Quotes About Basically

One of the things that really gets me excited and makes me start up companies is the fact that you can basically build something new, try to introduce a change in a way that people are used to doing certain activities, and basically create something out of scratch that doesn't exist and would revolutionize whatever it is that you are trying to do with it. So that's part of the reason I love being able to be a technologist.

I would describe our band "Paper Walls' growth as the natural evolution for anyone the age of 25 to 27, but with "Paper Walls' we focused on the best of what Yellowcard had to offer from our previous work. Meaning we took the energy we had from Ocean Avenue and blended that with that sharp rock edge and all the different sonic evolutions we have on "Lights and Sounds', and we basically mashed them together. So what we have on "Paper Walls' is basically the finest Yellowcard sounds we have to offer.

I would say basically the commonplace observation that kids aren't going to earn as much as their parents is now is a coin flip at this point. Are you going to do better than your parents? It's a 50-50 chance, whereas if you were born in the 1940s or 1950s, you had more than a 90 percent chance you were going to do better than your parents. So basically almost a guarantee for most kids that you were going to achieve the American Dream of doing better than your parents did. Today, that's certainly no longer the case.

I basically enjoy doing films that are about something, that have complex roles that I can sink my teeth into. Basically, I gravitate to things that scare me. They might be things that I don't think I know how to play. I like trying to find within me where this character may exist. Whether is it is a fictional character or not I am not motivated by that. It is more about how challenging it is. It is just so happens that the more high profile things I have done have been historical characters.

"So basically, that entire theory is blown to hell."Not basically," Win corrected. "Entirely."

What we found was that rather than being haphazardly arranged or independent pathways, we find that all of the pathways of the brain taken together fit together in a single exceedingly simple structure. They basically look like a cube. They basically run in three perpendicular directions, and in each one of those three directions the pathways are highly parallel to each other and arranged in arrays. So, instead of independent spaghettis, we see that the connectivity of the brain is, in a sense, a single coherent structure.

Most people are basically a victim of the circumstances of their life. They have things like 9/11, they have terrorism threats, they have new war threats, they have economy problems, and they think, 'What can I do? I'm basically a victim.'

I am not the most annoying person to bring to a movie 'cause I basically hold it in and write about it later or tweet about it. The most annoying people to bring to movies, I think we all agree, are those who read the book first.

Like most terms of political discourse, socialism has more or less, lost its meaning. Socialism used to mean something. If you go back far enough it meant basically control of production by producers, elimination of wage labor, democratization of all spheres of life; production, commerce, education, media, workers control of factories, community control of communities, and so on. That was socialism once. But it hasn't meant that for a hundred years. Socialism meant something different.

We're all kind of basically involved in the same thing, putting up a blank of some kind and filling it in.

I also think within the scene, a specific scene - if I were to play a part that I played 10 years ago now, my interpretation of that scene would be totally different. I would be making different choices. Because I can't somehow subtract all of the experiences that I've had in my life. And it's fascinating to see, because somewhere I'm very reflective in that. You know, I've been playing basically actually close to 40 years old, so I'm somewhere lost in age in this movie. But it's been fascinating to see that I can't subtract that time.

I`m basically a hoofer, a tap dancer. I was always very good from the waist down, moving with the feet... I became what`s known as a total dancer, using the entire body in order to express what you want to express in tap dancing and line.

We have been basically persuaded that we should not talk about racism.

I mean there is no capital requirements to it or anything of the sort. And basically, I said there were possibly financial weapons of mass destruction, and they had them. They destroyed AIG. They certainly contributed to the destruction of Bear Sterns and Lehman. Although Lehman had other problems, too.

Real median household incomes in the U.S. were basically the same in 1989 as in 2014. But we are also seeing similar challenges in the U.K. in the stagnation of real wages.

What I've learned being a writer is to just basically not buckle - not be belligerent, not be angry, not throw fits. Though there are times where you have to stand up and yell. If I've got to throw a chair, I'll throw a chair. There was a meekness about me when I started, and I think the meekness has sort of evaporated. I hope that it's left behind a more passionate person, not a meaner person. So I guess that's what I've learned.

I definitely notice the absence of character in most poetry, which is not so say that I'm an innovator in that regard. Character-based poems are not weird or new by any stretch but they feel strange and new because the atmosphere is one in which no one does that. People always talk about, and with good reason, poetry's unpopularity. When people say that they forget or they brush aside the fact that in the middle part of the last century poetry was immensely popular. Dylan Thomas was basically a rock star; so was Anne Sexton.

My manager was Buddy Glee, who put me together with Mike Curb, and was basically the idea to bring some soul to the label and bring something different to the label besides the Hank Williams situation.

A lot of people involved with celebrity journalism have interesting ideas about the people they want to write about going into the interview. Then as soon as they actually sit down with that person, they basically ask the questions they think journalists are supposed to ask, and they start viewing themselves almost as a peer of the subject. Like they're going to become friends. That's why most celebrity journalism is so terrible.

What I feel fortunate about is that I'm still astonished, that things still amaze me. And I think that that's the great benefit of being in the arts, where the possibility for learning never disappears, where you basically have to admit you never learn it.

Everybody feels safe belonging not to the excluded minority but to the excluding majority. You think, Oh, I’m glad that’s not me. It’s basically the same in all periods in all societies. If you belong to the majority, you can avoid thinking about lots of troubling things.

I drink much less than most people think, and I think much more than most people would believe. I am quite sincere about some of the things which people take very lightly, and almost insultingly unconcerned about some of the things which people take most seriously. In short, I am basically antisocial: certainly not to an alarming degree , but just more so than I appear to be.

