Quotes About Buildings

After World War II great strides were made in modern Japanese architecture, not only in advanced technology, allowing earthquake resistant tall buildings, but expressing and infusing characteristics of traditional Japanese architecture in modern buildings.

Where can we find greater structural clarity than in the wooden buildings of the old. Where else can we find such unity of material, construction and form? Here the wisdom of whole generations is stored. What feelings for material and what power of expression there is in these buildings! What warmth and beauty they have! They seem to be echoes of old songs.

I wanted to be an architect. I used to draw houses and buildings and construct buildings on my own.

It is not possible to make great buildings, or great towns, beautiful places, places where you feel yourself, places where you feel alive, except by following this way. And, as you will see, this way will lead anyone who looks for it to buildings which are themselves as ancient in their form, as the trees and hills, and as our faces are.

Our message will be that we're going to make federal government buildings a model - an energy-efficient model - and also start matching grants for cities and counties so that they can also do the same with their government buildings.

I graduated from Wesleyan University with a b.a. in art. I was really headed toward an architecture degree, but when I did the requirements for the major, I realized I was more interested in how people live in buildings than in making buildings. I was more interested in the interactions that happened inside the structures. So I got an art degree as a default position.

We still have prostitutes standing on our corner, and people crapping round the back of buildings. The charms are still there.

A friend who used to be my customer told me one day: "I promise I am going to help you to be relocated." He's a realtor and after he bought two buildings in the business district in Boston, he said: "Are you ready for your next place?" I could not believe it.

My project could be only to photograph as I felt and desired, to regulate a pleasant form of living, to get up in the morning-free, to feel the trees, the grass, the water, sky or buildings, people-everything that affects us; and to photograph that which I saw and have always felt.

If a building makes us light up, it is not because we see order; any row of file cabinets is ordered. What we recognize and love is the same kind of pattern we see in every face, the pattern of our own life form. The same principles apply to buildings that apply to mollusks, birds or trees. Architecture is the play of patterns derived from nature and ourselves.

Old San Francisco - the one so many nostalgics yearn for - had buildings that related well to each other.

I think that the point of being an architect is to help raise the experience of everyday living, even a little. Putting a window where people would really like one. Making sure a shaving mirror in a hotel bathroom is at the right angle. Making bureaucratic buildings that are somehow cheerful.

My projects have typically taken a long time to complete. Buildings might take on average about five to seven years to finish, but in my case it's been longer, because the projects I have accepted within the past 15 years have been mostly government projects, and those involve some politics and funding issues, and approvals and so forth. So they're slower.

As the world's "most dynamic" cities seek to manage their own urban growth, American state and local officials have much to offer. Our mayors can share their experiences in urban design, clean energy projects, Smart Grids, codes for energy efficient buildings, transportation safety, and innovative environmental solutions.

I'd get kicked out of buildings all day long, people would rip up my business card in my face. It's a humbling business to be in. But I knew I could sell and I knew I wanted to sell something I had created. I cut the feet out of those pantyhose and I knew I was on to something. This was it.

SoHo was called Hell's Hundred Acres because it was full of sweatshops - without fire escapes. Completely not up to code. Every once in a while, these buildings would burn and 26 Puerto Ricans would be killed.

It is not always the job of people shouting outside impressive buildings to solve problems. It is often the job of the people inside, who have paper, pens, desks, and an impressive view.

Imagination bound us stronger than love. Within its limitless borders we launched ships and love affairs, discovered lost worlds, made buildings and babies, found husbands, wrote letters and Broadway plays. We made ourselves up everyday.

The world of the cinema and of painting are very different; precisely, the possibilities of photography and the cinema reside in that unlimited fantasy which is born of things themselves... a piece of sugar can become on the screen larger than an infinite perspective of gigantic buildings.

Credit card companies pay college students generously to stand outside dining halls, dorms, and academic buildings and encourage their fellow students to apply for credit cards.

When night falls over Washington, D.C., memorials, public buildings, and broad avenues become ethereal shapes in soft light and shadow. Floodlights, piercing the darkness, etch familiar landmarks in silver against a velvet sky. Unsuspected definition of form and contour is revealed.

We built tall buildings, but we have not become any taller.

Experimental architecture by its very nature is more prone to the depredations of time and natural elements than buildings made from conventional materials through traditional methods. Avant-garde architects often simply do not know how the products of their imagination will perform when implemented, especially if untested components are involved.

In Japan, there is less a culture of preserving old buildings than in Europe.

When I was young, I wanted to be a movie star. But I realized that you have no control being an actor. So I went to architecture school in NYC, because I was crazy about buildings. Then I began to realize that I got more excited about Vogue coming out each month than I was about my projects.

