Quotes About Band

When you are in a band for a number of years you loose your identity in a way. You become a part of that band and then all of a sudden you are not part of that band. You are still the band without the other two members.

Every good band in the world was a cover band first. The Beatles were and the Stones were. Everybody was a cover band.

When I was in high school, The Dave Matthews Band was a local band, and that was the first time I was starting to connect with a live band that was something that wasn't on the radio or TV.

A good analogy is stretching a rubber band. You can stretch and stretch and even feel the tension increase in the muscles in your hands and arms as the gap from one end of the band to the other widens. But at some point you reach the limits of elasticity of the band and it snaps. The same thing happens with human systems.

I consider us to be one of the first Internet-based bands, especially because we basically started our entire band via the Internet. Before MySpace Music even existed, we had a band MySpace page. We were one of the first fifty bands on PureVolume(.com), and we really built everything from the Internet. That's how we started talking to record labels, that's how we booked our first tours. Without the Internet social networking, like Twitter, we definitely wouldn't be where we are today. It is a huge part of the band.

I feel like there's not as many bands anymore. It's more like there's a front-person and a band supporting them, solo-type spirits that have a look, a vibe, a message, a voice and a style. I was talking about it with a journalist in Europe; he was like, "You're a democracy; everyone in the band does stuff." There's not a lot of bands I can think of that still have it so every member of the band has an equal say. I was like, dude, you're right. I can't really think of any right now. There might be one or two leaders in them, but there are not a lot of bands like that anymore.

One day when I have a band I will have a band name, but since it's just me I feel it should just be my name. For me it doesn't make much sense since the music is from me and about me. I haven't ever been in a band.

The Beatles weren't like any other band. Everybody in the band sang, which is why you knew everybody in the band.

I think that every band is different, and in fact that's one of the biggest problems with the old-school music industry is that... one band would be successful according to a certain approach, and then every other band in the label gets sent down the same tube.

The most inspiring drummer for me is Stewart Copeland from The Police. The Police are the first band I can remember really liking, and Copeland is a guy who was playing in sort of a rock band, or a rock-pop band, but he didn't want to do the traditional kind of rock drumbeat. He was doing all these kind of reggae rhythms, and the reggae style is almost an exact opposite of the rock mold of drumming.

I think that was going on with bands like The Strokes was that the idea of the band, a real band, was making a comeback. My brother in law is an example- before he was listening to some country music, even some of that awful nu-metal stuff , but there weren't many options really.

We just were a band one day. We woke up and in the morning we were a band.

I saw the Ramones, early on at a country-rock palace in Denver. They were opening for some record-company band, so the local music establishment, and I emphasize the word "establishment," was there in force, and the handful of us who knew the Ramones were up in front. And half the fun was, you know, not only were the Ramones the most powerful band I had ever seen at that point, but they made it look so simple - that anyone could do it, hell, even I could do it. This is what I should be doing.

I'll come in with a string of riffs and direct the musical ideas. But you still need a band and their input to make the ideas come alive. You can't underestimate band chemistry.

I was inspired by a lot of people when I was young, every band that came through town, to the theater, or the dance hall. I was at every dance, every night club, listened to every band that came through, because in those days we didn't have MTV, we didn't have television.

I remember the day we were hanging around the band's commune and Roger came in with the press kit for a rock band (Moby Grape) any of us had ever seen. It looked psychedelic, yet it was done by ad people. I believe the word "hype" was coined on that very day.

The Big Band Era is my era. People say, 'Where did you get your style from?' I did the Big Band Era on guitar. That's the best way I could explain it.

I think what's cool about about going on a co-headline tour is everyone's bringing a huge show, so it's not like opening band, opening band, then here's the big show. It's like two big shows.

We became friends as we became a band. Our friendship evolved as the band evolved. It had its ups and downs, but it was mostly ups for the four of us. We got along well almost all of the time. Hey! We liked each other and we still do.

Duane Allman was bursting with energy ... he was a force to be reckoned with. His drive and focus, as well as his intense belief in himself and our band, was incredible. He knew we were going to make it. We all knew we were a good band, but no one had that supreme confidence like he did, and it was a great thing, because his confidence and enthusiam were infectious... it says a lot that his hero was Muhammad Ali. That kind of supreme confidence that Ali had - that's where Duane was coming from

I don't want to hear from a band that pretty much sounds like another band. Oh I've heared this riff before, or I've heared these words that everyone is saying. I want to hear new poetry, new guitar riffs, new drum-beats, new sounds. Then I'm really interested.

Everyone can lock into the rhythm on a tune. It's organic in nature. It connects the band as a whole and connects the band to the audience.

