Quotes About Certain

I think you've got to accept that certain things are in process that you can't change, that you can't overwhelm. The chaos of our cities, the randomness of our lives, the unpredictability of where you're going to be in ten years from now - all of those things are weighing on us, and yet there is a certain glimmer of control. If you act a certain way, and talk a certain way, you're going to draw certain forces to you.

Things that I grew up with stay with me. You start a certain way, and then you spend your whole life trying to find a certain simplicity that you had. It's less about staying in childhood than keeping a certain spirit of seeing things in a different way.

There have been times I thought that when I got a certain point in the story, a certain character was going to do a certain thing, only to get to that point and have the character make clear that he or she doesn't want to do that at all. That long phone conversation I thought the character was going to have? He hangs up the phone before the other person answers, and twenty pages of dialog I had half written in my head go out the window.

Certain songs have a life, and certain songs don't. A song is like a saddle: you ride it for a while, and if it's the right kind of song you can sing it for the rest of your life. And then other songs are only really important for certain periods of your life, and you move on from them and find yourself not necessarily needing to sing them anymore.

Growing old is unavoidable, but never growing up is possible. I believe you can retain certain things from your childhood if you protect them - certain traits, certain places where you don’t let the world go.

My argument is limited to saying that a major new medium changes the structure of discourse; it does so by encouraging certain uses of the intellect, by favoring certain definitions of intelligence and wisdom, and by demanding a certain kind of content - in a phrase, by creating new forms of truth-telling.

Not all guys that look a certain way or dress a certain way or act a certain way are the same.

If you're treated a certain way you become a certain kind of person. If certain things are described to you as being real they're real for you whether they're real or not.

I think that in a certain sense, we're concerned about the same issues. How do you accent the progressive, the prophetic, those things that are critical of all forms of injustice, all forms of bigotry, all forms of dehumanizing other people, and yet still allow for a certain kind of flow, linguistic flow, certain kinds of melodies and harmonies in the samplings that take place?

There is a certain amount of racist behaviour, a certain amount of this mindset, in the darker recesses of every community. It needs to be called what it is, which is vile and hateful. It's starting a national conversation, which is probably long overdue. Because we do, as a country, have an awkward problem with a certain amount of racism in the hearts of I believe a small number of people, but I still believe we have to chase it out.

In some subsequent episodes, certain individuals have certain knowledge of certain events that they wouldn't have, if they didn't have access to the future.

What makes you so certain?" "But I am not certain," I told him. "Nothing is certain. You want certainty?" "Yes!" "Then you want death.

Unless you had developed a certain independence of value, a certain independent system of value, a system of values that was independent from this middle-class drive for recognition. This has been my explanation of part of [Martin Luther King] general role. So, he accepted this without too much resistance. In fact, none that I could ever see, and at certain points I was close enough to see something.

I don't think they understand it's as important as math and science. It rounds you out as a person. I think it gives you a love of certain things. You don't have to become the next great composer. It's just nice to have heard certain things or to have seen certain things. It's part of being a human being.

Every mind has its particular standard of good and bad, and of right and wrong. This standard is made by what one has experienced through life, by what one has seen or heard; it also depends upon one's belief in a certain religion, one's birth in a certain nation and origin in a certain race. But what can really be called good or bad, right or wrong, is what comforts the mind and what causes it discomfort. It is not true, although it appears so, that it is discomfort that causes wrongdoing. In reality, it is wrongdoing which causes discomfort, and it is right-doing which gives comfort.

The main reason I decided to study Latin American literature was because I'd gotten somewhat bored by the American fiction I was reading. I am not drawn to a specific style or aesthetic. When I think about literature, I think about it in the three languages I read easily - English, Spanish, and Portuguese. The authors I prefer are all very different and are not limited to certain genres or even certain time periods. Reading across three languages is a way for me to diversify my intake as a reader, not to tunnel into certain categories or demographics.

There are, for example, exemptions in FOIA in which the government can withhold certain kinds of information, and the courts have recognized that there is certain documentation that do deserve protection, that certain privileges do apply and do deserve protection.

The notion of political correctness has ignited controversy across the land. And although the movement arises from the laudable desire to sweep away the debris of racism and sexism and hatred it replaces old prejudices with new one. It declares certain topics off-limits, certain expressions off-limits, even certain gestures off-limits. What began as a crusade for civility has soured into a cause of conflict and even censorship.

Here, the certain temple rule, this seems to me to have a certain responsibility to look after the well-being of society and look after Buddhism and culture. I consider these part of the practice of spirituality. There is no competition between spiritual practice and party politics. That is outdated. We already, since 2001, have elected political position. My position is semi-retired. I am looking forward to complete retirement.

If you look at most womens writing, women writers will describe women differently from the way male writers describe women. The details that go into a woman writers description of a female character are, perhaps, a little more judgmental. Theyre looking for certain things, because they know what women do to look a certain way.

