Quotes About Black

Dear White Fella When I am born I’m black When I grow up I’m black When I am sick I’m black When I go out ina sun I’m black When I git cold I’m black When I git scared I’m black And when I die I’m still black. But you white fella When you’re born you’re pink When you grow up you’re white When you git sick you’re green When you go out ina sun you go red When you git cold you go blue When you git scared you’re yellow And when you die you’re grey And you got the cheek to call me coloured?

Within the lesbian community I am Black, and within the Black community I am a lesbian. Any attack against Black people is a lesbian and gay issue, because I and thousands of other Black women are part of the lesbian community. Any attack against lesbians and gays is a Black issue, because thousands of lesbians and gay men are Black. There is no hierarchy of oppression.

I, however, like black. It is a color that makes me comfortable and the color with which I have the most experience. In the darkest darkness, all is black. In the deepest hole, all is black. In the terror of my Addicted mind, all is black. In the empty periods of my lost memory, all is black. I like black, goddammit, and I am going to give it its due.

I love everything black, because black is cool. When something crosses over, people are like, "Oh, this is a crossover." First of all, there is no urban anymore. Pop culture is black. White kids are dressing like black kids. It's all crossed the lines now. The way I understand it is, everything black is cool. When it crosses over to white, that means it's going from cool to uncool. That's what crossover is.

I never thought about being the first black actor to win, even though everybody else talked about that. If I stop to think as a black actor, people will see me differently. If I play as a black actor, people will only see that. I think my key was to perform as an actor, not as a black actor. And after winning the Cesar, I was an actor with a Cesar. there are many more adjectives to describe who I am. I'm not only black.

Black writers, of whatever quality, who step outside the pale of what black writers are supposed to write about, or who black writers are supposed to be, are condemned to silences in black literary circles that are as total and as destructive as any imposed by racism.

When you go to a church and you see the pastor of that church with a philosophy and a program that's designed to bring black people together and elevate black people, join that church. Join that church. If you see where the NAACP is preaching and practicing that which is designed to make black nationalism materialize, join the NAACP. Join any kind of organization, civic, religious, fraternal, political, or otherwise that's based on lifting the black man up and making him master of his own community.

I'm admitting that I don't know that to be true, but it does sound pretty good. So a big part of my childhood was affecting black culture and black accents and black music and anything black I was into.

Remember, we're talking [in The Black Power Mixtape] about 1967, the year before [Martin Luther] King's assassination. We're talking about the emergence of black power, which is a discussion King mentioned in his last book, Where Do We Go from Here: Chaos or Community? We're talking about the meaning of black power and the possibility that it alienated our supporters, both white and black.

When I have my Afro and walk down the street, there's no doubt that I'm black. With this [straightened] hair, if I talk about being black on air, viewers write and say, "You're black?!" I feel [straightening your hair] is giving up a sense of your identity. Let's be honest: It's an effort to look Anglo-Saxon.

My dad, who was creative director in the '60s, always wore black jeans with black desert boots; he thought he was cool. He told me to buy a pair as well. I didn't like black, so I got the sand color, and I've been wearing them since college.

History is a continuum, it's not these separate moments. That's how we look at it. In the 1700s in Virginia before there were police officers - there were these groups of men who would wander the countryside - and if they saw a black man or a black woman they would presume that that black man or woman was a slave. If you didn't have the kind of pass that you were supposed to have, then you could be whipped, you could be enslaved, you could be taken into custody - even if you were free. And as I'm reading this I find myself thinking, "How is this any different from stop-and-frisk?"

If the churches don't move, much of the community won't move. We've got a situation in which a black church is still a major institution in the black community where 55 percent of the black folk attend and over 75 pass through its doors.

We have African-Americans and black people getting behind the scenes more and more, we get true black images in television and film...because we have black people behind them. They can tell stories from those points of view and bring to life those characters who have yet to be shown. As long as we have people behind the camera just as much as in front of the camera doing the work, then we'll always be good.

The easy answer is to say that it's a part for black people to see black heroes, but to me it's important to young Mexican kids to see a black hero.

Santa Claus was white and everything bad was black. The little ugly duckling was the black duck, and the black cat was the bad luck. And if I threaten you, I'm going to blackmail you.I said, 'Momma, why don't they call it 'whitemail'? They lie too.'

I do believe that healing takes place on a number of different levels and that in fact black healing can be deepened by trying to heal across as well as within. But it could be that to call for black and Jewish healing without acknowledging the need for intra-black healing puts the cart before the horse.

Bob Marley performed the 'One Love Peace' concert in Jamaica with the two different warring political sides. There's always been that in black music and culture in general. It's no surprise because black music is such a reflection of what's going on in black life. It's not unusual for hip-hop.

Finnish forests: Let us remind the satellite pictures of the 1970's winter in which the old forest appeared black and young forest and cut downs white. Already then the Finnish borders were like drawn on the map: White Finland between black Karelian and black Sweden. Finnish Forest Research Institute hicced up some time and then decided that the pictures are fake.

I think the invitation offered the non-black reader is to join us in this expression of our familiarity and via that joining, come to understand that when black people come together to celebrate and rejoice in black critical thinking, we do so not to exclude or to separate, but to participate more fully in world community. However, we must first be able to dialogue with one another, to give one another subject-to-subject recognition that is an act of resistance that is part of the decolonizing, anti-racist process.

