Quotes About Asian

I'm not trying to disrespect anybody by saying this - I'm not sure I feel any interaction with Asian America in any collective sense. - It's like, when you're telling me this right now, my reaction is, Really? Asian America knows about me?

If I make a joke about black people or Asian people or whatever, and then an Asian comes up to me afterwards and says, "That joke offended me," I'm still more or less not going to listen, but at least it makes sense, like I said something that was about them.

I remember watching Swan Lake and everybody looking exactly the same, but being able to relate because they were the only company I had ever seen even on video that had Asian dancers. The Asian community in Hawaii is actually almost as dominant as the Caucasian community. I thought "I can relate to that company because they look like people that I see every day." They weren't all little stick-thin Russian ballerinas.

Asian people are very practical and come from a conservative world. The parents want their kids to be doctors and lawyers. There are casting calls for Asian children, but once the parents find out the children might miss school, they're opposed to it.

When I do an Asian character or an Asian voice I'm doing one because that's my heritage and my family and where I come from. My family is of Korean descent and specifically North Korean descent. So it makes sense for me to talk about that issue because it's the only weapon I have to somehow avenge my family and my history.

Coming from an Asian culture, I was always taught to respect my elders, to be a better listener than a talker.

I've been called the first Asian legislator in our Nevada State Assembly.

Obviously the Asian American community wants you to do well. They are cheering you on no matter what the circumstances.

The central drama of our age is how the Western nations and the Asian peoples are to find a tolerable basis of co-existence.

It’s foolish to talk of an “Asian century” or an “emerging market century” because events move at a pace that renders this degree of durability obsolete.

People are not losing their religious needs, but they are going to three places to get their needs met. One is to conservative churches, which, for all their social benightedness, nevertheless do present their congregations with a different view of reality. Second, they are going to Asian religions. Third, they are going to the New Age, which when I'm feeling cynical I refer to as "New Age frivolity," because some of it is rather flaky.

You can't be invisible being Asian. You can't say "Hi, I'm white!"

Let me tell you about customs, James," said Lillian. "I am not accustomed to being summoned to someone else's home. You're very fortunate that I came." "I am indeed blessed," Dad told her. "I am also, by the way, called Jon." Lillian looked faintly surprised. "Are you?" "Really?" Dad asked. "Really? I was the only Asian guy who went to our school. I kind of stood out. While you are an identical twin, and I still managed to know your name.

Women are far more likely to follow orders to evacuate, especially women with children. At the same time, women were much more likely to die during the South Asian tsunami. In some villages it was 3 to 1. And that was party because of the average strength it takes to hold onto something. Also it was cultural; women were less likely to know how to swim, as were children. So much of this is based on how we develop our own survival skills before something goes wrong: Even if nothing goes wrong, it might be good to know how to swim.

And lot of Asian audiences and reporters don't like me to act as a bad guy. But I think I want to become an actor, I want to try different way.

I actually had nuggets and mostly Asian food when I was at the Olympics. But as soon as I got back to Jamaica, or when I was in London, I had a lot of wings. That was the first thing I asked for - "Hey, get me some wings."

You're gonna check my computer records? Is that important? I don't think the government needs to know how I feel about teen Asian sluts in order to fight terrorism.

When I say hip-hoppers, I mean black, white, Asian, Latino, Chicano, everybody. Everybody. Hip-hop has united all races. Hip-hop has formed a platform for all people, religions, and occupations to meet on something. We all have a platform to meet on now, due to hip-hop. That, to me, is beyond music. That is just a brilliant, brilliant thing.

A brief visit to Nepal started my insatiable love for Asian art.

I think there was a point in the past when I felt that my options as an artist were either to make race a nonissue and deny its impact on life and just say, "Don't think of me as an Asian cartoonist. Just think of me as a cartoonist."

I appreciate it if I make a Chinese film. And if there is an opportunity to make a Hollywood film, I will take it - especially because, as you probably know, in Hollywood, even today, there are not a lot of big roles for Asian performers. So it is a great opportunity. It is possible to make films that people everywhere enjoy. I travel quite a lot. I don't really feel like when I am in China, I am a Chinese person and when I'm here, I'm a foreigner. I don't feel that kind of difference anymore. In the past I did. Not anymore. I feel quite at home everywhere. The whole world is my home.

