Quotes About Author

One hates an author that's all author.

Do not place a photograph of your favourite author on your desk, especially if the author is one of the famous ones who committed suicide.

I've lost both parents in the last two years, so you pick up on that stuff. That's the most terrible thing about being an author - standing there at your mother's funeral, but you don't switch the author off. So your own innermost thoughts are grist for the mill.

I wanted to be an author as far back as I can remember, mixed with occasional bouts of wanting to be a werewolf when I grew up. But mostly, when I daydreamed, it was about being an author.

Between the reputation of the author living and the reputation of the same author dead there is ever a wide discrepancy.

I don't think that children, if left to themselves, feel that there is an author behind a book, a somebody who wrote it. Grown-ups have fostered this quotient of identity, particularly teachers. Write a letter to your favorite author and so forth. When I was a child I never realized that there were authors behind books. Books were there as living things, with identities of their own.

Tokyo Heist is a fast-paced, exotic reading adventure, a story where The da Vinci Code meets the wildly popular manga genre! Author Diana Renn infuses protagonist Violet with plenty of chikara (power) and Renn's fresh, spot-on author's voice is irresistible. I couldn't put it down!

I'm a commercial writer, not an author. Margaret Mitchell was an author. She wrote one book.

Great literature must spring from an upheaval in the author's soul. If that upheaval is not present then it must come from the works of any other author which happens to be handy and easily adapted.

If you feel that there's the author and then the character, then the book is not working. People have a habit of identifying the author with the narrator, and you can't, obviously, be all of the narrators in all of your books, or else you'd be a very strange person indeed.

There is no obligation for the author of a film to believe in, or to sympathise with, the moral behaviour of his characters. Nor is he necessarily to be accredited with the same opinions as his characters. Nor is it necessary or obligatory for him to believe in the tenet of his construction - all of which is a disclaimer to the notion that the author of Drowning by Numbers believes that all men are weak, enfeebled, loutish, boorish and generally inadequate and incompetent as partners for women. But it's a thought.

Every author has different ways of writing and what works for one author does not necessarily work for another.

Under the law of nature, all men are born free, every one comes into the world with a right to his own person, which includes the liberty of moving and using it at his own will. This is what is called personal liberty, and is given him by the Author

The style of an author should be the image of his mind, but the choice and command of language is the fruit of exercise.

I have a huge author crush on Stephen King. Have never met him. Would probably embarrass myself. But it would be worth it.

This thought-provoking novel portrays the absurdity of our overbearing government bureaucracy with a story that is entertaining and fast-paced. The Taxman Cometh will become part of our national dialogue about taxes and freedom. And it’s funny as hell. Author Jim Greenfield is a cross between Ayn Rand and Monty Python. If enough people read this hilarious ‘man versus state’ book, the IRS will be put out of business, which is okay with me.

The reason the middle section switches to third person is, well, this is middle age. This is the part in her life where she loses track of something that was driving her and has to figure out what's going to drive the next part of her mission, this mission to be an author. I had to push back away from her for a while before we could come up to that really lyrical close third in the final section.

The Greeks used to use the same stories, the same mythology, time after time, different authors. There was no premium placed upon an original story, and indeed, Shakespeare likewise. A lot of people wrote plays about great kings. They didn't expect a brand-new story. It was what that new author made of the old story. It is probably the same now. We disguise it by inventing what seem to be new stories, but they're basically the same story anyway.

Adaptation of books is never a success. When the author wants to make it, it's even worse.

An author describing the methods of intensive farming, or the excesses of sport hunting, or even the harsher uses of animals in science writes with confidence that most readers will share his sense of concern and indignation. Sounding the call to action-convincing people that change is not only necessary, but actually possible-is more problematic. In protecting animals from cruelty, it is always just one step from the mainstream to the fringe. To condemn the wrong is obvious, to suggest its abolition radical.

He was an author whose works were so well known as to be almost confidential.

This is going to take a while. I'm a fantasy author. We have trouble with the concept of brevity.

Anita Johnston, Ph.D., author of Eating in the Light of the Moon, taught me to look in the mirror with curiosity rather than fear. So I may look at my reflection and think, 'That's interesting. I wonder why my body seems bigger today than it did yesterday. Maybe it's water weight. Maybe it's my outfit. Or maybe my eyes are just playing tricks on me.' I know it's not possible for me to gain a noticeable amount of weight overnight, so I will go no further than that. I move on with my day without skipping a beat-and definitely without missing a meal.

