Quotes About Central

I thought he was an interesting central figure, central character, one who is definitely not your typical central character figure in a film, who's easy to like. He's not easy to like. It forces you to involve yourself with what's going on.

In a difficulty in the company of the central and the instigator, be successful your central.

Finance ministers and central bank governors have the seats at the table, not labor unions or labor ministers. Finance ministers and central bank governors are linked to financial communities in their countries, so they push policies that reflect the viewpoints and interests of the financial community and barely hear the voices of those who are the first victims of dictated policies.

Failure to summon forth the courage to risk a nondogmatic and nonevasive stance on such crucial existential matters can also blur our ethical vision. If our actions in the world are to stem from an encounter with what is central in life, they must be unclouded by either dogma or prevarication. Agnosticism is no excuse for indecision. If anything, it is a catalyst for action; for in shifting concern away from a future life and back to the present, it demands an ethics of empathy rather than a metaphysics of fear and hope.

Jace: "I guess we better move the trash. We can start with the Dumpster," looking unenthusiastic. Clary: "You'd rather face a ravening horde of demons, wouldn't you?" Jace: "At least they wouldn't be crawling with maggots. Well, not most of them, anyway. There was this one demon, once, that I tracked down to the sewers under Grand Central--" Clary: "Don't. I'm not really in the mood right now." Jace: "That's got to be the first time a girl's ever said that to me." Clary: "Stick with me and it won't be the last.

Sometimes during the two-year curriculum, every MBA student ought to hear it clearly stated that numbers, techniques, and analysis are all side matters. What is central to business is the joy of creating.

Perhaps the central question about [Eliot] Porter's work is about the relationship between science, aesthetics, and environmental politics. His brother, the painter and critic Fairfield Porter, wrote in a 1960 review of [Porter's] colour photographs: 'There is no subject and background, every corner is alive,' and this suggests what an ecological aesthetic might look like.

This is the central idea of the Gita- to be calm and steadfast in all circumstances, with one's body, mind, and soul centered at His hallowed feet!

The central problem of brand-building is getting a complex organization to execute a simple idea.

The central idea of poetry is the idea of guessing right, like a child.

The central idea of love is not even a relationship commitment, the first thing is a personal commitment to be the best version of yourself with or without that person that you're with. You have to every single day-mind, body, and spirit-wake up with a commitment to be better.

I take space to be the central fact to man born in America. I spell it large because it comes large here. Large and without mercy.

Every proposal I'm making, every idea I'm advancing has a single, central purpose: to revive a failing economy and give working Americans the help and security they need.

Debt, weve learned, is the match that lights the fire of every crisis. Every crisis has its own set of villains - pick your favorite: bankers, regulators, central bankers, politicians, overzealous consumers, credit rating agencies - but all require one similar ingredient to create a true crisis: too much leverage.

There's this sense of being strange, which is at the heart of every creative person. Every writer, every actor, every director knows who Ripley is. We've made careers and lives out of pretending, making things up, inhabiting other people's stories and lives. That's what I do every day. . . . The story is so audacious and subversive: a central character who behaves badly and isn't apparently caught. That intrigued me no end.

[ Hosting Saturday Night Live ] paved the way for Parks And Rec and The Grinder, the Comedy Central Roast, and that whole side of my career.

[T]he central problem of government is a religious one; and anyone who assumes that he can form his political beliefs without consulting his ethics, which have their basis in religious conviction, is deceiving himself either about the true nature of government or his moral responsibility for his actions

I do consider the human capacity for violence is the central issue of the social contract. In boxing we have a peculiarly civilized form, in that boxers don't screech and holler. They don't use weapons. All of this seems to me quite amazing, because it is so disciplined, so controlled. It's ritualized, but absolutely genuine. And the cultural structure built around that ritual is absolutely fascinating to me. And it seems to me that boxing is one of those structures that is designed to promote harmony. I think that it is a stove that contains that fire in us and makes it safe and useful.

I have information about things that our government has lied to us about. I know. For example, to say that since the fall of the Soviet Union we ceased all of our intimate relationship with Bin Laden and the Taliban - those things can be proven as lies, very easily, based on the information they classified in my case, because we did carry very intimate relationship with these people, and it involves Central Asia, all the way up to September 11.

What we have to understand that we have to believe into things which can be proved. Now the time has come that Divine itself has to be proved. That God Almighty has to be proved. That Christ as a son of God has to be proved, that His birth as immaculate conception has to be proved. Not by argument, not by reasoning, nor by blind faith but by actualization on your central nervous system.

I'm just opposed to a pure inflation-only mandate in which the only thing a central bank cares about is inflation and not employment.

The first role I ever played I had the lead and it's pretty much stayed that way, though people take great relish in calling me a character actor, which I am. There are a lot of short parts I could play, but I only do them when they are like this ("A Few Good Men"), central to the idea of the movie.

One of my central philosophies is to be creatively driven so I have to be extraordinarily creative in the way I get things done and I have to be really flexible. Striving for the best creativity can be a really moving target if you're trying to budget anything because if you come up with a better idea for something and it's going to make the movie stronger then you have to do it. And that's what I do. The difficulty is that you have to use more judgement as a producer then you might in other places. I have to make unbelievably great creative decisions.

I think that the inability to love is the central problem, because that inability masks a certain terror, and that terror is the terror of being touched. And if you can't be touched, you can't be changed. And if you can't be changed, you can't be alive.

