Quotes About Band

Kansas has always considered itself a "rock band" - some people might say "symphonic rock band," others might say a "classical rock band," but we've kind've prided ourselves on being a rock band. Kansas rocks.

We went from being thought of and talked about as "a band that plays a so-and-so style of music" (a grunge band, a stoner band, etc) to "a band that plays music with a certain sensibility or style to it". I'm not able to see quite what that is, but it's there and some people like it a lot.

A lot of the music is the kind of thing I grew up with, listening to it with my parents. So there was a band in London called the BBC Big Band, and I sang with them. And I had never done a big band before, and it was just so fantastic and I had such a good time...so that's how it all came about

I think that was going on with bands like The Strokes was that the idea of the band, a real band, was making a comeback. My brother in law is an example- before he was listening to some country music, even some of that awful nu-metal stuff , but there weren't many options really.

Anything was better than going to work. All those early tours before we made any money were more like vacations. I don't think it was until 2001 that we pulled our heads out of the sand and were like, "What are we doing?" I don't think Chris realized he was in a band until 2001. He all of a sudden woke up one day and realized he was in a band. He thought he was just recording my solo project. Three albums later, we're in Baltimore trying to figure out what to do with ourselves.

I was raised in bars. My grandmother had one, and when I was 12 years old I'd go stay with her and that's where I got to watch her band play -- she had a seven or eight-piece band, and I would sit in the kitchen and peek through the door. I was kind of a 12-year-old bottle washer.

Some of the best trades come when everyone gets very panicky. The crowd can often act very stupidly in the markets. You can picture price fluctuations around an equilibrium level as a rubber band being stretched -- if it gets pulled too far, eventually it will snap back. As a short-term trader, I try to wait until the rubber band is stretched to its extreme point.

I was in one bar band from 1965 to '69, then I was in another one from 1970 to '79 - a 9-year bar band!

If you're a good band then the filter of the band is pretty strong.

For me personally, and as a band, there are a lot of challenges. Being in a band is like war, it's a battle - to focus, to really put together something that's formidable and then keeping everything together.

This is going to sound really corny, but it's the way I feel: Musicians have been around for a really long time. It's a really, really old job. When you look at the way that a small band toured back in the '50s, it's similar to the way that a small band tours now. It's been this long tradition, and when you meet somebody who has been doing this for a really long time, you have to have tremendous respect for them.

I think a band - even a band that's been around as long as the Rolling Stones - I think that's still the formula. You know you're gonna get those songs, and you don't mind sitting through the ones that you maybe don't know very well because you know they're not gonna let you down - they're not gonna mess with you. And I kind of feel the same way about the way I structure my shows.

When it comes to grunge or even just Seattle, I think there was one band that made the definitive music of the time. It wasn't us or Nirvana, but Mudhoney. Nirvana delivered it to the world, but Mudhoney were the band of that time and sound.

I was a groupie for a year and followed a band. I dated the drummer of the band.

I grew up not really listening to guitar players. Especially when I was studying music, I was just interested in piano players and arrangers and composers; I came to playing in a band from the perspective of someone who never expected to play guitar in a band.

All your travelling is together, you eat together, you're on stage as a band together, when you get to the sound-check the band and the crew are all together.

It's kind of dumb; everybody should be able to listen to the kind of music they want and just because you're a fan of a band for a longer period of time doesn't mean you have a greater stake of claim to the band or the music.

I am lucky to have the greatest band and when you add a symphony orchestra to the mix it brings all of my songs to a whole new level. I wouldn't say I really change what I do but, having those talented musicians behind me, along with my band, really makes the songs so much bigger and more fun to sing.

A band isn't a band unless they're playing together. Otherwise it's just five guys that are living off their royalty checks.

As long as you want to pay to see a band, what makes the band want to get better? Nothing! Really! The Stones are, God knows, horrible beyond horrible, but it doesn't stop the fans from paying money to see them decompose in front of your very eyes.

When I see four young kids in a band, I think, That looks really fun, no matter how shitty they are. You develop your own thing, and get excited about your band name. It's all so harmless.

I was going to record a solo album when I was 15 on a four-track. I started working on it, but then Fall Out Boy happened. The band was awesome and took me in a totally different direction. I don't regret it at all, but the band delayed the record I had been planning.