Readers will share in the environs of the author and her characters, be taken into the hardship of a pitiless place and emerge on the other side — wiser, warier and weathered like the landscape.

The action of the child inventing a new game with his playmates; Einstein formulating a theory of relativity; the housewife devising a new sauce for the meat, a young author writing his first novel; all of these are in terms of definition, Creative, and there is no attempt to set them in some order of more or less Creative.

One of the agonies of being an author is to know when to stop writing.

The Bible is actually a library of books-some long, some short- written over hundreds of years by many authors. Behind each one, however, was [the] Author: the Spirit of God.

I could have skated by as an athlete, but the world is so much bigger and more interesting than any one thing. I didn't want to be pigeonholed as just a jock. I'm also an author, a student of history, and I collect memorabilia from the Wild West. I'm also a son, a father, and a friend.

I feel like the Church should have the most amazing entertainment and the best music, because we know the author and the source of music and entertainment, which is our Father.

Anthony Heilbut has been a guide and a mentor to me. I know of no one who has the love and depth of knowledge of this extraordinary author.

It has been jestingly said that the works of John Paul Richter are almost unintelligible to any but the Germans, and even to some of them. A worthy German, just before Richter's death, edited a complete edition of his works, in which one particular passage fairly puzzled him. Determined to have it explained at the source, he went to John Paul himself. The author's reply was very characteristic: "My good friend, when I wrote that passage, God and I knew what it meant; it is possible that God knows it still; but as for me, I have totally forgotten."

The two most engaging powers of an author are to make new things familiar, familiar things new.

My first experience of having a baby was about as natural as birth can be, and though I didn't know it at the time, it set my feet on a path that eventually led me to become a childbirth author and a midwife.

The author O. Henry taught me about the value of the unexpected. He once wrote about the noise of flowers and the smell of birds—the birds were chickens and the flowers dried sunflowers rattling against a wall.

As a journalist, I would talk to writers, directors, creative people, and discover that for an awful lot of them, the moment they became successful, that was all they were allowed to do. So you end up talking to the bestselling science-fiction author who wrote a historical-fiction novel that everybody loved, but no one would publish.

The author always loads his dice, but he must never let the reader see that he has done so, and by the manipulation of his plot, he can engage the reader's attention so that he does not perceive the violence that has been done to him.

I try to read everything that's sent me - play scripts, movie scripts - but I've had to make a rule. If the author hasn't grabbed me by Page 25, the piece goes back with a note of apology.

[Confiscating a book and punishing its author] is a sign that one does not have a good case, or at least doesn't trust it enough to defend it with reasons and refute the objections. Some people even go so far as to consider prohibited or confiscated books to be the best ones of all, for the prohibition indicates that their authors wrote what they really thought rather than what they were supposed to think . . .

Aha! Today I shall become an author! And I will auth and auth and auth and make a squillion dollars, whoopee!

No matter how successful, beloved, influential her work was, when a woman author dies, nine times out of ten, she gets dropped from the lists, the courses, the anthologies, while the men get kept. ... If she had the nerve to have children, her chances of getting dropped are higher still. ... So if you want your writing to be taken seriously, don't marry and have kids, and above all, don't die. But if you have to die, commit suicide. They approve of that.

All art is unstable. Its meaning is not necessarily that implied by the author. There is no authoritative voice. There are only multiple readings.

The first author of speech was God himself, that instructed Adam how to name such creatures as He presented to his sight.

The translator of prose is the slave of the author, and the translator of poetry is his rival.

The author may not interpret. But he must tell why and how he wrote his book.

Nabokov quote: "I think like a genius, I write like a distinguished author, and I speak like a child."

I want to be an author/director and I'm writing my second book now and I want to make a movie of it, and I hope I get to do this for the rest of my life.

There are people who are always, I think, going to remain people of the book, to use another author's title, but people of the book, who really must be around.

I am a writer (and one day I'll be an author). For a long time I was a bookseller (who wrote) or a TV producer (who wrote), but for the last decade or so, its been "writer."