Quotes About Author

I believe that in a good collaboration, the authors bring their strengths to the story; one author's strength cancels the other author's weakness, and back and forth it goes.

One hates an author that's all author.

When it comes to memoir, we want to catch the author in a lie. When we read fiction, we want to catch the author telling the truth.

Aschenbach is not only a projection of Mann in the obvious ways - same daily routines, author of the works Mann had planned - nor even in sharing his author's aspirations, doubts, and sexual identity. His watchword, "Durchhalten!" [persevere, keep going] could be Mann's own.

I'm very intrigued by e-books, the topic du jour in the industry today. As a number one bestselling Kindle author, I love the way e-books make an author's backlist accessible to new readers. Of course, price point remains a source of concern. Personally, I don't have any of the answers, but I'm intrigued by the questions.

I see the author as the person who has written; the writer, the one involved in the process of writing. And they're not necessarily friends. The writer is the one I want to reinforce; the author would just feed on the reviews - so I'm in favour of starving him.

There was something appealing in thinking of a character with a secret life that her author knew nothing about. Slipping off while the author's back was turned, to find love in her own way. Showing up just in time to deliver the next bit of dialogue with an innocent face.

There is no author or legislator of the moral law. It is simply valid in itself in the nature or essence of things. We become autonomous only when we obey it, because then our will aligns itself with the objectively valid law, and our choice follows the same law as that we give ourselves. We can think of rational faculty (or the idea - the pure rational concept, not exhibitable in experience) as the legislator or author of the law because reason recognizes an objective standard, and to that extent is already aligned with objective moral truth.

I still pinch meself when I wake up of a morning...Who ever thought I'd be a children's author -- let alone a best-selling children's author? I feel I should still be driving a truck, or (working as) a longshoreman.

You’ve thrown down the gauntlet. You’ve brought my wrath down upon your house. Now, to prove that I exist I must kill you. As the child outlives the father, so must the character bury the author. If you are, in fact, my continuing author, then killing you will end my existence as well. Small loss. Such a life, as your puppet, is not worth living. But… If I destroy you and your dreck script, and I still exist… then my existence will be glorious, for I will become my own master.

The work of one author or artist may stimulate another author or artist to push the edge, to take the risk, to go where the field hasn't gone before. The result -very exciting children's literature and art ... exciting both for the professional and for the intended audience, the children.

I am not a "Christian author." I am an author who is a Christian. While my books reflect my faith, they are not intended as teaching tools for a Christian audience per se. My books are stories created around principles that work for everyone and they work every time.

When you want to put something into your part that is not in the play, you must ask the author-or some other author-to lead up to the interpolation for you. Never forget that the effect of a line may depend not on its delivery, but on something said earlier in the play, either by somebody else or by yourself, and that if you change it, it may be necessary to change the whole first act as well.

At a tender age, I commandeered half a quire of foolscap from my father's desk and sat down to write a book. ...I had observed onprinted fly leaves the words "By the author of, etc." ...So under the title of my prospective work I wrote: By the author of "Les Miserables," "The Woman in White," "Dombey and Son," "Tom Brown's Schooldays" and "Our Life in the Highlands," the last-named being an opus of good Queen Victoria. I had not read all these works but they existed on our bookshelves, and I hoped to produce something worthy of comparison.

The thing about being a mystery writer, what marks a mystery writer out from a chick lit author or historical fiction writer, is that you always find a mystery in every situation.

There are many readers of the book, who don't know anything about the authors and the artists. There is more than one author. It doesn't matter, if you can't make the reader dive into the story and surround him with that environment and those characters. That's an experience that lasts longer than figuring out who did what. I think that's what makes our working relationship better, it helps us to make a book that feels unique and not like different voices.

I think people enjoy a series. When you like a story, many readers want more of the same, which is dandy, if the author and the characters have more to say.

President Roosevelt, the author of Social Security, was the first to suggest that, in order to provide for the country's retirement needs, Social Security would need to be supplemented by personal savings accounts.

The dimensions of a work of art are seldom realized by the author until the work is accomplished. It is like a flowering dream. Ideas grow, budding silently, and there are a thousand illuminations coming day by day as the work progresses. A seed grows in writing as in nature. The seed of the idea is developed by both labor and the unconscious, and the struggle that goes on between them.

Some people connect with a story and may find between the lines something that might be useful to him or her, but that's not the intention of the author, I think. At least not mine.

Generally speaking, an author's style is a faithful copy of his mind. If you would write a lucid style, let there first be light in your own mind; and if you would write a grand style, you ought to have a grand character.

