Quotes About Author

Whether the author intended a symbolic resonance to exist in her book is irrelevant. All that matters is whether it's there. Because the book does not exist for the benefit of the author, the book exists for the benefit of YOU. If we as readers can have a bigger and richer experience with the world as a result of reading a symbol and that symbol wasn't intended by the author, WE STILL WIN.

It has been the error of the schools to teach astronomy, and all the other sciences, and subjects of natural philosophy, as accomplishments only; whereas they should be taught theologically, or with reference to the Being who is the author of them: for all the principles of science are of divine origin. Man cannot make, or invent, or contrive principles: he can only discover them; and he ought to look through the discovery to the Author.

I see the author as the person who has written; the writer, the one involved in the process of writing. And they're not necessarily friends. The writer is the one I want to reinforce; the author would just feed on the reviews - so I'm in favour of starving him.

Why do you keep reading a book? Usually to find out what happens. Why do you give up and stop reading it? There may be lots of reasons. But often the answer is you don't care what happens. So what makes the difference between caring and not caring? The author's cruelty. And the reader's sympathy...it takes a mean author to write a good story.

Between the reputation of the author living and the reputation of the same author dead there is ever a wide discrepancy.

I'm a commercial writer, not an author. Margaret Mitchell was an author. She wrote one book.

Great literature must spring from an upheaval in the author's soul. If that upheaval is not present then it must come from the works of any other author which happens to be handy and easily adapted.

Regarding fiction, our concern shouldn't be the author's origin (and of course I am forgetting the sales people right here), because that is actually merely a simplified, almost insulting judgment of the book by its cover - or rather by the name and origin of its author - an act of discrimination if we want to say it in a more provoking way, but at the least an act of ignorance and false empathy.

I think the first important thing is that usually most textbooks are not written by their authors. And so by author I mean the people who did not write them; so it's a new definition of "author."

Why don’t you purchase an Italian dictionary? I will assume the expense.” “I have one,” she said, “but I don’t think it’s very good. Half the words are missing.” “Half?” “Well, some,” she amended. “But truly, that’s not the problem.” He blinked, waiting for her to continue. She did. Of course. “I don’t think Italian is the author’s native tongue,” she said. “The author of the dictionary?” he queried. “Yes. It’s not terribly idiomatic.

More than anything I am a novelist. But for me, an author's job is not only to create linguistically accomplished works. As an author I also want to stimulate discussion.

The thing about being a mystery writer, what marks a mystery writer out from a chick lit author or historical fiction writer, is that you always find a mystery in every situation.

When you do not recognize the wrongs of the past, the future takes its revenge. -Author forgotten

From whence shall we expect the approach of danger? Shall some trans-Atlantic military giant step the earth and crush us at a blow? Never. All the armies of Europe and Asia...could not by force take a drink from the Ohio River or make a track on the Blue Ridge in the trial of a thousand years. No, if destruction be our lot we must ourselves be its author and finisher. As a nation of free men we will live forever or die by suicide.

Either criticism is no good at all (a very defensible position) or else criticism means saying about an author the very things that would have made him jump out of his boots.

All the best performers bring to their role something more, something different than what the author put on paper. That's what makes theatre live. That's why it persists.

Whatever an author puts between the two covers of his book is public property; whatever of himself he does not put there is his private property, as much as if he had never written a word.

As an author, you need to keep talking to your audience to remind yourself what they like and what they don't like. You spend most of your life locked in a room, and you need to be social occasionally.

If you are serious, and you want to make a living as an author, then you need to hustle. Period. If you can't make that quality, then you need to concentrate on your craft and practice more. One other thing, quality comes with practice. If you are prolific, then you become a better writer because you are writing. The more you do anything the better at it you will become. So in a way, quantity does add to quality.

If I want to be the sexy Bipasha Basu, then I'll do a song here or a glam role there. But I want to be part of films that are watched, films that earn money and are new age, with author-backed roles.

The first time I remember our being socially in the same place was after we graduated and [author, investment counselor, philanthropist, and fellow 1950s Yalie] Peter Wolf had a party at his house in the Hamptons.

Fantasy works inwards upon its author, blurring the boundary between the visioned and the actual, and associating itself ever moreclosely with the Ego, so that the child who has fantasied himself a murderer ends by becoming a Loeb or a Leopold. The creative Imagination works outwards, steadily increasing the gap between the visioned and the actual, till this becomes the great gulf fixed between art and nature. Few writers of crime-stories become murderers--if any do, it is not the result of identifying themselves with their murderous heroes.