People unfit for freedom - who cannot do much with it - are hungry for power. The desire for freedom is an attribute of a "have" type of self. It says: leave me alone and I shall grow, learn, and realize my capacities. The desire for power is basically an attribute of a "have not" type of self.

We'll be eight degrees hotter in ten -- not ten, but thirty or forty years, and basically none of the crops will grow. Most of the people will have died and the rest of us will be cannibals.

I'm so lucky that my songs are basically my diary put to music.

I was writing before I met Rick and actually I created the band before Rick Finch. Basically, the first album, I wrote. Who's to say what would've happened? Rick was very talented too.

A book is basically just symbols arranged to form this story, this world. But on the other hand, books, novels, literature in general, is what shows us at our most human.

Jesse Ventura is basically proof that the people of Minnesota are not social drinkers... they are obviously alcoholics.

Computer chips will cost about a penny. That's the cost of scrap paper. The Internet will be basically for free and it will be inside our contact lens. When we blink, we will go online. When we see somebody that we don't recognize, our contact lens will identify who they are, print out their biography in your contact lens and translate, if they're speaking Chinese, into English with subtitles as they speak.

We are not judged by what we are basically. We are judged by how hard we use what we have been given. Success means nothing to the Lord.

I saw a video on YouTube of a girl who had very similar reactions to late-stage Lyme disease as I did. And I thought it was crazy. And when I saw her basically have a seizure on camera that looked very much like my seizure I felt, "Oh my god. That's me." And so it was really important to me, and I said to Sini, 'We have to find some way to not just talk about Lyme disease, but to show it.

I remember looking at my dad and wanting to understand him. I didn't want to just write the guy off. He was lost. I can't speak specifically in terms of why and how he got to where he was - that was his journey. All I can tell you is, he was overwhelmed by life... My mother basically did all the work, and then they got separated and I didn't see him for a long time. He didn't try to help the family financially or spiritually, and I lived with the effects of the chaos.

Technology is nothing. What's important is that you have a faith in people, that they're basically good and smart, and if you give them tools, they'll do wonderful things with them.

Militarism is basically a way of thinking, a certain interpretation of the function of the state; this manner of thinking is, moreover, revealed by its outer forms: by armaments and state organization.

As a human being with notoriety and a big mouth, I've felt most threatened during the first Bush Administration. Whenever there's a Bush in the White House, many people die, and the rest of us are threatened. I just didn't think it would happen quite so quickly. The so-called USA Patriot Act, and the announcement of trying people in military tribunals if Bush or Rumsfeld's or Ashcroft's people think they somehow qualify as terrorists, basically, this is McCarthyism run amok.

The Road To Serfdom was written during WWII, and basically it's an anti-Nazi, anti-communist thing, but also it's an anti-Conservative and anti-Labor-party thing aimed at the British. He was an Austrian, writing in Britain. And I feel like now, I guess, everybody pays lip service to libertarian - and, indeed, many conservative - ideas, and yet they keep moving forward with an increasingly bureaucratic state. It shows itself in all sorts of little ways.

Packing is basically: If you're going on a weekend, then just take what you're really going to wear. And how many times are you going to leave the room? If that makes any sense. Like if you're going to sleep, read, and sit by a fire - chunky knit sweaters, leggings, comfortable boots. But if you're going on like a party weekend, then bring your favorite pieces and make sure you'll wear them.

Sometimes I eavesdrop on people. I could rationalize it - oh, this is good anthropological research for characters I'm writing - but it's basically just nosiness. It also helps me gauge where I'm at: Am I normal?

Basically [United States and France] said "We will use nuclear weapons whenever it suits our purposes to do so." So this expansion of doctrines regarding possible use of nuclear weapons makes them more, you know, sort of, salient and important and so it's increasing the perceived political value of nuclear weapons and therefore causing or contributing to possible proliferation.

The thing that should most concern us is a shift in American foreign policy. We have had a bipartisan belief in American foreign policy based on the post-World War II institutions that believed in democratic global world, which Russia and the Soviet Union was often seen as hostile to. And most Republicans and Democrats have always basically believed in this world order. Donald Trump and Vladimir Putin and maybe Marine Le Pen do not agree with this basic structure of the world.

Anybody who follows me on Twitter or Facebook knows that I'm super into fantasy sports. I like to make money on my sports knowledge basically.

Growing up I couldn't always get involved with the activities with all the other kids because if I overworked my body it would trigger my pain. There were definitely times growing up, where other kids wanted to challenge me; they wanted to see if they could push my buttons and see if I could fight or what have you. Taking my kindness for weakness or taking my quietness and laid-back style for weakness. I've been dealing with that for basically all my life.

Acting, to me, is about the incredible adventure of examining the landscape of human heart and soul. That's basically what we do.

Almost all theological thought is anthropocentric and I just cannot buy into the anthropocentric ideology. Basically we're a bunch of conceited apes.

[The U.S. Treasury] can borrow basically unlimited amounts. They can stay there for years and years. These assets will be worth more money over time. So when Merrill Lynch sells a bunch of mortgage-related assets at 22 cents on the dollar like they did a month or so ago, the buyer goes - is going to make money, and he's going to make a lot more money if it happens to be an institution like the U.S. government which has very, very cheap borrowing costs.

Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.

I think it's child abuse to have someone in the public eye too young. Society basically values wealth and fame and power at the cost of well-being. In the case of a child, it's at the cost of someone's natural development. It's already hard enough to develop.

In Baltimore they can't do police work to save their lives. Now because of Freddie Gray they're not even getting out of the car and policing corners - they're on a job slowdown, basically. Right now if the police stopped being brutal, if we got police shooting under control, and the use of excessive force, if we have a meaningful societal response to all that stuff, and the racism that underlies it, the question still remains: what are they policing, and why?