Quotes About Author

I have never admitted the right of an elderly author to alter the work of a young author, even when the young author happens to be his former self.

I believe that in a good collaboration, the authors bring their strengths to the story; one author's strength cancels the other author's weakness, and back and forth it goes.

I know publishing now more as an author than with occasional peaks inside those elite offices than as an industry insider. It was difficult publishing a novel the first time around, while working behind the scenes, knowing all that has to happen to make a book a success and to still make the leap as an author.

I'm very intrigued by e-books, the topic du jour in the industry today. As a number one bestselling Kindle author, I love the way e-books make an author's backlist accessible to new readers. Of course, price point remains a source of concern. Personally, I don't have any of the answers, but I'm intrigued by the questions.

Authors have a greater right than any copyright, though it is generally unacknowledged or disregarded. They have a right to the reader's civility. There are favorable hours for reading a book, as for writing it, and to these the author has a claim. Yet many people think that when they buy a book they buy with it the right to abuse the author.

It is the shared experience - [although] you're the conduit of the sound, the recipient is also in some way the author of the work, because if they weren't the author of the work they wouldn't be able to recognise it as an experience, you could argue. The more distance you can put between yourself and having any kind of objective the more likely it is to appear.

When you want to put something into your part that is not in the play, you must ask the author-or some other author-to lead up to the interpolation for you. Never forget that the effect of a line may depend not on its delivery, but on something said earlier in the play, either by somebody else or by yourself, and that if you change it, it may be necessary to change the whole first act as well.

If you feel that there's the author and then the character, then the book is not working. People have a habit of identifying the author with the narrator, and you can't, obviously, be all of the narrators in all of your books, or else you'd be a very strange person indeed.

To ask an author who hopes to be a serious writer if his work is autobiographical is like asking a spider where he buys his thread. The spider gets his thread right out of his own guts, and that is where the author gets his writing.

Those who believe the Author of Nature to be also the Author of Scripture must expect to find in Scripture the same sorts of difficulties that they find in Nature.

If at times I have thought myself unfortunate, it is because of a confusion, an error. I have mistaken myself for someone else... Who am I really? I am the author of The World as Will and Representation, I am the one who has given an answer to the mystery of Being that will occupy the thinkers of future centuries. That is what I am, and who can dispute it in the years of life that still remain for me?

We read privately, mentally listening to the author's voice and translating the writer's thoughts. The book remains static and fixed; the reader journeys through it.

The cookbooks I value the most in my collection are the ones where you hear the author's voice and point-of-view in every recipe.

Whatever an author puts between the two covers of his book is public property; whatever of himself he does not put there is his private property, as much as if he had never written a word.

The success of many books is due to the affinity between the mediocrity of the author's ideas and those of the public.

Because I'm the author of my screenplays I know what I'm looking for. It's true that I can be stubborn in demanding that I get what I want, but it's also a question of working with patience and love.

It seems to me as I reviewed the literature that, with few exceptions, the more confident were the prescriptions about how to behave with ethics and integrity, the further removed was the author from the life and work of the everyday manager.

An author must be nothing if he do not love truth; a barrister must be nothing if he do.

The only living works are those which have drained much of the author's own life into them.

The author's mentor advises the NAKED method of breaking the ice at the first meeting: Name, Address, Kin, Experience, and Dreams.

If your life were a book, and you were the author, how would you want your story to go?

I really believe that readers are smart and sophisticated enough to realize that the author is not the narrator of his novels.

I expect to think that I would rather be author of your book than of any other on Nat. Hist. Science.

I'm mainly an airport author, and if you're trying to take your mind off the journey, you're not going to read 'King Lear.'

I am so in favor of the actual infinite that instead of admitting that Nature abhors it, as is commonly said, I hold that Nature makes frequent use of it everywhere, in order to show more effectively the perfections of its Author. Thus I believe that there is no part of matter which is not - I do not say divisible - but actually divisible; and consequently the least particle ought to be considered as a world full of an infinity of different creatures.

For love is of God. He is the fountain, author, parent, and commander of love; it is the sum of his law and gospel.

