Quotes About Author

The one man who should never attempt an explanation of a poem is its author. If the poem can be improved by it's author's explanations it never should have been published, and if the poem cannot be improved by its author's explanations the explanations are scarcely worth reading.

I only know what it's like to be an author with social media. I can't compare. I do think we lose the mystery of the author. Today, I get tons of e-mails and Facebook messages from readers, and my goal with Twitter and Facebook is, if someone reaches out to me, I'm going to respond to them. I don't want to be an elitist author who is untouchable. I'm just a regular person, too. I will always respond to everybody.

Frequently, an author gets "orphaned" at a publisher. What this means is that an editor buys their book, then ends up getting fired, promoted, or transferred to a different job somewhere else. It sucks for the author because suddenly the person who liked your book enough to buy it isn't around to help you edit and promote it.

I do that a lot of authors still do not do is allow people to write directly to me. I get about 50 fan letters a day, and I answer every single one of them myself. It takes a lot of time and sometimes it's a pain in the neck and I answer the same questions over and over. But the truth is these people come to my readings clutching these letters saying, "You wrote me back. I can't believe you wrote me back", and I think it really means a lot for them to know that the author values them just as much as they value the author.

Aschenbach is not only a projection of Mann in the obvious ways - same daily routines, author of the works Mann had planned - nor even in sharing his author's aspirations, doubts, and sexual identity. His watchword, "Durchhalten!" [persevere, keep going] could be Mann's own.

I'm very intrigued by e-books, the topic du jour in the industry today. As a number one bestselling Kindle author, I love the way e-books make an author's backlist accessible to new readers. Of course, price point remains a source of concern. Personally, I don't have any of the answers, but I'm intrigued by the questions.

I think overtly political novels - those that never transcend or contest their author's conscious intentions and prejudices - are problematic. This is not just true of the innumerable unread books in the socialist realist tradition, but also of novels that carry the burden of conservative ideologies, like Guerrillas, Naipaul's worst book, where the author's disgust for a certain kind of black activist and white liberal is overpowering.

The stories I love the most are where the author has a lot of empathy for everyone. The author loves their characters and takes their situations really seriously, and you feel like you're just dropped into a different world.

Why do you keep reading a book? Usually to find out what happens. Why do you give up and stop reading it? There may be lots of reasons. But often the answer is you don't care what happens. So what makes the difference between caring and not caring? The author's cruelty. And the reader's sympathy...it takes a mean author to write a good story.

Hollywood, to hear some writers tell it, is the place where they take an author's steak tartare and make cheeseburger out of it. Upon seeing the film, they say, the author promptly cuts his throat, bleeding to death in a pool of money.

Regarding fiction, our concern shouldn't be the author's origin (and of course I am forgetting the sales people right here), because that is actually merely a simplified, almost insulting judgment of the book by its cover - or rather by the name and origin of its author - an act of discrimination if we want to say it in a more provoking way, but at the least an act of ignorance and false empathy.

Fiction should be about moral dilemmas that are so bloody difficult that the author doesn't know the answer. What I hate in fiction is when the author knows better than the characters what they should do.

I think the first important thing is that usually most textbooks are not written by their authors. And so by author I mean the people who did not write them; so it's a new definition of "author."

Reading a book should be a conversation between you and the author. Presumably he knows more about the subject than you do; if not, you probably should not be bothering with his book. But understanding is a two-way operation; the learner has to question himself and question the teacher, once he understands what the teacher is saying. Marking a book is literally an expression of your differences or your agreements with the author. It is the highest respect you can pay him.

At a tender age, I commandeered half a quire of foolscap from my father's desk and sat down to write a book. ...I had observed onprinted fly leaves the words "By the author of, etc." ...So under the title of my prospective work I wrote: By the author of "Les Miserables," "The Woman in White," "Dombey and Son," "Tom Brown's Schooldays" and "Our Life in the Highlands," the last-named being an opus of good Queen Victoria. I had not read all these works but they existed on our bookshelves, and I hoped to produce something worthy of comparison.

Whoever commits to paper what he suffers becomes a melancholy author: but he becomes a serious author when he tells us what he suffered and why he now reposes in joy.

It is always dishonest for a reviewer to review the author instead of the author's book.

If the poem can be improved by the author's explanations, it never should have been published.

President Roosevelt, the author of Social Security, was the first to suggest that, in order to provide for the country's retirement needs, Social Security would need to be supplemented by personal savings accounts.

I think I'm way too much of a control freak to co-author anything with anyone. I have a hard enough time writing with myself! I admire people that can do it, but it's not for me.