None of us went to university, none of us went to college, none of us played in a different band before, none of us done anything. We were the last great band to come out of nowhere, on an indie label. We've sold 50 million records. That's still the benchmark. Until someone does what we've done, I'll always consider myself the last big songwriter

When Adam's House Cat broke up in 1991, which was Cooley and my band for six years, I put my entire life, heart, and soul into that thing. I mean everything. I ended up getting divorced over it, and then the band broke up and I was left with nothing. I had nothing to show for six years of my life except for a finished record that still hasn't come out. And I went through a pretty deep, dark, two-year depression after that, [which] probably resulted in some of the earlier songs that became Drive-By Trucker songs, for that matter.

My musical background in Tyler, Texas was quite outstanding. Uh, I grew up with, uh, with high school teachers who were in bands, they could play music. And we had a nine piece band there in Tyler, and I joined them when I was about, oh, 15 years old and traveled all over Texas in that band, playing for the elite oil people. Hah. And um, I was making about 50 bucks a night, and uh, it taught me, they taught me how to find my timing and to learn the songs that I wanted.

I like what's going on in Finland, with the rebirth of Beherit. I also like a band called Oranssi Pazuzu and a band called Spiderpact. There's a great scene there where they don't really care what's going on elsewhere and create music in their own vacuum.

A lot of things just got distorted, like stories about each other. After the tour we never talked. I believe a band should be a band.

I asked all through third, fourth and fifth grade, when they were asking kids to be in the band, to be in the school band. But they wouldn't let me do it.

I'm 90% performer, 10% musician. I've always said that Gossip are a band I would go see, not a band I would listen to.

The day Metallica's over, i'm not going to put an ad looking for another band. I'll put my drumsticks on the shelf and there's 14 other things I wanna try. Metallica's the only band I've ever been and it's the only I ever wanna be in.

I did exactly what I wanted to do. It was always my intention to put a band together and be a band and not be about the solo pop guy. That was never me. All of the musicians that made me do what I wanted to do were bands. I didn't see it any other way.

I was 21, and I was like, "Man, am I really gonna start over and try this whole thing over again? Do I want to start over and be in a rock band again and try to act like a 17-year-old for as long as I can?" Because that was what I was doing with Simon Dawes band. I decided that if I was going to go on playing music, I was going to try and work on it. So I got into Leonard Cohen and Will Oldham, guys that really inspired me not only as songwriters but also through their music as people, and that's kind of what the shift was for me.

I never thought about becoming a professional singer, but I am in touch with Bono about releasing a musical movie. It will be about an Irish band during the '70s who are looking for fortune in Las Vegas. I should play the singer of the band but I don't want to sing in front of anybody.

When I see four young kids in a band, I think, That looks really fun, no matter how shitty they are. You develop your own thing, and get excited about your band name. It's all so harmless.

My official cruise ship band name is now A Band On Ship.

I was going to record a solo album when I was 15 on a four-track. I started working on it, but then Fall Out Boy happened. The band was awesome and took me in a totally different direction. I don't regret it at all, but the band delayed the record I had been planning.

Florida is such an unlikely place for a band, unless you're an emo or hardcore band. In terms of the touring route, or even the way the geography works in terms of bands and communities, Florida's always been this appendage that you either cut it off and dismiss it, or you somehow include it in your scope.

Commercial record has never interested me. It's amazing I was in a band like The Police that had such phenomenal commercial success. Part of what made The Police what it was was that we didn't all come in with obvious mainstream musical tastes. We were a rock band and somehow we had to make rock music, but it was informed by a lot of things outside of the mainstream for sure.

We weren't like mates who decided to form a band. The other three met me because they were interested in being in the band that I was starting.

When that band started out, I was 18 years old. So that was my reality all the way up until I quit the band. And even then, you know, Guns N' Roses has a nasty way of sticking around.

I don't know if it's true that most people don't know this, but the reason that I play music is because of my favourite band of all time - AC/DC.

A lot of people change their band names because they're looking for a change of atmosphere.

I used to split my time between writing, music and painting. I would work on a book and then abandon it, start a band, do an album, quit music, then do a gallery show. Eventually I decided to give writing a serious shot.

Another factor is that in terms of the original compositions, this is our strongest year yet. Everyone wrote a fantastic piece and everyone really had a greater sense of how to write for this band -- not only for this particular instrumentation, but for these particular players. Each year, the reality is getting closer to the ideal of a collective.

The guerrilla band is not to be considered inferior to the army against which it fights simply because it is inferior in fire power.

We've gotten better at shooting down routine material or stuff we feel like we've done better in the past. Getting different people in the band for periods also keeps it from going stale.

I have been involved in music since 1972 when I started managing two artists from The Jimi Hendrix Band. My family has been involved in music for years, so it's kind of in my blood. I just wish I could sing!

I do a lot of curiosity buying; I buy it if I like the album cover, I buy it if I like the name of the band, anything that sparks my imagination. I still like to go to record stores, I like to just wander around and I'll buy whatever catches my attention.