Quotes About Author

I know publishing now more as an author than with occasional peaks inside those elite offices than as an industry insider. It was difficult publishing a novel the first time around, while working behind the scenes, knowing all that has to happen to make a book a success and to still make the leap as an author.

For an author just starting out, you've got to deliver the goods every year or sooner or people will forget you or you will lose momentum. There is a contract that exists between author and reader.

I see the author as the person who has written; the writer, the one involved in the process of writing. And they're not necessarily friends. The writer is the one I want to reinforce; the author would just feed on the reviews - so I'm in favour of starving him.

There was something appealing in thinking of a character with a secret life that her author knew nothing about. Slipping off while the author's back was turned, to find love in her own way. Showing up just in time to deliver the next bit of dialogue with an innocent face.

Hollywood, to hear some writers tell it, is the place where they take an author's steak tartare and make cheeseburger out of it. Upon seeing the film, they say, the author promptly cuts his throat, bleeding to death in a pool of money.

The work of one author or artist may stimulate another author or artist to push the edge, to take the risk, to go where the field hasn't gone before. The result -very exciting children's literature and art ... exciting both for the professional and for the intended audience, the children.

I am not a "Christian author." I am an author who is a Christian. While my books reflect my faith, they are not intended as teaching tools for a Christian audience per se. My books are stories created around principles that work for everyone and they work every time.

Spero Speroni explains admirably how an author who writes very clearly for himself is often obscure to his readers. "It is," he says, "because the author proceeds from the thought to the expression, and the reader from the expression to the thought.

If you feel that there's the author and then the character, then the book is not working. People have a habit of identifying the author with the narrator, and you can't, obviously, be all of the narrators in all of your books, or else you'd be a very strange person indeed.

The first lie of fiction is that the author gives some order to the chaos of life: chronological order, or whatever order the author chooses.

There is no obligation for the author of a film to believe in, or to sympathise with, the moral behaviour of his characters. Nor is he necessarily to be accredited with the same opinions as his characters. Nor is it necessary or obligatory for him to believe in the tenet of his construction - all of which is a disclaimer to the notion that the author of Drowning by Numbers believes that all men are weak, enfeebled, loutish, boorish and generally inadequate and incompetent as partners for women. But it's a thought.

A reader is doubly guilty of bad manners against an author when he praises his second book at the expense of his first (or vice versa) and then expects the author to be grateful for what he has done.

Those who believe the Author of Nature to be also the Author of Scripture must expect to find in Scripture the same sorts of difficulties that they find in Nature.

I see God now as an unimaginative writer of popular fictions, someone who builds stories around sadistic and graceless plots, narratives that exist only to express His terror of a woman's power to choose who and how to love, to redefine love as she sees fit, not as God thinks it ought to be. The author is unworthy of His own characters.

President Roosevelt, the author of Social Security, was the first to suggest that, in order to provide for the country's retirement needs, Social Security would need to be supplemented by personal savings accounts.

Against the censurers of brevity. - Something said briefly can be the fruit of much long thought: but the reader who is a novice in this field, and has as yet reflected on it not at all, sees in everything said briefly something embryonic, not without censuring the author for having served him up such immature and unripened fare.

It has been remarked (by a lady infinitely cleverer than the present author) how kindly disposed the world in general feels to young people who either die or marry. Imagine then the interest that surrounded Miss Wintertowne! No young lady ever had such advantages before: for she died upon the Tuesday, was raised to life in the early hours of Wednesday morning, and was married upon the Thursday; which some people thought too much excitement for one week.

I have been luckier than anyone I know or even heard of. I had a very happy childhood, a good education, I enjoyed working as a teacher, journalist and author. I have loved a wonderful man for over 33 years, and I believe he loves me, too.

I think we have got to start again and go right back to first principles. The argument I shall advance, surprising as it may seem coming from the author of the earlier chapters, is that, for an understanding of the evolution of modern man, we must begin by throwing out the gene as the sole basis of our ideas on evolution. If there is only one Creator who made the tiger and the lamb, the cheetah and the gazelle, what is He playing at? Is he a sadist who enjoys spectator blood sports? ... Is he manuvering to maximize David Attenborough's television ratings?

if an author would have us feel a strong degree of compassion, his characters must not be too perfect.

The Greeks used to use the same stories, the same mythology, time after time, different authors. There was no premium placed upon an original story, and indeed, Shakespeare likewise. A lot of people wrote plays about great kings. They didn't expect a brand-new story. It was what that new author made of the old story. It is probably the same now. We disguise it by inventing what seem to be new stories, but they're basically the same story anyway.