An author values a compliment even when it comes from a source of doubtful competency.

if an author would have us feel a strong degree of compassion, his characters must not be too perfect.

Thank and glorify His Beloved Son, who, with indescribable suffering, gave His life on Calvary's cross to pay the debt of mortal sin. He it was who, through His atoning sacrifice, broke the bonds of death and with godly power rose triumphant from the tomb. He is our Redeemer, the Redeemer of all mankind. He is the Savior of the world. He is the Son of God, the Author of our salvation.

Classic author moment, "Oh dear, did I kill that character or not?

In my opinion, understanding who your target audience is, and what they want, and writing to them (and only them!) is the most important component of being successful as an author.

An author is a fool who, not content with boring those he lives with, insists on boring future generations.

In his play depicting the Salem Witch Trials, the author illustrates profound psychological bullying. The ringleader of young girls suspected of unsavory conduct, frightens her friends into silence by warning: Now, look you; All of you. We danced. And Tituba conjured Ruth Putnam's dead sisters, and that was all. ... Let either of you breathe a word, or the edge of a word, about the other things, and I will come to you in the black of some terrible night, and I will bring a pointy reckoning that will shudder you.

As a writer I am proud that if you took my last four books, and they didn't have my name on them, I don't think readers would know they were by the same author.

There is no theory of a God, of an author of Nature, of an origin of the Universe, which is not utterly repugnant to my faculties. . .

I definitely love history. I'm not formally trained or educated in history, but you could say I did go back to college in 2008 to do Untold History of the United States. That took five years. Co-author Peter Kuznick has been teaching history for something like 35 years, at American University and other places. His group of researchers brought me into contact with a lot of books.

I’ve always believed that as an author, I do 50% of the work of storytelling, and the reader does the other 50%. There’s no way I can control the story you tell yourself from my book. Your own experiences, preferences, prejudices, mood at the moment, current events in your life, needs and wants influence how you read my every word.

For the author there is nothing but his pen, till that and life are worn to the stump: and then, with good fortune, perhaps on his death-bed he receives a pension and equals, it may be, for a few months, the income of a retired butler!

To most readers the word 'fiction' is an utter fraud. They are entirely convinced that each character has an exact counterpart in real life and that any small discrepancy with that counterpart is a simple error on the author's part. Consequently, they are totally at a loss if anything essential is altered. Make Abraham Lincoln a dentist, put the Gettysburg Address on his tongue, and nobody will recognize it.

Writing that gets rewritten as the earth moves. If you look at the sky that way, it's this massive shifting poem, or maybe a letter, first written by one author, and then, when the earth moves, annotated by another. So I stare and stare until, one day, I can read it.

I am a completely horizontal author. I can't think unless I'm lying down, either in bed or stretched on a couch.

There is no less invention in aptly applying a thought found in a book, than in being the first author of the thought.

It really depends on what the screenplay is asking of you, and what your responsibility is to that character. You have the author's intent to deal with, you have the filmmaker's vision, and then you have your own wants, desires and needs for the character. It's collaborative. But I knew, right off the bat, that there was no way to go into some sort of pink-haired, clown-nosed character with Ronald McDonald shoes.

There isn’t any particular relationship between the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.

I feel like the Church should have the most amazing entertainment and the best music, because we know the author and the source of music and entertainment, which is our Father.

After all, it is style alone by which posterity will judge of a great work, for an author can have nothing truly his own but his style.

What does it mean to feel "in control" of your life? What I mean by control is the ability to make a choice. Personal sovereignty means that you choose from what is available in order to be intentional about your life...When you feel in control of your life, you know yourself to be the author of your own actions and know that you always have choices.

Anthony Heilbut has been a guide and a mentor to me. I know of no one who has the love and depth of knowledge of this extraordinary author.

I no longer know the author of this book, for simply stopping long enough and writing it down was where I changed from a boy with his eyes squeezed shut to a man with his eyes wide open so that the sunlight might reach my heart despite all that darkness.

Well I think any author or musician is anxious to have legitimate sales of their products, partly so they're rewarded for their success, partly so they can go on and do new things.

With a novel, which takes perhaps years to write, the author is not the same man he was at the end of the book as he was at the beginning. It is not only that his characters have developed-he has developed with them, and this nearly always gives a sense of roughness to the work: a novel can seldom have the sense of perfection which you find in Chekhov's story, The Lady with the Dog.

A classic is classic not because it conforms to certain structural rules, or fits certain definitions (of which its author had quite probably never heard). It is classic because of a certain eternal and irrepressible freshness.

A preface is a species of literary luxury, where an author, like a lover, is privileged to be egotistical.