Basically, every band that makes it has some dude with some sense of business. I don't know if our band would've been so successful were it not for Daniel's [Kessler] insight into how things really work. Daniel was the one who was diligently saying, "We should make a demo, send it out, play shows but not too many shows, get on shows with touring bands that are coming to New York."

REGARDING THE MARCHING BAND: How much more interesting it would be to see a creeping band.

It's terrifying to play your favorite band's song in front of your favorite band.

It ["Begin the Beguine"] became such a hit that it superseded anything that any band had ever had. It was the first time that a so-called swing band played something melodic and still gave it a beat.

The bands of perception vary greatly. There is the human band of perception. There are lots of different bands of perception. Simply because we are in one band of perception, doesn't mean others are not there.

When that band started out, I was 18 years old. So that was my reality all the way up until I quit the band. And even then, you know, Guns N' Roses has a nasty way of sticking around.

I used to split my time between writing, music and painting. I would work on a book and then abandon it, start a band, do an album, quit music, then do a gallery show. Eventually I decided to give writing a serious shot.

A slow band can be great. A slow 100-metres runner is just obsolete.

When I went to do "Carson" that night, they wanted us to do two songs, but we were a brand new band. "Conga" hadn't even hit the top 10 yet. They go, "Do you think you could do something that people know, because we want you to do a second song, but not two originals, because we don't want to lose the audience, just in case."

I am Evanescence. I am the only original member. I have basically hired the band. Evanescence has become me. It is mine and it's exactly how I want it to be.

Fleetwood Mac are more like a folk-rock band.

The only way out of the Scientology church is rip the Band-Aid off and know that your eternity is not at stake and know that you're doing the right thing and know that you're involved in a damaging, hurtful cult. Just look outside, don't listen to Scientology. They are not saving the world. Don't give up your lives, don't give up your families, don't give up your friends for something that turns its back on you and is ultimately a lie. What's Scientology's selling is a lie.

There is no way I would play guitar like a tour de force like I did in Led Zeppelin. John Bonham, phenomenal drummer, young man with his technique, but do you think he would ever have the opportunity to play like that in another band? Of course he hadn't.

Blackheart Records being 25 years old represents staying power and the fact that we weren't able to get a record out through conventional means, so we had to create this record company to put out our records if we wanted to be a band that had records to give out to their fans.

When everything is together - the band, me, the audience, it's boss! It's just like magic.

I think it's stripped down as far as electronics go, but we just wanted to write a record that we felt better represented how we sound live with more of a rock feel, which is the direction we've been heading. It's just an evolution of the band throughout the years. We worked on this record longer than any other record, so I don't know if "stripped down" is how I would put it; I think it is a little bit more raw sounding.

Mexicans are a band of illiterate Indians.

My school music teacher, Al Bennest, introduced me to jazz by playing Louis Armstrong's record of "West End Blues" for me. I found more jazz on the radio, and began looking for records. My paper route money, and later, money I earned working after school in a print shop and a butcher shop went toward buying jazz records. I taught myself the alto saxophone and the drums in order to play in my high school dance band.

I thought I'd do something nice for the band... I'll hang myself.

I play mostly guitar, and I played drums in my brother's band for a while growing up.

To the U.S. and the world, I'm just known as some funny song and some funny music, some funny video guy. But in Korea I'm doing one of the biggest concerts; it's not a dance music concert. I'm playing with the band, so I change my every song to a rock song.

You can't just walk into someone's house and take $15 bucks out of someone's wallet and then walk out with their song. You can't do that. You got to know the difference between stealing from being cool to the band and paying them what they're deserved.

I was writing before I met Rick and actually I created the band before Rick Finch. Basically, the first album, I wrote. Who's to say what would've happened? Rick was very talented too.

For some, excavating the past isn’t an adventure, it’s more akin to tearing a Band-Aid off an open wound.

Our country, the United States of America, may be the worlds largest economy and the worlds only superpower, but we stretch ourselves dangerously thin by taking on commitments like Iraq with only a motley band of allies to share the burden.

Since 2007, we've been giving one dollar, one euro - whatever the local currency - of every ticket sold to Partners In Health and Kanpe. I think if you have a working band, that's about the easiest thing you can do - you just set it up and let it work!