The sumptuous age of stars and images is reduced to a few artificial tornado effects, pathetic fake buildings, and childish tricks which the crowd pretends to be taken in by to avoid feeling too disappointed. Ghost towns, ghost people. The whole place has the same air of obsolescence about it as Sunset or Hollywood Boulevard.

Even here in California with more contemporary buildings. I have a real problem with the low doorframes. It's a curse! That's just another of the many problems I have to live with.

This project is so important because it's going to create an environment to inspire people. The RIBA believes that here in the UK we can design buildings and places that bring out the very best in people and motivate them. There is a real desire to see this project happen.

The First World War killed fewer victims than the Second World War, destroyed fewer buildings, and uprooted millions instead of tens of millions - but in many ways it left even deeper scars both on the mind and on the map of Europe. The old world never recovered from the shock.

We have become so quick and effective in building things today. It would be easy to build another Pyramid of Giza or another Great Wall. But these buildings haven't withstood the test of time because of their building quality. They stand tall because they have a symbolic value, they represent a culture.

No wonder the film industry started in the desert in California where, like all desert dwellers, they dream their buildings, rather than design them.

It's true that there is a rescue thing in people, and not just rescuing the family, which is kind of obvious from a biological point of view. But why is it that some people will jump into a freezing river and swim out to a downed plane for total strangers? What is that about? And it seems to be that it's part of your concept of who you are. That's why some people run into the burning buildings, because if they don't, their concept of who they are will be violated. They wouldn't be who they thought they were.

The test of a democracy is not the magnificence of buildings or the speed of automobiles or the efficiency of air transportation, but rather the care given to the welfare of all the people.

There is a backlash against me and everyone who has done buildings that have movement and feeling.

I lived in New York for a couple months. It seemed to me at first an incredibly clean place with well-dressed people and washed cars and bright-painted red-and-yellow streetcars and white buildings.

I wanted to be considered a good craftsman. I wanted my dresses to be constructed like buildings, molded to the curves of the female form, stylizing its shape.

The hidden village was something we found when we went to research in China we climbed a mountain in the Sichuan province where the panda sanctuary is based, and we climbed to this beautiful, mist-covered, almost primordial place and when we turned these corners these moss covered old buildings would come into view, revealing themselves and it was so beautiful and so unlike anything we'd seen that we literally took those moments and put them into the film [Kung Fu Panda 3].

The Washingtonian said it shouldn't be built. The gallery's East Building is now considered a triumph, and members of the American Association of Architects have voted it one of the best buildings of all time.

If the factory people outside the colleges live under the discipline of narrow means, the people inside live under almost every other kind of discipline except that of narrow means -- from the fruity austerities of learning, through the iron rations of English gentlemanhood, down to the modest disadvantages of occupying cold stone buildings without central heating and having to cross two or three quadrangles to take a bath.

Our sense of being a person can come from being drawn into a wide social unit; our sense of selfhood can arise through the little ways in which we resist the pull. Our status is backed by the solid buildings of the world, while our sense of personal identity often resides in the cracks

I would want to have Spider-Man's web slinging abilities. I always thought it'd be cool to swing around the city jumping off of buildings and free diving.

I always lived in old buildings, and I thought about who lived here before. You'd have to be oblivious not to.

A lot of Manchester now - it's creating jobs and that's great, but some of the character is getting sucked out. There's good and bad, but our personal perspective is that it's just a shame. You in Chicago protect your buildings, we don't have that. You'll find a good building will get replaced by a horrible looking thing.

Architecture is not about designing somehting from a free, fanciful idea. It is about discovering and establishing one's own principle, some kind of regularity - finding an individual formula to apply to one's buildings.

A university is a reading and discussion club. If students knew how to use the library, they wouldn't need the rest of the buildings. The faculty's job, in great part, is to teach students how to use a library in a living way. All a student should really need is access to the library and a place to sleep.

I got plenty of guesses wrong on things in the past as well. I don't want to pretend I have some great insight... But when the global financial crisis came along in 2008 it was scary times if you were in the middle of building $5 billion buildings. It wasn't perfect... I think that I am the luckiest person in Australia.

We simply thought that we would be considerably poorer in Europe if we didn't have the sacred buildings of earlier epochs. It's still possible to experience the Gothic period, not to mention the Romantic. Only nothing remains of the industrial age. So we thought that our photos would give the viewer the chance to go back to a time that is gone forever.

There is no logic that can be superimposed on the city; people make it, and it is to them, not buildings, that we must fit our plans.