Quotes About Band

Most guitar players get a name because the band that they're in has become popular. That doesn't mean that they're particularly good, whereas conversely, you've got people like Albert Lee, an incredible player, one of my favourites who's not in a famous band, so he doesn't get into the popularity polls. I have to laugh at some of the people that do get into the popularity polls - some of them are so bad, but they're in a band that's at the top of the hit parade. I think people mix that up.

I feel like there's not as many bands anymore. It's more like there's a front-person and a band supporting them, solo-type spirits that have a look, a vibe, a message, a voice and a style. I was talking about it with a journalist in Europe; he was like, "You're a democracy; everyone in the band does stuff." There's not a lot of bands I can think of that still have it so every member of the band has an equal say. I was like, dude, you're right. I can't really think of any right now. There might be one or two leaders in them, but there are not a lot of bands like that anymore.

There's a good sarcasm and a camaraderie that comes after being in a band. And we've known each other forever. We've never been a band that fought or argued. As a songwriter, I'm really happy that the boys support me and contribute and that, but I've always wanted to be under the band Stereophonics.

Without doubt, the foremost band for decades has been the One O'Clock Lab Band at the University of North Texas. Through its many incarnations and under various leaders, they have demonstrated the highest qualities of musicianship imaginable, plus a willingness to balance their big band tradition with creative exploration. Astounding ensemble work, insightful interpretations of the arrangements, imaginative writing, and above all, a loving attention to musicality . . . these people play beautifully.

I haven't got a great jazz band and I don't want one. Some of the critics, Down Beat's among them, point their fingers at us and charge us with forsaking real jazz . . . It's all in what you define as 'real jazz.' It happens that to our ears harmony comes first. A dozen colored bands have a better beat than mine. Our band stresses harmony.

Anything was better than going to work. All those early tours before we made any money were more like vacations. I don't think it was until 2001 that we pulled our heads out of the sand and were like, "What are we doing?" I don't think Chris realized he was in a band until 2001. He all of a sudden woke up one day and realized he was in a band. He thought he was just recording my solo project. Three albums later, we're in Baltimore trying to figure out what to do with ourselves.

You don't need to be talented. You don't even have to play the guitar to be a guitar player in a punk-rock band. So I, in a very naïve and teenage way, said, "That's it. I'm going to be in a band."

Some of the best trades come when everyone gets very panicky. The crowd can often act very stupidly in the markets. You can picture price fluctuations around an equilibrium level as a rubber band being stretched -- if it gets pulled too far, eventually it will snap back. As a short-term trader, I try to wait until the rubber band is stretched to its extreme point.

I was in one bar band from 1965 to '69, then I was in another one from 1970 to '79 - a 9-year bar band!

Acting had always been the social scene I'd fallen into. It was sort of a merry band of band geeks and theater nerds.

I remember the day we were hanging around the band's commune and Roger came in with the press kit for a rock band (Moby Grape) any of us had ever seen. It looked psychedelic, yet it was done by ad people. I believe the word "hype" was coined on that very day.

When my band MU landed on Maui in 1973 we were greeted by a wonderful group of peace loving brothers & sisters who we immediately formed a bond with. We had two instant roadies, Spider & Richard, who helped with every move of our musical equipment. We settled into our house on the edge of the rainforest that eventually became a portable studio. We started rehearsing and booked the Lahaina Civic Auditorium for a full moon concert starring MU and a local band The Space Patrol.

I don't know if it was related to the type of music that we were doing at that time or what, but Todd Cook actually just turned to me and was like, "You know what would be a great name for a metal band? Dead Child." We talked half-jokingly that we were going to do a band. I guess as time went on, I started writing songs that were more metal sounding, and it just evolved from there. It actually started with the name first, and then the songs came second.

There's something intrinsically Australian about a bunch of brothers and school friends getting together as a band at a very young age and all pulling together as a band at a very young age and all pulling together as mates to make something happen.

For me personally, and as a band, there are a lot of challenges. Being in a band is like war, it's a battle - to focus, to really put together something that's formidable and then keeping everything together.

In my last band, Soundgarden, I had a couple of different drummers sit in on some stuff and it was fun for me to kind of take a break and watch the band.

The main reason we didn't break up is because we weren't really a college band. We were just, two dudes who were messing around with music. We never played off-campus except for once or twice. We never had any ambitions to make it as a band after college, or anything like that. So that probably worked in our favor. We never took anything seriously, we still don't!

When it comes to grunge or even just Seattle, I think there was one band that made the definitive music of the time. It wasn't us or Nirvana, but Mudhoney. Nirvana delivered it to the world, but Mudhoney were the band of that time and sound.

All your travelling is together, you eat together, you're on stage as a band together, when you get to the sound-check the band and the crew are all together.

A lot of things just got distorted, like stories about each other. After the tour we never talked. I believe a band should be a band.

When I started making films I just decided "I'm the filmmaking equivalent of a garage band and I'll just make my garage band movies." But even the same musicians from garage bands would go to my movies and you could tell what they liked from the way that they dressed and they would be the first ones to walk out.

Sometimes I would go on Sundays and play with Doc Cheatham. I was also playing in a band of teenagers led by Don Sickler called Young Sounds, and The McDonald's Big Band led by Rich De Rosa and Justin Di Cioccio. All those guys were great educators and musicians and taught me a lot! Simultaneous to all this, another one of my musical fathers came into my life, Eddie Locke.