There is then creative reading as well as creative writing. When the mind is braced by labor and invention, the page of whatever book we read becomes luminous with manifold allusion. Every sentence is doubly significant, and the sense of our author is as broad as the world.

Meg Cabot is the best author ever

It really depends on what the screenplay is asking of you, and what your responsibility is to that character. You have the author's intent to deal with, you have the filmmaker's vision, and then you have your own wants, desires and needs for the character. It's collaborative. But I knew, right off the bat, that there was no way to go into some sort of pink-haired, clown-nosed character with Ronald McDonald shoes.

Then I found another one, grandpa's poem. It turned out it had been written by Emily Brontë and it wasn't my grandfather's poem at all, although my response to it, I think, was pretty much the same, I just had the author wrong.

What does it mean to feel "in control" of your life? What I mean by control is the ability to make a choice. Personal sovereignty means that you choose from what is available in order to be intentional about your life...When you feel in control of your life, you know yourself to be the author of your own actions and know that you always have choices.

The liberty, prosperity, and the happiness of our country will always be the object of my most fervent prayers to the Supreme Author of All Good.

Smile, breathe and go slowly." - Thich Nhat Hanh, Vietnamese Zen monk, author and peace activist.

I've never translated more than one book by any author. But I'm fascinated by translators who have, like Richard Zenith, who's translated so much of Fernando Pessoa's work. I get restless for a new kind of influence. The books I've translated are books I want to learn from as a writer, to be intoxicated by. And translation is an act of writing in itself. It's an act of recreation - of a writer's cadence and tone and everything that distinguishes the voice in the book.

I draw the art for the writers. A lil' chibi of each author crowns their articles.

It is difficult to get men to pick up a female author. Women will read men, but men won't read women.

The self-edited author is as foolish as the self-medicated patient.

God is the foundation of all authority, He exercises that foundation because He is the author and the owner of His creation. He is the foundation upon which all other authority stands or falls.

We have a slate of four films. From Karen Young - the USA bestselling author - we have Blood Bayou. Again, we're relying on the story to tell itself and the characters tell it and not (relying on) shock value. It's a suspenseful drama...The best way I can describe it is Pelican Brief meets Time to Kill.

This is an extraordinary book of unique psychological power. It reveals not only scholarship and sophistication of the author, but deep and intimate knowledge of the recesses of the human psyche. By masterful juxtaposition of evocative images, poetry, and selected quotes from scholars, Flesh and Blood seems to engage both the right and left hemispheres in an unprecedented dialogue. The result is a multi-dimensional, almost holographic picture of the primordial foundations of the human mind.

Crushed to earth and rising again is an author's gymnastic. Once he fails to struggle to his feet and grab his pen, he will contemplate a fact he should never permit himself to face: that in all probability books have been written, are being written, will be written, better than anything he has done, is doing, or will do.

I do tend to look at my books in many ways as conceptual fiction, even to the point where I think the author's photograph is part of the package. And I have gone out of my way to select the photograph to connect to the subject matter of each book.

With the marketing pressures driving the book world today, it's much easier to get the author of a memoir on a television show than a serious novelist.

With a novel, which takes perhaps years to write, the author is not the same man he was at the end of the book as he was at the beginning. It is not only that his characters have developed-he has developed with them, and this nearly always gives a sense of roughness to the work: a novel can seldom have the sense of perfection which you find in Chekhov's story, The Lady with the Dog.

Writers are egotists. All artists are. They can’t be altruists and get their work done. And writers love to whine about the Solitude of the Author’s Life, and lock themselves into cork-lined rooms or droop around in bars in order to whine better. But although most writing is done in solitude, I believe that it is done, like all the arts, for an audience. That is to say, with an audience. All the arts are performance arts, only some of them are sneakier about it than others.

The productions of a great genius, with many lapses and inadvertences, are infinitely preferable to the works of an inferior kind of author which are scrupulously exact, and conformable to all the rules of correct writing.

I firmly believe as an author you have to go out in life and hear the stories of people. In pubs in the UK or a retirement home in the US it is the stories of others that bring a book to life.

I love being an author. I love actual writing, and I love communicating with children. And it keeps me young.