarity to fall in love with what you see.

The main thing for inner contentment is to be in a state of grace. And there is an artistic state of grace, for art is a kind of religion.

True artistic expression lies in conveying emotion.

Every separate sector of artistic creation has its own basic rules . . . data which govern it. They are contained in the textbooks on these subjects. A professional knows the rules of the game as a matter of course so that he can achieve, in the upper strata above that, a high quality of art.

I liked radio, or podcasting. I like talking minus the camera and the script part. All those mediums are different, and they are all different with their pluses and minuses. I would say the podcast is my favorite because I like the freedom of podcasting. With podcasting you can really mess around with the form and the format. The pace of radio is very fast. Boom, boom, with a little six minute segment, then on to the next thing. With podcasts you can talk about something for 25 minutes if you like - there is a lot of artistic freedom with it.

In an artistic and spiritual sense I'm really not that concerned about what happens after the album is done.

I have very little interest in endlessly telling people about my artistic process. It sounds like throwing yourself against a wall and crying. It's not interesting to most people. It's interesting to yourself. But it's your problem, not anyone else's.

I'm interested in confronting police brutality and police abuse of cracking down on street performers and street artists, but also in valorizing street art as legitimate performance within the artistic sphere, where it's so often conflated with pan-handling and begging and not "successful" art. I want to change laws around street performance.

I have always wanted to branch off and become a fashion guru. I want to share my artistic views with the world.

I'm the daughter of two Indian immigrant doctors, and I have an older sister and younger brother, and none of us have pursued medicine as a career. We're all over the artistic side of things.

Who would want the socialist Utopia? Especially if you were at all artistic - you want all those inequalities, because that's what makes life interesting.

The only way to drive out bad culture is to create good culture. We need to recognize that artistic talent is a gift from the Lord - and that developing those talents is the only way to create good culture.

The arts community still has a long lasting cynicism of the importance, or the artistic value, of comedy. Comedy is just farting about for money.

Artistic truth is for me literally the highest truth: art may seize the essence of persons and movements no less truly, and certainly far more vitally, than a scientific generalization unifies a chaos of phenomena. Time and Space are only the conditions through which spiritual facts struggle. Hence I have here and there permitted myself liberties with these categories.

You know, I must really work hard. I'm in the last stage of my artistic life. But I'm so busy that I can't even think of dying. I fly all over the world, drive everywhere, and when I get home, I find interviewers and photographers and TV shows waiting for me. No wonder I'm so busy.

And what is death, if not a face at peace - its artistic perfection.

Making an album should be an honest experience. It shouldn't be about trying to gauge where popular music is today; it should be about artistic expression and putting down what you want to put down.

They lived freely among the students, they argued with the men over philosophical, sociological and artistic matters, they were just as good as the men themselves: only better, since they were women.

Let me formulate the artistic disposition as follows: it is reacting with one's ideal to the flaw in oneself and in the world, and somehow making that reaction formation solid enough in the medium so that it indeed becomes an improved bit of real world for others.

I'm a horrible drawer. I have no artistic ability in my hands.

Here and there, in some older houses, old faded daguerreotypes still hang on the walls... They seem to us to be very simple... compared with the artistic and skillful portraits made in later days... Here was a photograph that at one time had been the last word, a very modern portrait... Today it is just a part of cultural history. The small yellowed surface has acquired depth, an admonishing perspective. We hold in our hand a symbol of the structure and ideology of an epoch.

Great artistic talent in any direction... is hardly inherent to the man. It comes and goes; it is often possessed only for a short phase in his life; it hardly ever colors his character as a whole and has nothing to do with the moral and intellectual stuff of the mind and soul. Many great artists, perhaps most great artists, have been poor fellows indeed, whom to know was to despise.

The world is in great need of more music education. When students play music, it allows a part of their artistic mind to express itself, which is very important in helping to balance a child intellectually, spiritually, and emotionally.

Beethoven in c minor has come to symbolize his artistic character...where he seems to be most impatient of any compromise.

That coarseness and strength combined with acuteness and inquisitiveness; that practical, inventive turn of mind, quick to find expedients; that masterful grasp of material things, lacking in the artistic but powerful to effect great ends; that restless, nervous energy; that dominant individualism, working for good and evil, and withal that buoyancy and exuberance which comes with freedom - these are the traits of the frontier.

I'm a perfectionist; there's always something we need to improve upon, and I think that's a really healthy model for artistic growth and progressing. I'm not ready for a masterpiece.