Quotes About Author

Frequently, an author gets "orphaned" at a publisher. What this means is that an editor buys their book, then ends up getting fired, promoted, or transferred to a different job somewhere else. It sucks for the author because suddenly the person who liked your book enough to buy it isn't around to help you edit and promote it.

Aschenbach is not only a projection of Mann in the obvious ways - same daily routines, author of the works Mann had planned - nor even in sharing his author's aspirations, doubts, and sexual identity. His watchword, "Durchhalten!" [persevere, keep going] could be Mann's own.

I've lost both parents in the last two years, so you pick up on that stuff. That's the most terrible thing about being an author - standing there at your mother's funeral, but you don't switch the author off. So your own innermost thoughts are grist for the mill.

The stories I love the most are where the author has a lot of empathy for everyone. The author loves their characters and takes their situations really seriously, and you feel like you're just dropped into a different world.

I wanted to be an author as far back as I can remember, mixed with occasional bouts of wanting to be a werewolf when I grew up. But mostly, when I daydreamed, it was about being an author.

It is (to describe it figuratively) as if an author were to make a slip of the pen, and as if this clerical error became conscious of being such. Perhaps this was no error but in a far higher sense was an essential part of the whole exposition. It is, then, as if this clerical error were to revolt against the author, out of hatred for him, were to forbid him to correct it, and were to say, "No, I will not be erased, I will stand as a witness against thee, that thou art a very poor writer."

WARNING: The following is a transcript of a digital recording. In certain places, the audio quality was poor, so some words and phrases represent the author's best guesses. Where possible, illustrations of important symbols mentioned in the recording have been added. Background noises such as scuffling, hitting, and cursing by the two speakers have not been transcribed The author makes no claims for the authenticity of the recording. It seems impossible that the two young narrators are telling the truth, but you, the reader, must decide for yourself.

Either the translator leaves the author in peace, as much as is possible, and moves the reader towards him: or he leaves the reader in peace, as much as possible, and moves the author towards him.

Why do you keep reading a book? Usually to find out what happens. Why do you give up and stop reading it? There may be lots of reasons. But often the answer is you don't care what happens. So what makes the difference between caring and not caring? The author's cruelty. And the reader's sympathy...it takes a mean author to write a good story.

Why don’t you purchase an Italian dictionary? I will assume the expense.” “I have one,” she said, “but I don’t think it’s very good. Half the words are missing.” “Half?” “Well, some,” she amended. “But truly, that’s not the problem.” He blinked, waiting for her to continue. She did. Of course. “I don’t think Italian is the author’s native tongue,” she said. “The author of the dictionary?” he queried. “Yes. It’s not terribly idiomatic.

If you feel that there's the author and then the character, then the book is not working. People have a habit of identifying the author with the narrator, and you can't, obviously, be all of the narrators in all of your books, or else you'd be a very strange person indeed.

At a tender age, I commandeered half a quire of foolscap from my father's desk and sat down to write a book. ...I had observed onprinted fly leaves the words "By the author of, etc." ...So under the title of my prospective work I wrote: By the author of "Les Miserables," "The Woman in White," "Dombey and Son," "Tom Brown's Schooldays" and "Our Life in the Highlands," the last-named being an opus of good Queen Victoria. I had not read all these works but they existed on our bookshelves, and I hoped to produce something worthy of comparison.

I'm really shocked when critics get morally outraged at my fiction because they think I'm condoning what's going on. I never come in as the author and say, "Hey, okay. I'm interrupting the narrator here. I'm Bret Easton Ellis, and I'm the author."

The author is the successor of the saint, everyone respects the author.

Memoirs give the knowledge about the author and his environment. They are different from biography. Memoirs do not get ahead, and the man who writes a biography looks at his future like at a very simple thing.

There are a lot of authors in the world, so it's difficult to find a unique niche to present your take on things. That is always a challenge for any author.

Thank and glorify His Beloved Son, who, with indescribable suffering, gave His life on Calvary's cross to pay the debt of mortal sin. He it was who, through His atoning sacrifice, broke the bonds of death and with godly power rose triumphant from the tomb. He is our Redeemer, the Redeemer of all mankind. He is the Savior of the world. He is the Son of God, the Author of our salvation.

If your life were a book, and you were the author, how would you want your story to go?

When a French book becomes an international hit it is because of the author and not because of the language. The same goes for movies.

As a writer, its important to stay true to your story without giving a hoot about publishers, critics and readers. You should do your karma as an author the way you want to, and rest is up to God.

Certain I am that every author who has written a book with earnest forethought and fondly cherished designs will bear testimony to the fact that much which he meant to convey has never been guessed at in any review of his work; and many a delicate beauty of thought, on which he principally valued himself, remains, like the statue of Isis, an image of truth from which no hand lifts the veil.

You know what the critics are. If you tell the truth they only say you're cynical and it does an author no good to get a reputation for cynicism.

I expect to think that I would rather be author of your book than of any other on Nat. Hist. Science.

