Quotes About Buildings

Cities need old buildings so badly it is probably impossible for vigorous streets and districts to grow without them.... for really new ideas of any kind--no matter how ultimately profitable or otherwise successful some of them might prove to be--there is no leeway for such chancy trial, error and experimentation in the high-overhead economy of new construction. Old ideas can sometimes use new buildings. New ideas must use old buildings.

Feel like real time unfolding. It's going to smack of reality and feel as real as it can ... The buildings themselves aren't (shown) ... The movie's about what happened amongst this handful of men when the buildings came down.

I wanted to be an architect. I used to draw houses and buildings and construct buildings on my own.

In some cities they tear down buildings to save taxes. They might try tearing down some taxes to save buildings.

See all these buildings, Russell? All these buildings were once a drawing on a piece of paper, and before that they were an idea in someone’s head. Any idea that you have, you can make manifest.

And Botany I rank with the most valuable sciences, whether we consider its subjects as furnishing the principal subsistence of life to man and beast, delicious varieties for our tables, refreshments from our orchards, the adornments of our flower-borders, shade and perfume of our groves, materials for our buildings, or medicaments for our bodies.

Architecture is not a private affair; even a house must serve a whole family and its friends, and most buildings are used by everybody, people of all walks of life. If a building is to meet the needs of all the people, the architect must look for some common ground of understanding and experience.

There is much work to do to protect forests from over-timbering and oceans and lakes from over-fishing. We need to encourage and reward companies that create jobs to reduce the carbon footprints of offices and buildings and homes.

We can change so many times in our lives. We're born into a family, and it's the only life we can imagine, but it changes. Buildings collapse. Fires burn. And the next second we're someplace else entirely, going through different motions and trying to keep up with this new person we've become.

The Holy Ghost does not come upon methods, but upon men. He does not anoint machinery, but men. He does not work through organizations, but through men. He does not dwell in buildings, but men. He indwells the Body of Christ, directs its activities, distributes its forces, empowers its members.

I live in the Village right near NYU, which is taking over most of the Village. I've lived there for most of my time in New York. One of the things I like about the Village is, it's considered the kind of area where you can't have skyscrapers or, actually, many tall buildings. So you can see the sky which, I think, is a benefit.

If a building makes us light up, it is not because we see order; any row of file cabinets is ordered. What we recognize and love is the same kind of pattern we see in every face, the pattern of our own life form. The same principles apply to buildings that apply to mollusks, birds or trees. Architecture is the play of patterns derived from nature and ourselves.

All these buildings are like mountains I would like to climb, but I am forbidden.

And as you got older, the training became more developed and precise. We did plays, we had voice classes with great dialect coaches. But I was never into it on a school level; it was this kind of private little thing I did. At school I was a rugby guy. At school I was a rugby guy. I was causing trouble with my mates and skating and tagging buildings, and smoking bongs.

The desert is a natural extension of the inner silence of the body. If humanity's language, technology, and buildings are an extension of its constructive faculties, the desert alone is an extension of its capacity for absence, the ideal schema of humanity's disappearance.

It is important to reflect on the kindness of others. Every aspect of our present well-being is due to others' hard work. The buildings we live and work in, the roads we travel, the clothes we wear, and the food we eat, are all provided by others. None of them would exist but for the kindness of so many people unknown to us.

There is a deep human need for beauty and if you ignore that need in architecture your buildings will not last

When we came within sight of the sea, the waves on the horizon, caught at intervals above the rolling abyss, were like glimpses of another shore with towers and buildings.

I grew up in New York City where there is no night sky. Nobody has a relationship with the sky, because, particularly in the day, there was air pollution and light pollution, and you look up, and your sight line terminates on buildings. You know the sun and maybe the moon, and that's about it. So what happens is that I am exposed to the night sky as you would see it from a mountaintop, and I'm just struck by it. Suppose I grew up on a farm where I had that sky every night of my life - then you're not going to be struck by it. It's just the wallpaper of your nighttime dome.

If you want to know what a given society believes in, look at what its largest buildings are devoted to.

There are plenty of ruined buildings in the world but no ruined stones.

We built tall buildings, but we have not become any taller.

There's no doubt in my mind over the next 25 years how we drive, how we build our houses, how we fly, how we build our buildings, will all change.

Until we go through it ourselves, until our people cower in the shelters of New York, Washington, Chicago, Los Angeles and elsewhere while the buildings collapse overhead and burst into flames, and dead bodies hurtle about and, when it is over for the day or the night, emerge in the rubble to find some of their dear ones mangled, their homes gone, their hospitals, churches, schools demolished - only after that gruesome experience will we realize what we are inflicting on the people of Indochina.