If you're Filipino, you're the beaner of the Asian community 'cause you're just like us. You're indigenous people that got banged by some Spaniards. That's why you have names like Kwan Ping Del Toro.

They travel in groups. You never see an Asian by their self.

The struggle is inner: Chicano, indio, American Indian, mojado, mexicano, immigrant Latino, Anglo in power, working class Anglo, Black, Asian--our psyches resemble the bordertowns and are populated by the same people. The struggle has always been inner, and is played out in outer terrains. Awareness of our situation must come before inner changes, which in turn come before changes in society. Nothing happens in the "real" world unless it first happens in the images in our heads.

Is there deeply embedded change within our industry? And I would say, as a black filmmaker, it's easy for me to focus my attention on black work, but true change would include brown work, and it would include work by Asian-Americans, and it would include natives, and it would include women, and it would include more LGBTQ voices.

There is not a black America and a white America; a Latino America, an Asian America. There is the United States of America.

If you do a black character or a female character or an Asian character, then they aren't just that character. They represent that race or that sex, and they can't be interesting because everything they do has to represent an entire block of people. You know, Superman isn't all white people and neither is Lex Luthor. We knew we had to present a range of characters within each ethnic group, which means that we couldn't do just one book. We had to do a series of books and we had to present a view of the world that's wider than the world we've seen before.

Think of being curled up and floating in a darkness. Even if you could think, even if you had an imagination, would you ever imagine its opposite, this miraculous world the Asian Taoists call the "Ten Thousand Things"? And if the darkness just got darker? And then you were dead? What would you care? How would you eve know the difference?

I feel a disparity between my life in India within the home and my life outside the home - my life within public and private space. In terms of here and there, there were some differences, but New York and India were very different when I was growing up in the '80s. Definitely in terms of the visual and popular culture I encountered within my home - that was very different from the complete lack of representation I saw of South Asian culture outside of that space.

I really, really love China. To be honest, the food is so amazing! When I first went to Beijing and Shanghai, I actually became obsessed with soup dumplings, and would stand in lines and get them on the street. It was something that I became obsessed with and when I came back to the States, I did all this research for the best soup dumplings in the Los Angeles area and in the New York area and it was amazing to find those Asian dishes that were authentic and I can enjoy them at home.

Bruce Lee was the first guy to bring film recognition of Asian men not being wimps, so it made me want to be as powerful as he was.

Americans are fickle. And what constitutes the enemy is always changing. Believe it or not, at one time Blacks were the favored model minority over Asian Americans.

I hope you didn't bring the Asian kid along thinking he's a computer genius. Because I'm not," Takumi said.

The focus of my research is how secular movements originated in West Asian countries and subsequently changed to pan-Islamic movements. The role of Western countries in this aspect is also a part of the research.

Sometimes it's not even a role that's specifically written for a woman. It could be a role written for a white man or Asian man, or Latino. If it's something that I feel I could do well, I go after it. Especially if it's nothing that has to be gender or race specific, I'm all over it.

I want to be a representative and be a role model for the Asian American community.

Being black, Latino, or Asian is not a genre. Romantic comedies, thrillers, action - those are genres. I think there's a lot of people who want to have the conversation. I don't think people are afraid of it, I just think it's the time to have that conversation. Race is not a genre.

I majored in Chinese. I was never really good at Chinese but I really, really benefited from having been exposed to Asian philosophy early in my life.

The future for us is the foreseeable future. The South Asian, however, feels that it is perfectly realistic to think of a 'long time' in terms of thousands of years.

Many Americans are living paycheck to paycheck and are only one step away from being homeless. Whether you are white, black, Latino, or Asian, we have to be there to help pick each other up.

It always interested me that 'Goodness Gracious Me' and 'The Kumars,' when shown around the world, were referred to as British comedy. It was only here that they were referred to as Asian comedy, even though I always felt it was very British in its humour and structure.

We are not about to send American boys 9 or 10 thousand miles away from home to do what Asian boys ought to be doing for themselves.