But I always wanted to do a theatrical stuff. But when you're in a metal band of course you're limited because five people in the band, um, you've got no keyboards... you're limited. And I wanted... to go over-the-top, you know. Literally. I wanted to make an album that people would either hate or love.

Nine Inch Nails were the best and most popular industrial band of all time; as a consequence, industrial purists usually assert that Nine Inch Nails aren't an industrial band at all (this is a counterintuitive phenomenon that tends to occur with purists from all subcultures, musical or otherwise).

"Anybody have money?" Frank checked his pockets. "Three denarii from Camp Jupiter. Five dollars Canadian." Hedge patted his gym shorts and pulled out what he found. "Three quarters, two dimes, a rubber band and - score! A piece of celery." He started munching on the celery, eyeing the change and the rubber band like they might be next.

The story of our band is that we were this relentless touring band in those early years. We were leaving day jobs and going off on the road and having fun and seeing the country for the first time. We were playing Chinese restaurants and basements and record stores and houses. We were crashing on floors and it was all new and exciting. It was like a vacation. It didn't feel like work. I couldn't wait to go on tour back then. I would be sitting at my day job or my apartment, just itching to go. There were so many adventures that were about to happen.

I met the Santana band when I was 14. By the time I was 15, I was a member of the band.

We weren't like mates who decided to form a band. The other three met me because they were interested in being in the band that I was starting.

Any time somebody is into your band that's a good thing. And if they're in a really cool, really popular band, that's a better thing.

The bands of perception vary greatly. There is the human band of perception. There are lots of different bands of perception. Simply because we are in one band of perception, doesn't mean others are not there.

Once again, in the fine tradition of North Texas Lab Bands, this is truly a superb band. Under the artful leadership of Neil Slater, these great musicians have managed to combine small group "openness" with the swinging precision of a classic big band. Very enjoyable!

I wanted to be in a band that gave bang for the buck. I wanted to be in the band who didn't look like a bunch of guys who, you know, should be in a library studying for their finals.

My brother was always in bands and on the road when I was a kid and he was my inspiration. He never made it with a big band, in fact he never made a record. Here he is fifty-something years old.

I feel like there's this weird thing that as a feminist band you get put in this role as ambassadors.

He had found the band of jackals he needed. But as Jack McCall rode through the center of town, he experienced the terrifying certainty that a man faces when he's about to make his own name famous. He lacked both a hero's calm and a coward's resolve to survive at any price.

There are a lot of disadvantages with the YouTube stigma, because no one wants to be known as just a cover band. It's all about the original music.

I tried to play bass in a punk band once, and it was an absolute disaster. I can’t play anything. I don’t know what it is.

I think when you follow a band, you're following a - and I don't like to use the term 'brand,' but you are following a kind of style, if you like. So I think you have to accept that there will be different people involved from time to time.

I think when you leave a band in any situation that you are a part of.. I mean, when I was with It Bites I was a quarter of something, and when I was with Robert Plant I was a sixth of some- thing and when you leave you become the whole thing. So just after you spend time realizing what you are, and it just happened that I was doing that in my life as well as musically, it kind of happened at the same time. I was getting to a point in my life where I was beginning to realize who I am, and I like me.

The great thing about rock-n-roll is you realize the top of the mountain is big enough for more than one band.

Almost every band has somebody who's the main songwriter and who has a vision, a very clear idea of how a song should be.

Because we take these huge long breaks, and then I just kind go, "Okay, fine, this is the way that I've chosen to live my life, and if the band now fades into obscurity, so be it, that's my decision." But then we come back and it's still as big as ever, or bigger. It's always been a surprise to me, that it worked out that way.

And what do the Theban hoplites see in this extended rending of the sky, this white-bright glory of Enlil's lightning? The future, but not theirs: paired cavalry fighters; formed ranks of armored death; grim men on their tall horses with lightning limning weapons tailored to the task; men spoiling for a fight if the gods allowed - the Sacred Band of Stepsons, out from shadows and the dark.

My sister and I shared a bedroom our entire lives and I believe she discovered the Beatles when she was about 11 and I'm four years younger. So from the age of 7 until 17 we had nothing but Beatles paraphernalia in our room, even those little stuffed Beatles that went on stands that are dressed as the Sgt. Pepper band.

I always tell girls who say they want to start a band but don't have any talent, well, neither do I. I mean, I can carry a tune, but anyone who picks up a bass can figure it out. You don't have to have magic unicorn powers. You work at it, and you get better. It's like anything- You sit there and do it every day, and eventually you get good at it.

BIGBANG is the band that i myself am a big fan of

I haven't had that many people onstage for a while, and I'm looking forward to that. They're all such creative musicians in their own right. They're all complete individuals. They're not just a pick-up band. They all have their own thing going on.

It was three breakups going on at the same time. It was breaking up with my band, and my boyfriend, and right after that, my record label. I was arguing a lot with my record label during that whole time, so maybe they all affected each other. This record, Mondo Amore, came out of a time that was really heartbreaking and confusing, and that's why I switched the sound up a lot, to make it sound a little bit grittier and more raw.