Quotes About Author

Where the preamble declares, that coercion is a departure from the plan of the holy author of our religion, an amendment was proposed by inserting "Jesus Christ," so that it would read "A departure from the plan of Jesus Christ, the holy author of our religion;" the insertion was rejected by the great majority, in proof that they meant to comprehend, within the mantle of its protection, the Jew and the Gentile, the Christian and Mohammedan, the Hindoo and Infidel of every denomination.

I'm very intrigued by e-books, the topic du jour in the industry today. As a number one bestselling Kindle author, I love the way e-books make an author's backlist accessible to new readers. Of course, price point remains a source of concern. Personally, I don't have any of the answers, but I'm intrigued by the questions.

It has been the error of the schools to teach astronomy, and all the other sciences, and subjects of natural philosophy, as accomplishments only; whereas they should be taught theologically, or with reference to the Being who is the author of them: for all the principles of science are of divine origin. Man cannot make, or invent, or contrive principles: he can only discover them; and he ought to look through the discovery to the Author.

Times have changed since a certain author was executed for murdering his publisher. They say that when the author was on the scaffold he said good-bye to the minister and to the reporters, and then he saw some publishers sitting in the front row below, and to them he did not say good-bye. He said instead, "I'll see you again."

I do not hold that because the author did a bad job of writing the player need trump it with the same kind of acting. When I go into a picture I have only one character to look after. If the author didn't do him justice, I try to add whatever the creator of the part overlooked.

Fiction should be about moral dilemmas that are so bloody difficult that the author doesn't know the answer. What I hate in fiction is when the author knows better than the characters what they should do.

If someone writes a great story, people praise the author, not the pen. People don't say, 'Oh what an incredible pen...where can I get a pen like this so I can write great stories?' Well, I am just a pen in the hands of the Lord. He is the author. All praise should go to him.

It is the shared experience - [although] you're the conduit of the sound, the recipient is also in some way the author of the work, because if they weren't the author of the work they wouldn't be able to recognise it as an experience, you could argue. The more distance you can put between yourself and having any kind of objective the more likely it is to appear.

I think the first important thing is that usually most textbooks are not written by their authors. And so by author I mean the people who did not write them; so it's a new definition of "author."

My favorite anything is always relative to the context of present time, place and mood. When I finish a book and want to immediately find another by the same author and no other, that author is elevated to my favorite.

To ask an author who hopes to be a serious writer if his work is autobiographical is like asking a spider where he buys his thread. The spider gets his thread right out of his own guts, and that is where the author gets his writing.

Nobody is the author or producer of his own life story ... somebody began it and is its subject in the twofold sense, namely, its actor and sufferer ... but nobody is the author.

A creation of importance can only be produced when its author isolates himself, it is a child of solitude.

Like Sylvia Plath, Natalie Jeanne Champagne invites you so close to the pain and agony of her life of mental illness and addiction, which leaves you gasping from shock and laughing moments later: this is both the beauty and unique nature of her storytelling. With brilliance and courage, the author's brave and candid chronicle travels where no other memoir about mental illness and addiction has gone before. The Third Sunrise is an incredible triumph and Natalie Jeanne Champagne is without a doubt the most important new voice in this genre.

Against the censurers of brevity. - Something said briefly can be the fruit of much long thought: but the reader who is a novice in this field, and has as yet reflected on it not at all, sees in everything said briefly something embryonic, not without censuring the author for having served him up such immature and unripened fare.

It has been remarked (by a lady infinitely cleverer than the present author) how kindly disposed the world in general feels to young people who either die or marry. Imagine then the interest that surrounded Miss Wintertowne! No young lady ever had such advantages before: for she died upon the Tuesday, was raised to life in the early hours of Wednesday morning, and was married upon the Thursday; which some people thought too much excitement for one week.

The reason the middle section switches to third person is, well, this is middle age. This is the part in her life where she loses track of something that was driving her and has to figure out what's going to drive the next part of her mission, this mission to be an author. I had to push back away from her for a while before we could come up to that really lyrical close third in the final section.

I always point people to the article '1,000 True Fans' by Kevin Kelly. If you choose your thousand ideal customers or readers properly and find the single author blog that targets that audience, you never have to do any more marketing. You're done. That is a lesson that very few product developers and marketers have learned, and it's unfortunate.

The stories on standardized tests don't have one author, therefore they can never authentically be in the first person. Imagine that! Everywhere, there are these tests that have been written by multiple people.

The Bible is one story that unfolds in one book, by one author, about one subject. A story that moves from promise to fulfillment.

An author describing the methods of intensive farming, or the excesses of sport hunting, or even the harsher uses of animals in science writes with confidence that most readers will share his sense of concern and indignation. Sounding the call to action-convincing people that change is not only necessary, but actually possible-is more problematic. In protecting animals from cruelty, it is always just one step from the mainstream to the fringe. To condemn the wrong is obvious, to suggest its abolition radical.

