Quotes About Author

Because every book of art, be it a poem or a cupola, is understandably a self-portrait of its author, we won't strain ourselves too hard trying to distinguish between the author's persona and the poem's lyrical hero. As a rule, such distinctions are quite meaningless, if only because a lyrical hero is invariably an author's self-projection.

WARNING: The following is a transcript of a digital recording. In certain places, the audio quality was poor, so some words and phrases represent the author's best guesses. Where possible, illustrations of important symbols mentioned in the recording have been added. Background noises such as scuffling, hitting, and cursing by the two speakers have not been transcribed The author makes no claims for the authenticity of the recording. It seems impossible that the two young narrators are telling the truth, but you, the reader, must decide for yourself.

Tokyo Heist is a fast-paced, exotic reading adventure, a story where The da Vinci Code meets the wildly popular manga genre! Author Diana Renn infuses protagonist Violet with plenty of chikara (power) and Renn's fresh, spot-on author's voice is irresistible. I couldn't put it down!

At a tender age, I commandeered half a quire of foolscap from my father's desk and sat down to write a book. ...I had observed onprinted fly leaves the words "By the author of, etc." ...So under the title of my prospective work I wrote: By the author of "Les Miserables," "The Woman in White," "Dombey and Son," "Tom Brown's Schooldays" and "Our Life in the Highlands," the last-named being an opus of good Queen Victoria. I had not read all these works but they existed on our bookshelves, and I hoped to produce something worthy of comparison.

Nobody is the author or producer of his own life story ... somebody began it and is its subject in the twofold sense, namely, its actor and sufferer ... but nobody is the author.

There is no obligation for the author of a film to believe in, or to sympathise with, the moral behaviour of his characters. Nor is he necessarily to be accredited with the same opinions as his characters. Nor is it necessary or obligatory for him to believe in the tenet of his construction - all of which is a disclaimer to the notion that the author of Drowning by Numbers believes that all men are weak, enfeebled, loutish, boorish and generally inadequate and incompetent as partners for women. But it's a thought.

There are many readers of the book, who don't know anything about the authors and the artists. There is more than one author. It doesn't matter, if you can't make the reader dive into the story and surround him with that environment and those characters. That's an experience that lasts longer than figuring out who did what. I think that's what makes our working relationship better, it helps us to make a book that feels unique and not like different voices.

President Roosevelt, the author of Social Security, was the first to suggest that, in order to provide for the country's retirement needs, Social Security would need to be supplemented by personal savings accounts.

Generally speaking, an author's style is a faithful copy of his mind. If you would write a lucid style, let there first be light in your own mind; and if you would write a grand style, you ought to have a grand character.

Time is the best author. It always writes the perfect ending.

The success of many books is due to the affinity between the mediocrity of the author's ideas and those of the public.

If modesty and candor are necessary to an author in his judgment of his own works, no less are they in his reader.

An author must be nothing if he do not love truth; a barrister must be nothing if he do.

There are directors, and there are authors. I think I am more of an author than a director.

He was an author whose works were so well known as to be almost confidential.

An author is a fool who, not content with boring those he lives with, insists on boring future generations.

In his play depicting the Salem Witch Trials, the author illustrates profound psychological bullying. The ringleader of young girls suspected of unsavory conduct, frightens her friends into silence by warning: Now, look you; All of you. We danced. And Tituba conjured Ruth Putnam's dead sisters, and that was all. ... Let either of you breathe a word, or the edge of a word, about the other things, and I will come to you in the black of some terrible night, and I will bring a pointy reckoning that will shudder you.

Fantasy works inwards upon its author, blurring the boundary between the visioned and the actual, and associating itself ever moreclosely with the Ego, so that the child who has fantasied himself a murderer ends by becoming a Loeb or a Leopold. The creative Imagination works outwards, steadily increasing the gap between the visioned and the actual, till this becomes the great gulf fixed between art and nature. Few writers of crime-stories become murderers--if any do, it is not the result of identifying themselves with their murderous heroes.

In January 1962, when I was the author of one and a half unperformed plays, I attended a student production of 'The Birthday Party' at the Victoria Rooms in Bristol. Just before it began, I realised that Harold Pinter was sitting in front of me.

Mr. Shaw came for a short time recently to be regarded less as an author than as an incident in the European War. In the opinion of many people it seemed as if the Allies were fighting against a combination composed of Germany, Austria-Hungary, Turkey, and Mr. Shaw.