If America has a civic religion, the First Amendment is its central article of faith.

The conflict between the will to deny horrible events and the will to proclaim them aloud is the central dialectic of psychological trauma.

When the function of libraries is put in terms of their contributions to the community, people see their centrality. The challenge to us is to continue to help them see it in those terms to describe our larger purposes. We must assert that libraries are central to the quality of life in our society; that libraries have a direct role in preserving democratic freedoms. Free access to information and the opportunity of every individual to improve his or her mind, employment prospects, and lifestyle are fundamental rights in our society.

Central planning didn't work for Stalin or Mao, and it won't work for an entrepreneur either.

One of the oldest aches in the bones of humanity is loneliness. I mean it's one of the things that goes way back; loneliness is not good for the world. And so, whoever you are, gay or straight, it is totally normal, natural, and healthy to want somebody to go through life with. It's central to our humanity.

The creation story unfurling within the scientific enterprise provides the fundamental context, the fundamental arena of meaning, for all the peoples of the Earth. For the first time in human history, we can agree on the basic story of the galaxies, the stars, the planets, minerals, life forms, and human cultures. This story does not diminish the spiritual traditions of the classical or tribal periods of human history. Rather, the story provides the proper setting for the teachings of all traditions, showing the true magnitude of their central truths.

I went to drama college in England - the Central School of Speech and Drama, in London. I was there for not quite two years, then I got Star Wars.

Rhythms, beats, etc., are fundamentally central to my creative drive: my first instrument was the drums, nearly every band I have been involved in or at the helm of, is driven by rhythm, my band is driven entirely by rhythm, machine rhythm, and the purpose of the rock instrumentation is literally to speak the beats, to emulate the rhythms with guitars and bass, with very little articulation, and without being 'progressive'.

Socially smart people have always mocked the threateningly mobile, and anti-branding is a central strand of high-end status conflict now.

The police don't look at you as long when they drive past. Sometimes they don't look at you at all. In South Central, you've got them looking and lurking. I think it's basic harassment. It's part of their tactics to have everybody nervous of them. In the valley, at least I don't feel it the same way.

I grew up in Florida and went to school there, and ended up going to University of Central Florida.

There are places and spaces for black writers to write about race as a central thing. It's important. We're still dealing with the remnants of slavery. We're still dealing with racism on a daily basis. For me, I choose to write books about black people where we are normal. I was raised to believe that I deserve to be in a room just like anybody else. I try to write books like that.

Miners produce the bullion. If there is going to be more demand for gold from investors and central banks, where is the gold going to come from? They have to dig it out of the ground and sell it. As the price of gold goes higher, their profit margins increase. So if you are very bullish like I am and think there is going to be a big increase in gold, it's a huge opportunity for miners.

"Unputdownable" is, I suppose, something we all dream of, maybe without knowing it. I realized, some time ago, that a novel can hold a lot, and it made sense that this one was not of the sleek and economical variety, but instead the "full" type. Novel as piñata. And the reader does the whacking. I had a central idea, which is to look at what happens to talent over time.

Schools should be democratic public spheres. They should be places that educate people to be informed, to learn how to govern rather than be governed, to take justice seriously, to spur the radical imagination, to give them the tools that they need to be able to both relate to themselves and others in the wider world. I mean, at the heart of any education that matters, is a central question: How can you imagine a future much different than the present, and a future that basically grounds itself in questions of economic, political and social justice?

Everything happens as though I were only one of the particular existences of some great incomprehensible and central being.... Sometimes this great totality of life appears to me so dramatically beautiful that it plunges me into ecstasy. But more often it seems like a monstrous beast that penetrates and surpasses me and which is everywhere, within me and outside me.... And terror grips and envelops me more powerfully from moment to moment.... My only way out is to write, to make others aware of it, so as not to have to feel all of it alone, to get rid of however small a portion of it.

The growth of a nation's productive potential is the central factor in determining its growth in real wages and living standards.... high rates of investment and saving usually have a big payoff in promoting economic growth.

Strategy is not a lengthy action plan. It is the evolution of a central idea through continually changing circumstances.

They who have no central purpose in their life fall an easy prey to petty worries, fears, troubles, and self-pitying, all of which are indications of weakness, which lead, just as surely as deliberately planned sins (though by a different route), to failure, unhappiness, and loss, for weakness cannot persist in a power evolving universe.

Humankind has understood history as a series of battles because, to this day, it regards conflict as the central facet of life.

From Stettin in the Baltic to Trieste in the Atlantic, an iron curtain has descended across the Continent. Behind the line lie all the capitals of the ancient states of Central and Eastern Europe... All these famous cities and the populations around them lie in what I must call the Soviet sphere, and all are subject in one form or another, not only to Soviet influence but to a very high and, in many cases, increasing measure of control from Moscow.

Let me say that I think the economic history of the last 150 years clearly shows that if you want to industrialize a country in a short period, let us say 20 years, and you don't have a well-developed private sector, entrepreneurial class, then central planning is important.

I didn't realize House would be the central character, more the bitter comic relief appearing occasionally. I relish his wounded nature - the lameness, the scarred Byronic hero.

Men love death. In everything they make, they hollow out a central place for death, let its rancid smell contaminate every dimension of whatever still survives. Men especially love murder. In art they celebrate it, and in life they commit it. They embrace murder as if life without it would be devoid of passion, meaning, and action, as if murder were solace, stilling their sobs as they mourn the emptiness and alienation of their lives.