In his laborious efforts to attain mountaintops, where the air is lighter and purer, the climber gains new strength of limb. In the endeavor to over come obstacles of the way, the soul trains itself to conquer difficulties; and the spectacle of the vast horizon, which from the highest crest offers itself on all sides to the eyes, raises his spirit to the Divine Author and Soverign of Nature.

You know what the critics are. If you tell the truth they only say you're cynical and it does an author no good to get a reputation for cynicism.

He who is the author of a war lets loose the whole contagion of hell and opens a vein that bleeds a nation to death.

Sons of the Dawn is a page-turner, and author Hank Nuwer is to be thanked for enriching our sense of the West with this memorable novel.

In a New York Post interview, Judy Blume, author of young-adult fiction, gave this advice on getting your kids to read: "Moms come up to me at book signings and describe how they're telling their daughters, 'These were my favorite books,'?" she says. "I say, 'Quit it! That's the biggest turnoff!'"You want to get them to read them, leave them around the house and every so often, say, 'You're not ready to read this yet.'

Ultimately, it doesn't matter if the author intended a symbol to be there, because the job of reading is not to understand the authors intend. The job of reading is to see into other people as we see ourselves.

My theory on literature is an author who does not indulge in trashiness-writes about people you could introduce into your own home...he did not care to read a book or go to a play about people he would not care to meet at his own dinner table. I believe we should live by certain standards and ideals.

Milla Jovovich introduced me to [anthropologist and author of the Don Juan series of books involving shamanic peyote rituals] Carlos Castaneda because I was all into the hallucinogens for a minute.

The Christian's God does not merely consist of a God who is the Author of mathematical truths and the order of the elements. The God of Abraham, the God of Isaac, the God of Jacob, the God of the Christians, is a God of love and consolation.

While every new fantasy author is hailed as unique, new, and different, Brandon Sanderson's ELANTRIS does indeed provide an absorbing adventure in a unique, different, and well-thought-out fantasy world, with a few nifty twists as well.

Haiku is a particularly Zen form of poetry; for Zen detests egoism in the form of calculated effects or self-glorification of any sort. The author of haiku should be absent, and only the haiku present.

I hope to be remembered as an author who defined and exemplified excellence in crafting the modern love story.

If I become the most popular author in jump, please give me the right to end one manga I hate.

The fact is that the intrinsic worth of the book, play or whatever the author is trying to sell is the least, last factor in the the whole transaction.

I've never translated more than one book by any author. But I'm fascinated by translators who have, like Richard Zenith, who's translated so much of Fernando Pessoa's work. I get restless for a new kind of influence. The books I've translated are books I want to learn from as a writer, to be intoxicated by. And translation is an act of writing in itself. It's an act of recreation - of a writer's cadence and tone and everything that distinguishes the voice in the book.

Is it not superfluous to write more than one novel if the writer has not become, say, a new man? Obviously, all the novels of an author not infrequently belong together and are to a certain degree only one novel.

An author accepting language's invitation to dance steps onto the floor of his her sensibility-charged consciousness and begins to move instinctively--even if with much dread--in ways that synchronize images, ideas, emotions, sounds, smells, ignorance, and knowledge.

In the creative process there is the father, the author of the play; the mother, the actor pregnant with the part; and the child, the role to be born.

Our contention has always been that Shakespeare is our greatest living author. If he can survive a season on Broadway, he must be.

The Noonday Demon explores the subterranean realms of an illness which is on the point of becoming endemic, and which more than anything else mirrors the present state of our civilization and its profound discontents. As wide-ranging as it is incisive, this astonishing work is a testimony both to the muted suffering of millions and to the great courage it must have taken the author to set his mind against it.

I do tend to look at my books in many ways as conceptual fiction, even to the point where I think the author's photograph is part of the package. And I have gone out of my way to select the photograph to connect to the subject matter of each book.

Even the most elitist director or author who claims that he doesn't care if his works are seen or not, then I have to think that he's either a liar or a hypocrite.

There are, first of all, two kinds of authors: those who write for the subject's sake, and those who write for writing's sake. ... The truth is that when an author begins to write for the sake of covering paper, he is cheating the reader; because he writes under the pretext that he has something to say.

The productions of a great genius, with many lapses and inadvertences, are infinitely preferable to the works of an inferior kind of author which are scrupulously exact, and conformable to all the rules of correct writing.

What is possible and what is not possible is not objectively known but is, rather, a subjective belief on the part of the author and of the reader.

I think it's a great thing to hear the author reading. I've listened to CDs of Cheever and Updike reading their stories and Hemingway. To hear what their voices were like is amazing. Whether they're reading well or not, it's great to listen to the intonation and the beat of the guy who wrote the story.