If at times I have thought myself unfortunate, it is because of a confusion, an error. I have mistaken myself for someone else... Who am I really? I am the author of The World as Will and Representation, I am the one who has given an answer to the mystery of Being that will occupy the thinkers of future centuries. That is what I am, and who can dispute it in the years of life that still remain for me?

Thank and glorify His Beloved Son, who, with indescribable suffering, gave His life on Calvary's cross to pay the debt of mortal sin. He it was who, through His atoning sacrifice, broke the bonds of death and with godly power rose triumphant from the tomb. He is our Redeemer, the Redeemer of all mankind. He is the Savior of the world. He is the Son of God, the Author of our salvation.

If I want to be the sexy Bipasha Basu, then I'll do a song here or a glam role there. But I want to be part of films that are watched, films that earn money and are new age, with author-backed roles.

The Bible is one story that unfolds in one book, by one author, about one subject. A story that moves from promise to fulfillment.

As a writer, its important to stay true to your story without giving a hoot about publishers, critics and readers. You should do your karma as an author the way you want to, and rest is up to God.

Certain I am that every author who has written a book with earnest forethought and fondly cherished designs will bear testimony to the fact that much which he meant to convey has never been guessed at in any review of his work; and many a delicate beauty of thought, on which he principally valued himself, remains, like the statue of Isis, an image of truth from which no hand lifts the veil.

Sons of the Dawn is a page-turner, and author Hank Nuwer is to be thanked for enriching our sense of the West with this memorable novel.

The theater audience is the ultimate teacher, instructing the actor on the degree to which he has executed both the author's and the director's intent.

I am so in favor of the actual infinite that instead of admitting that Nature abhors it, as is commonly said, I hold that Nature makes frequent use of it everywhere, in order to show more effectively the perfections of its Author. Thus I believe that there is no part of matter which is not - I do not say divisible - but actually divisible; and consequently the least particle ought to be considered as a world full of an infinity of different creatures.

If you liked a book, don't meet the author

I’ve always believed that as an author, I do 50% of the work of storytelling, and the reader does the other 50%. There’s no way I can control the story you tell yourself from my book. Your own experiences, preferences, prejudices, mood at the moment, current events in your life, needs and wants influence how you read my every word.

To translate, one must have a style of his own, for the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.

An author is a person who can never take innocent pleasure in visiting a bookstore again.

For love is of God. He is the fountain, author, parent, and commander of love; it is the sum of his law and gospel.

Every author ought to write every book as if he were going to be beheaded the day he finished it.

For where is any author in the world Teaches such beauty as a woman's eye?

While every new fantasy author is hailed as unique, new, and different, Brandon Sanderson's ELANTRIS does indeed provide an absorbing adventure in a unique, different, and well-thought-out fantasy world, with a few nifty twists as well.

Then I found another one, grandpa's poem. It turned out it had been written by Emily Brontë and it wasn't my grandfather's poem at all, although my response to it, I think, was pretty much the same, I just had the author wrong.

A story of remarkable simplicity and charm. A young swimmer invites us into sea off the coast of California where through her eyes we see an entire realm of creatures we have never known so intimately before. Truly for people of all ages, Lynne Cox's adventure with the baby whale, Grayson, becomes a parable and an experience, thanks not only to the author's great and generous spirit, but through her immense gift for describing nature.

Life takes its own turns, makes its own demands, writes its own story, and along the way, we start to realize we are not the author.

Smile, breathe and go slowly." - Thich Nhat Hanh, Vietnamese Zen monk, author and peace activist.

I am sure that no traveler seeing things through author spectacles can see them as they are.

Beware of books. They are more than innocent assemblages of paper and ink and string and glue. If they are any good, they have the spirit of the author within. Authors are rogues and ruffians and easy lays. They are gluttons for sweets and savories. They devour life and always want more. They have sap, spirit, sex. Books are panderers. The Jews are not wrong to worship books. A real book has pheromones and sprouts grass through its cover.

A word, and all the infinite fluctuations it may possess. Like that moment when you know you have something to say, and you know you're speaking, even, but you still have no idea how you will say it. Or the moment when, as a reader, you're reading, and you are understanding what you are reading, but still have utterly no idea what will come next for you, what precisely the author wants to say. For me, that is the ultimate level of literary depth, of literary density.

When you read a piece of writing that you admire, send a note of thanks to the author.

If we are to continue to have the freedoms that came of the inspiration of the Almighty to our Founding Fathers, we must return to the God who is their true Author.

Many books in popular psychology are a melange of the author's comments, a dollop of research, and stupefyingly dull transcriptions from interviews.

A good edit process turns rocks into diamonds, and every author should love that part as much as the creative phase. I do love it. It's a different side to writing. It's like the fine-tuning.