Anita Johnston, Ph.D., author of Eating in the Light of the Moon, taught me to look in the mirror with curiosity rather than fear. So I may look at my reflection and think, 'That's interesting. I wonder why my body seems bigger today than it did yesterday. Maybe it's water weight. Maybe it's my outfit. Or maybe my eyes are just playing tricks on me.' I know it's not possible for me to gain a noticeable amount of weight overnight, so I will go no further than that. I move on with my day without skipping a beat-and definitely without missing a meal.

As for the author, he is profoundly unaware of what the classical or romantic genre might consist of.... In literature, as in allthings, there is only the good and the bad, the beautiful and the ugly, the true and the false.

There are, indeed, few kinds of composition from which an author, however learned or ingenious, can hope a long continuance of fame.

For the author there is nothing but his pen, till that and life are worn to the stump: and then, with good fortune, perhaps on his death-bed he receives a pension and equals, it may be, for a few months, the income of a retired butler!

I speak as an unregenerate reader, one who still believes that language and not technology is the true evolutionary miracle. I have not yet given up on the idea that the experience of literature offers a kind of wisdom that cannot be discovered elsewhere; that there is profundity in the verbal encounter itself, never mind what further profundities that author has to offer; and that for a host of reasons the bound book is the ideal vehicle for the written word.

My favorite figure of the American author is that of a man who breeds a favorite dog, which he throws into the Mississippi River for the pleasure of making a splash. The river does not splash, but it drowns the dog.

It really depends on what the screenplay is asking of you, and what your responsibility is to that character. You have the author's intent to deal with, you have the filmmaker's vision, and then you have your own wants, desires and needs for the character. It's collaborative. But I knew, right off the bat, that there was no way to go into some sort of pink-haired, clown-nosed character with Ronald McDonald shoes.

A story of remarkable simplicity and charm. A young swimmer invites us into sea off the coast of California where through her eyes we see an entire realm of creatures we have never known so intimately before. Truly for people of all ages, Lynne Cox's adventure with the baby whale, Grayson, becomes a parable and an experience, thanks not only to the author's great and generous spirit, but through her immense gift for describing nature.

I feel like the Church should have the most amazing entertainment and the best music, because we know the author and the source of music and entertainment, which is our Father.

Being a Georgia author is a rather specious dignity, on the same order as, for the pig, being a Talmadge ham.

I would go fifty miles on foot to kiss the hand of that man whose generous heart will give up the reins of his imagination into his Author's hands; be pleased, he knows not why, and cares not wherefore.

Every reader, if he has a strong mind, reads himself into the book, and amalgamates his thoughts with those of the author.

To be responsible is to be the uncontested author of an event or thing.

I draw the art for the writers. A lil' chibi of each author crowns their articles.

The kind of sleep that I had during my own film [Certified Copy] screening in Cannes is different. It's not because of the specificity of the film. It was because of my relationship as an author to this film. Usually when I take my films to festivals, I feel incredibly anxious about them. I wonder how it will be received, how the audience will react. I feel deeply responsible for them. Whereas this time, I didn't have that responsibility on my shoulders.

To want to meet an author because you like his books is as ridiculous as wanting to meet the goose because you like pate de foie gras.

If I can give a young author any advice, whatsoever, never let anyone announce the film sale of your first novel. Film rights are sold to almost every novel, but it shouldn't be the lead story in your first engagement with the press. Then you end up getting reviews like "a novel made for the screen" and things like that.

Our contention has always been that Shakespeare is our greatest living author. If he can survive a season on Broadway, he must be.

Even the most elitist director or author who claims that he doesn't care if his works are seen or not, then I have to think that he's either a liar or a hypocrite.

Here's the thing: Authors live or die by recommendations. [That's one of the reason I review so many books on Goodreads.] Giving books you love good reviews is one of the nicest things you can do for an author. What's more it's good for the entire community.

With a novel, which takes perhaps years to write, the author is not the same man he was at the end of the book as he was at the beginning. It is not only that his characters have developed-he has developed with them, and this nearly always gives a sense of roughness to the work: a novel can seldom have the sense of perfection which you find in Chekhov's story, The Lady with the Dog.

Fools have a habit of believing that everything written by a famous author is admirable. For my part I read only to please myself and like only what suits my taste.

Almighty God hath created the mind free. All attempts to influence it by temporal punishments or burthens...are a departure from the plan of the holy Author of our religion...No man shall be compelled to frequent or support religious worship or ministry or shall otherwise suffer on account of his religious opinions or belief, but all men shall be free to profess and by argument to maintain, their opinions in matters of religion. I know but one code of morality for men whether acting singly or collectively.

THE NAME OF THE WIND has everything fantasy readers like, magic and mysteries and ancient evil, but it's also humorous and terrifying and completely believable. As with all the very best books in our field, it's not the fantasy trappings (wonderful as they are) that make this novel so good, but what the author has to say about true, common things, about ambition and failure, art, love, and loss.

Is it easy to love God' asks an old author. 'It is easy,' he replies, 'to those who do it.' I have included two Graces under the word Charity. But God can give a third. He can awake in man, towards Himself, a supernatural Appreciative love. This is of all gifts the most to be desired. Here, not in our natural loves, nor even in ethics, lies the true centre of all human and angelic life. With this all things are possible.