The media love to cover black people on the front page. After all, when you live in a society that will lock up about 30 percent of all black men at some time in their lives and send more of them to prison than to college, chances are a fair number of those black faces will end up in the newspaper.

Life is just like a book. Only after you've read it do you know how it ends. It is when we are at the end of life that we know how our life ran. Mine, until now, has been black. As black as my skin. Black as the garbage dump where I live.

Certainly I feel like I'm the tip of the arrow at times because certainly the national media wants to talk about the fact that I'm a black Republican and some people think of that as zany that a black person would be a conservative but to me what is zany is any person black, white, red, brown or yellow not being a conservative.

He pointed toward the silhouettes on the side of the [bathrooms] instead--black cutout man, black cutout woman. The man had his legs apart, the woman had hers together. Pretty much the story of the human race in sign language.

When they kept you out it was because you were black; when they let you in, it is because you are black. That's progress?

Could it be that my circle is largely black and that it is why I am influential in black circles but not in white circles?

The pile of guts was a black blob of flies that buzzed like a saw. After a while these flies found Simon. Gorged, they alighted by his runnels of sweat and drank. They tickled under his nostrils and played leapfrog on his thighs. They were black and iridescent green and without number; and in front of Simon, the Lord of the Flies hung on his stick and grinned. At last Simon gave up and looked back; saw the white teeth and dim eyes, the blood—and his gaze was held by that ancient, inescapable recognition.

Black community, I think as a whole America is dealing with the issue of homophobia. We got to be really honest about whether we believe in civil rights for all people or not. As Black people we need to remember the moment that we say it's okay to disenfranchise one segment of society, we're opening the door to move backward on ourselves.

In a way, 'Sin City''s designed to be paced somewhere between an American comic book and Japanese manga. Working in black and white, I realized that the eye is less patient, and you have to make your point, and sometimes repeat it. Slowing things down is harder in black and white, because there isn't as much for the eye to enjoy.

My passion today is not only justice for the Black man and woman of America, but for all those who cry out to the Supreme Being for justice in their lives - and that's Black, Brown, Red, Yellow and White, for the whole of humanity has been deprived of that which The Creator has ordered for us, and that is freedom, justice, equality, and submission to the Will of Allah.

It’s hard to look at Barron now, but I do. He’s smirking. His black hair and black suit make him into a shadow, as if I conjured some dark mirror of myself.

There are some universal elements when it comes to motherhood - especially for Black moms. Black women are selfless. Many women think of their children before they think about themselves.

Normally Connor would walk away from a conversation like this. His life is about tangibles: things you can see, hear and touch. God, souls, and all that has always been like a secret in a black box he couldn't see into, so it was easier just to leave it alone. Only now, he's inside the black box.

We have deluded ourselves into believing the myth that capitalism grew and prospered out of the Protestant ethic of hard work and sacrifices. Capitalism was built on the exploitation of black slaves and continues to thrive on the exploitation of the poor, both black and white, both here and abroad.

I think that any black man who teaches black people to turn the other cheek and suffer peacefully after they've been turning the cheek and suffering peacefully for 400 years in a land of bondage, under the most cruel, inhuman and wicked slavemaster that any people have ever been under, he is doing those people an injustice, and he's a traitor to his own people.

Everytime I look at a zebra, I can't figure out whether it's black with white stripes or white with black stripes, and that frustrates me.

In it he proves that all things are true and states how the truths of all contradictions may be reconciled physically, such as for example that white is black and black is white; that one can be and not be at the same time; that there can be hills without valleys; that nothingness is something and that everything, which is, is not. But take note that he proves all these unheard-of paradoxes without any fallacious or sophistical reasoning.

I think people look great in black. I love that what stands out is the person, especially. Black just conveys a kind of drama, even if it can be quiet drama. It does lend to the wearer a sense of confidence.

People often ask me if I feel discriminated against as a black female director. I don't. I'm actually offered a ton of stuff. But I only want to direct what I write. And I prefer to focus on black female characters. What's most important to me is to put characters up onscreen who are not perfect, but who are human and flawed.

How big are souls anyway?" asked Coraline. The other mother sat down at the kitchen table and leaned against the back wall, saying nothing. She picked at her teeth with a long crimson-varnished fingernail, then she tapped the finger, gently, tap-tap-tap against the polished black surface of her black button eyes.

Toni Morrison is challenged regularly because she is a black author who writes about the real world. She speaks with so much knowledge about black issues she can't be accused of creating these (issues). People find these issues threatening.

I think that black fiction authors have to work very hard to avoid being typed as seeking only a black audience.

I equate Deadheads to people that like black licorice. There aren't many people that like black licorice, but the ones that do, REALLY REALLY like it! Or buttermilk, or whatever.

Just wearing all black comes from Johnny Cash. I'm on the road so much that if I wear all black my clothes never get dirty. You can't tell if I've worn the same shirt twice.

Everybody was wearing rhinestones, all those sparkly clothes, and cowboy boots. I decided to wear a black shirt and pants and see if I could get by with it. I did and I've worn black clothes ever since.

Poor is the new black. So on this film [The Land], there are poor black people, but there are also poor Latinos, and poor white people as well.

God created black people and black people created style.

If you force me to pick one color, it'd be Black... It covers up the things inside of me that I don't want to be known. Well, for the same reason, black is the color I hate, too.