Man is a transitory being, and his designs must partake of the imperfections of their author. To confer duration is not always in our power. We must snatch the present moment, and employ it well, without too much solicitude for the future, and content ourselves with reflecting that our part is performed. He that waits for an opportunity to do much at once, may breathe out his life in idle wishes, and regret, in the last hour, his useless intentions and barren zeal.

A fortunate author can write maybe twelve novels in his lifetime.

I am so in favor of the actual infinite that instead of admitting that Nature abhors it, as is commonly said, I hold that Nature makes frequent use of it everywhere, in order to show more effectively the perfections of its Author. Thus I believe that there is no part of matter which is not - I do not say divisible - but actually divisible; and consequently the least particle ought to be considered as a world full of an infinity of different creatures.

Readers will share in the environs of the author and her characters, be taken into the hardship of a pitiless place and emerge on the other side — wiser, warier and weathered like the landscape.

Ultimately, it doesn't matter if the author intended a symbol to be there, because the job of reading is not to understand the authors intend. The job of reading is to see into other people as we see ourselves.

My theory on literature is an author who does not indulge in trashiness-writes about people you could introduce into your own home...he did not care to read a book or go to a play about people he would not care to meet at his own dinner table. I believe we should live by certain standards and ideals.

No author dislikes to be edited as much as he dislikes not to be published.

The awkwardness and embarrassment which all feel on beginning to write, when they themselves are the theme, ought to serve as a hint to author's that self is a subject they ought very rarely to descant upon.

I always give books. And I always ask for books. I think you should reward people sexually for getting you books. Don't send a thank-you note, repay them with sexual activity. If the book is rare or by your favorite author or one you didn't know about, reward them with the most perverted sex act you can think of. Otherwise, you can just make out.

I feel like the Church should have the most amazing entertainment and the best music, because we know the author and the source of music and entertainment, which is our Father.

Readers have a loyalty that cannot be matched anywhere else in the creative arts, which explains why so many writers who have run out of gas can keep coasting anyway, propelled on to the bestseller lists by the magic words AUTHOR OF on the covers of their books.

I would go fifty miles on foot to kiss the hand of that man whose generous heart will give up the reins of his imagination into his Author's hands; be pleased, he knows not why, and cares not wherefore.

I can still remember the miraculous feeling of writing a sentence, then more sentences, telling a story. The first thing I wrote was a one-page summary of Robinson Crusoe and I am so sorry I do not have it any more; it was at that moment I became an author.

I am a great foe of favoritism in public life, in private life, and even in the delicate relationship of an author to his works.

I've never translated more than one book by any author. But I'm fascinated by translators who have, like Richard Zenith, who's translated so much of Fernando Pessoa's work. I get restless for a new kind of influence. The books I've translated are books I want to learn from as a writer, to be intoxicated by. And translation is an act of writing in itself. It's an act of recreation - of a writer's cadence and tone and everything that distinguishes the voice in the book.

An author accepting language's invitation to dance steps onto the floor of his her sensibility-charged consciousness and begins to move instinctively--even if with much dread--in ways that synchronize images, ideas, emotions, sounds, smells, ignorance, and knowledge.

The Physician, by the study and inspection of urine and ordure, approves himself in the science; and in like sort should our author accustom and exercise his imagination upon the dregs of nature.

In the creative process there is the father, the author of the play; the mother, the actor pregnant with the part; and the child, the role to be born.

It is hardly useful if you trustingly play through variation after variation from a book. It is a great deal more useful and more interesting if you take part actively in the analysis, find something yourself, and try to refute some of the author's conclusions.

Many books in popular psychology are a melange of the author's comments, a dollop of research, and stupefyingly dull transcriptions from interviews.

Our contention has always been that Shakespeare is our greatest living author. If he can survive a season on Broadway, he must be.

Sometimes someone will tell me about an author I've never heard of before and that will send me to that person. That's how I discovered Thomas Bernhard, an Austrian novelist whose novels tend to be one long rant.

With the marketing pressures driving the book world today, it's much easier to get the author of a memoir on a television show than a serious novelist.

Here's the thing: Authors live or die by recommendations. [That's one of the reason I review so many books on Goodreads.] Giving books you love good reviews is one of the nicest things you can do for an author. What's more it's good for the entire community.

Time made me change. I gradually woke up to the realization that this is who I am, an author, a public figure, and I couldn't just hide in my study, tapping away at the keyboard and pretend that I didn't have a role to play beyond stringing words together.

This whole creation is essentially subjective, and the dream is the theater where the dreamer is at once: scene, actor, prompter, stage manager, author, audience, and critic.

I often envy a filmmaker or a playwright or an author where people are like, "Yeah, I sat down every night and read your book and it was beautiful." Or, "Yeah, I went to the movies and all I did was watch the movie because that's all you could do at the movies." Where with music, it's like, "Ugh, I love your music. I listen to it while I'm jogging thinking about how I hate my body." But it is also the privilege of being a musician is you can have your music in this documented form and play it live and that's, I think, what draws me to it the most.