I started Storyline after I'd accomplished all my goals and still wasn't happy. I'd become a New York Times bestselling author, which was my goal from high school, and yet I was less happy after accomplishing my goals than I was before.

I’ve always believed that as an author, I do 50% of the work of storytelling, and the reader does the other 50%. There’s no way I can control the story you tell yourself from my book. Your own experiences, preferences, prejudices, mood at the moment, current events in your life, needs and wants influence how you read my every word.

The art of reading is the art of adopting the pace the author has set. Some books are fast and some are slow, but no book can be understood if it is taken at the wrong speed.

Perpetual modernness is the measure of merit, in every work of art; since the author of it was not misled by anything short- livedor local, but abode by real and abiding traits.

One of the agonies of being an author is to know when to stop writing.

No author dislikes to be edited as much as he dislikes not to be published.

The attitude of, I will never self-publish, coming from any author, indicates that they have never been in a position where it is their only option.

The Bible is actually a library of books-some long, some short- written over hundreds of years by many authors. Behind each one, however, was [the] Author: the Spirit of God.

Every author ought to write every book as if he were going to be beheaded the day he finished it.

If I had an author superpower, I would like to have the ability to stop time for everyone else. I feel like I have to disappear into myself to write books. I go away, into my head, for hours and weeks at a time, and I hate that I miss everything. It's pretty selfish to want to pause other people, isn't it?

There is no less invention in aptly applying a thought found in a book, than in being the first author of the thought.

The Christian's God does not merely consist of a God who is the Author of mathematical truths and the order of the elements. The God of Abraham, the God of Isaac, the God of Jacob, the God of the Christians, is a God of love and consolation.

A successful author is equally in danger of the diminution of his fame, whether he continues or ceases to write.

Some books seem to have been written, not to teach us anything, but to let us know that the author has known something.

I could have skated by as an athlete, but the world is so much bigger and more interesting than any one thing. I didn't want to be pigeonholed as just a jock. I'm also an author, a student of history, and I collect memorabilia from the Wild West. I'm also a son, a father, and a friend.

Then I found another one, grandpa's poem. It turned out it had been written by Emily Brontë and it wasn't my grandfather's poem at all, although my response to it, I think, was pretty much the same, I just had the author wrong.

For the last six weeks I have found myself pestered by some characters in search of an author.

I always give books. And I always ask for books. I think you should reward people sexually for getting you books. Don't send a thank-you note, repay them with sexual activity. If the book is rare or by your favorite author or one you didn't know about, reward them with the most perverted sex act you can think of. Otherwise, you can just make out.

No author ever spar'd a brother.

Haiku is a particularly Zen form of poetry; for Zen detests egoism in the form of calculated effects or self-glorification of any sort. The author of haiku should be absent, and only the haiku present.

I'm not an actual author but an accidental one.

Readers have a loyalty that cannot be matched anywhere else in the creative arts, which explains why so many writers who have run out of gas can keep coasting anyway, propelled on to the bestseller lists by the magic words AUTHOR OF on the covers of their books.

My interest in science was excited at age nine by an article on astronomy in National Geographic; the author was Donald Menzel of the Harvard Observatory. For the next few years, I regularly made star maps and snuck out at night to make observations from a locust tree in our back yard.

I am satisfied that if a book is a good one, it is so whatever the sex of the author may be. All novels are or should be, written for both men and women to read, and I am at a loss to conceive how a man should permit himself to write anything that would be really disgraceful to a woman, or why a woman should be censured for writing anything that would be proper and becoming for a man.

The kind of sleep that I had during my own film [Certified Copy] screening in Cannes is different. It's not because of the specificity of the film. It was because of my relationship as an author to this film. Usually when I take my films to festivals, I feel incredibly anxious about them. I wonder how it will be received, how the audience will react. I feel deeply responsible for them. Whereas this time, I didn't have that responsibility on my shoulders.

Peace should be a hallmark of the godly person, first because it is a Godlike trait: God is called the God of peace several times in the New Testament. He took the initiative to establish peace with rebellious men, and He is the author of both personal peace as well as peace among men. Peace should be part of our character also because God has promised us His peace, because He has commanded us to let peace rule in our lives and relationships, and because peace is a fruit of the Spirit and therefore an evidence of His working in our lives.

An autobiography should give the reader opportunity to point out the author's follies and misconceptions.

I try to read everything that's sent me - play scripts, movie scripts - but I've had to make a rule. If the author hasn't grabbed me by Page 25, the piece goes back with a note of apology.