I was obsessed with fairytales, and I was a very, very inquisitive kid, and I would ask my mom all kinds of questions. It all kind of formed a story in my head, and I really wanted to be a published author when I was 10, but I had a hard time writing a novel when I was 10. So I decided to wait until I was little bit older and then get it done.

An author describing the methods of intensive farming, or the excesses of sport hunting, or even the harsher uses of animals in science writes with confidence that most readers will share his sense of concern and indignation. Sounding the call to action-convincing people that change is not only necessary, but actually possible-is more problematic. In protecting animals from cruelty, it is always just one step from the mainstream to the fringe. To condemn the wrong is obvious, to suggest its abolition radical.

In his play depicting the Salem Witch Trials, the author illustrates profound psychological bullying. The ringleader of young girls suspected of unsavory conduct, frightens her friends into silence by warning: Now, look you; All of you. We danced. And Tituba conjured Ruth Putnam's dead sisters, and that was all. ... Let either of you breathe a word, or the edge of a word, about the other things, and I will come to you in the black of some terrible night, and I will bring a pointy reckoning that will shudder you.

The act of reading is a partnership. The author builds a house, but the reader makes it a home.

You know what the critics are. If you tell the truth they only say you're cynical and it does an author no good to get a reputation for cynicism.

I expect to think that I would rather be author of your book than of any other on Nat. Hist. Science.

I like films about people who figured out what they believed and had the guts to act on it in a way that added value to others. So, there are lots of movies that have characters who did that. I'll pick an odd one - Stranger Than Fiction because I really liked the movie - particularly the offbeat cookie maker. You'll have to see the movie to see what I mean. The movie also reinforces that you can be the author of your own script.

I definitely love history. I'm not formally trained or educated in history, but you could say I did go back to college in 2008 to do Untold History of the United States. That took five years. Co-author Peter Kuznick has been teaching history for something like 35 years, at American University and other places. His group of researchers brought me into contact with a lot of books.

It has been said by a distinguished philosopher that England is "usually the last to enter into the general movement of the European mind." The author of the remark probably meant to assert that a man or a system may have become famous on the continent, while we are almost ignorant of the name of the man and the claims of his system. Perhaps, however, a wider range might be given to the assertion. An exploded theory or a disadvantageous practice, like a rebel or a patriot in distress, seeks refuge on our shores to spend its last days in comfort if not in splendour.

The action of the child inventing a new game with his playmates; Einstein formulating a theory of relativity; the housewife devising a new sauce for the meat, a young author writing his first novel; all of these are in terms of definition, Creative, and there is no attempt to set them in some order of more or less Creative.

I believe that, like most writers, my personality comes through in the fiction. So in that respect my writing can’t be like any other author’s really.

The reason that fiction is more interesting than any other form of literature, to those who really like to study people, is that in fiction the author can really tell the truth without humiliating himself.

One of the agonies of being an author is to know when to stop writing.

The attitude of, I will never self-publish, coming from any author, indicates that they have never been in a position where it is their only option.

Every author ought to write every book as if he were going to be beheaded the day he finished it.

My favorite figure of the American author is that of a man who breeds a favorite dog, which he throws into the Mississippi River for the pleasure of making a splash. The river does not splash, but it drowns the dog.

I'm most impressed by the Russian writers, so I love reading the works of Tolstoy and Dostoyevsky. Another author who has informed the way I think is the French philosopher, Blaise Pascal.

There is then creative reading as well as creative writing. When the mind is braced by labor and invention, the page of whatever book we read becomes luminous with manifold allusion. Every sentence is doubly significant, and the sense of our author is as broad as the world.

There is no less invention in aptly applying a thought found in a book, than in being the first author of the thought.

For until men recognize that they owe everything to God, that they are nourished by His fatherly care, that He is the Author of their every good, that they should seek nothing beyond Him - they will never yield Him willing service. Nay, unless they establish their complete happiness in Him, they will never give themselves truly and sincerely to Him.

I don't think that you can be prescriptive about anything, I mean, life is too complicated. Maybe there are novels where the author has not in the least thought about it in terms of film, which can be turned into good films.

The way a book is read, which is to say, the qualities a reader brings to a book can have as much to do with its worth as anything the author puts into it.

After all, it is style alone by which posterity will judge of a great work, for an author can have nothing truly his own but his style.

Haiku is a particularly Zen form of poetry; for Zen detests egoism in the form of calculated effects or self-glorification of any sort. The author of haiku should be absent, and only the haiku present.

I'm not an actual author but an accidental one.

You need to take small steps when you dream big dreams. I am a published author with dyslexia, a professional speaker who was in speech therapy for three years as a child because I had a lisp; and a slow stiff kid from the suburbs who became an All-Pro in the NFL.

The fact is that the intrinsic worth of the book, play or whatever the author is trying to sell is the least, last factor in the the whole transaction.