On the wagon sped, and I, as well as my comrades, gave a despairing farewell glance at freedom as we came in sight of the long stone buildings.

It's an enormous amount of work: there are 28 separate buildings, and I work on the choice of the colors for everything. Outside colors, balcony colors, etc.. And all of this has to work together, in harmony.

i cried when i saw those buildings collapse on themselves like a broken heart.

Chicago's such a great city because it's got so many different brilliantly architecturally looking buildings, and you can really modify that city.

I know that New York is big, there are huge buildings, but in fact, it's quite small and contained.

Let's put it this way: One can be happy or unhappy in a building. But some buildings make us more depressed than others.

If you believe that the developing world deserves the same standards of living that we do in the developed world, then to achieve that, they need resources. They need the metals and the minerals to build the industries and the buildings and so forth, and the energy.

Toward the end of the Cold War, capitalism created a military horror: the neutron bomb, a weapon that destroys life while leaving buildings intact. During the Fourth World War, however, a new wonder has been discovered: the financial bomb. Unlike those dropped on Hiroshima and Nagasaki, this new bomb not only destroys the polis (here, the nation), imposing death, terror, and misery on those who live there, but also transforms its target into just another piece in the puzzle of economic globalization.

The Victorian house and lots of other buildings weren't oppressive in themselves. They were often very airy and gingerbready and fancy. But they were associated with all this [Victorian] stuffiness.

There are masses of people who need affordable housing in New York. I think that, politically, it is very difficult to give preference to artists over another group. Now, could there be an impressive envisioning process where developers would be asked to collaborate with urban designers? Maybe envision a large-scale development with local shops, dense housing, maybe a few towers, maybe a few mid-rise buildings, and art workshops in the mix? That would be great. I don't see a call for those proposals. But I think that it would not be outrageous to propose that kind of vision.

So what we have tried to do in our later buildings is to try to be completely consistent, as a painter is consistent or as a sculptor is consistent. Architecture also must be very consistent.

Consider how badly-built suburbia is. Many business buildings are not designed to outlast their tax depreciation periods, and the McHouses are made of particle board, vinyl siding, and stapled-on trim. A lot of suburbia will simply become the slums of the future. Most of the rest will be salvage or ruins.

The apparition of an evil, sick unconscious wild city rose before me in visible semblance, and about the dead buildings in the barren air, the bodies of the soul that built the wonderland shuffled and stalked and stalked and lurched in attitudes of immemorial nightmare all around.

The cities drain the country of the best part of its population: the flower of the youth, of both sexes, goes into the towns, andthe country is cultivated by a so much inferior class. The land,--travel a whole day together,--looks poverty-stricken, and the buildings plain and poor.

The fate of the architect is the strangest of all. How often he expends his whole soul, his whole heart and passion, to produce buildings into which he himself may never enter.

The fact is that people who strap bombs to their bodies to blow up families at a Bar Mitzvah in Israel, plant bombs at a nightclub in Bali, or slit stewardesses' throats and ram airplanes filled with innocent Americans into office buildings do not do so for any reason related to poverty. They do so because they hold evil beliefs and have deformed consciences

Even on a personal note, my dressing table downstairs is crowded with things, like a mini landscape. It's a city with buildings and towers and roads. There's a pool and a little park. When I move something around it becomes a different tableau.

Industry is not a collection of machines and tools and buildings. It is a social entity that has the responsibility of realizing the happiness of those who work in it.

I don't see that any buildings should be excluded from the term architecture, as long as they are done properly.

I am an architect. I try to feel the transparency in contemporary buildings and I try to understand the transparency in Zen poetry. I just want to mix all those things.

The building is absolutely stunning. It is a magnificent and important piece of architecture that contributes greatly to the cultural landscape of Washington. It is one the best designed buildings in D.C. in the last decade.

Whatever the political injustices are that created an environment that brought this about, it was not Americans who flew those planes into those buildings. And we should remember that. The crimes against humanity were perpetrated by people who were Arab Muslims.

We are sad at home and blame the weather and the ugliness of the buildings, but on the tropical island we learn that the state of the skies and the appearance of our dwellings can never on their own underwrite our joy nor condemn us to misery.

You can figure out how bad a person you are by how soon after September 11th you masturbated, like how long you waited... and for me it was between the two buildings going down... I had to do it, otherwise they'd win.