A sermon is a form that yields a certain kind of meaning in the same way that, say, a sonnet is a form that deals with a certain kind of meaning that has to do with putting things in relation to each other, allowing for the fact of complexity reversal, such things. Sermons are, at their best, excursions into difficulty that are addressed to people who come there in order to hear that.

When you're speaking very articulately and you're poised and you hold yourself well, that to me seems to indicate a certain way of being in life. You're in a certain place. And, whenever you break up with someone of many years, you tend to go down spiraling out of control, down some rabbit hole of sorts.

There are certain things in gun control that have a certain public appeal, but when you're legislating you need to look at the research on what works, what doesn't, and what really has an impact, recognizing you're never going to do away entirely with gun violence

Gardening is an excellent example of a practice to which, as Alasdair MacIntyre puts it, certain virtues are 'internal'. Good gardening requires a certain goodness on the part of the gardener: care, humility, patience, and respect, for example.

It is only certain that there is nothing certain, and that nothing is more miserable or more proud than man.

When I hear myself speak French, I look at myself differently. Certain aspects will feel closer to the way I feel or the way I am and others won't. I like that - to tour different sides of yourself. I often find when looking at people who are comfortable in many languages, they're more comfortable talking about emotional stuff in a certain language or political stuff in another and that's really interesting, how people relate to those languages.

I've played long enough to know that certain games are certain ways. You're gonna throw it less in others, more in others, and just look at what the team needs that day to win a football game.

It's not like we have not had close games. We've just been able to win them, and as a result, the reality sometimes doesn't set in that you're weak in certain areas or you're not doing certain things well. ... When you win, sometimes it overshadows a poor performance.

There's a place for everything and everyone, you know. That is the mistake they make above. They think that only certain people have a place. Only certain kinds of people belong. The rest is waste. But even waste must have a place. Otherwise it will clog and clot, and rot and fester.

To be honest, I would have to say that there was a certain burden in working with Arnold, a big action star. I am aware that Arnold is loved by the American audience, but rather than focusing on working with Arnold, what I focused on was expressing the character, Sheriff Owens, through Arnold the actor and knowing that Arnold and my idea about Sheriff Owens coincided and that it was about Owens protecting a certain value and justice, I focused more on that aspect that helped me to be more comfortable in working with Arnold.

Financial sense is knowing that certain men will promise to do certain things, and fail.

I don't write about certain arguments I have with my wife. I'd get my head torn off if wrote about certain things.

Things don't just happen in this world of arising and passing away. We don't live in some kind of crazy, accidental universe. Things happen according to certain laws, laws of nature. Laws such as the law of karma, which teaches us that as a certain seed gets planted, so will that fruit be.

I've never thought that it made sense to put something out that I didn't actually find really fun to read. Or, if not "fun," engaging. My tastes are whatever they are, but I may be a little bit afraid of certain kinds of density. I may get turned off by certain kinds of show-offyness.

I think of consciousness as a bottomless lake, whose waters seem transparent, yet into which we can clearly see but a little way.But in this water there are countless objects at different depths; and certain influences will give certain kinds of those objects an upward influence which may be intense enough and continue long enough to bring them into the upper visible layer. After the impulse ceases they commence to sink downwards.

If you try to become a buddha, one thing is certain - you will not be able to become yourself. One thing only is certain - that you will not be yourself. And then follows the next thing: you can never be a buddha, because you are you and a buddha is buddha. If you try to become a buddha, you cannot be a buddha; at the most you can be an imitation - a plastic flower, not a real rose.

Certain people in life are just going to take what's given to them, and certain people in life know they want better and they're going to go find better. I've always been that type of person.

Everything I write, I read out loud. It has to sound a certain way. It has to look a certain way on the page.

You can make or break an outfit by not knowing your body type - certain things work on certain people. Make sure you're dressing for your leg-length, hip/chest size, etc.

Thus in the beginning the world was so made that certain signs come before certain events.

I think all of the best nonfiction that has ever been made comes from the result of someone who can't stop thinking about a certain topic - a very specific aspect of a certain topic in some cases. And second, they got really good at figuring out what they had to say about it.

There are things that make us choose, on certain days, on certain nights, the opposite of love, in all its variations. But I want to acknowledge that with love and hate it's not simply one or the other. It's at least two, three, four, five different emotions existing at once, side by side, a broad spectrum of things alive.

When desire for a certain person's attention becomes an "I have to have" kind of grasping, then identity gets organized around needing that and it becomes very solid and sticky. That causes suffering because we're not inhabiting the fullness of who we are, we're fixated and contracted on life being a certain way.

I do have a stunt double because there are certain things that they won't let me do. Like they won't set fire to me. They won't like let me jump off a 20 story building. There are certain big stunts that it's just impossible to get insurance to let me do, but for the most part I'd say I do probably 75% of my stuff.

In this book it is spoken of the Sephiroth and the Paths; of Spirits and Conjurations; of Gods, Spheres, Planes, and many other things which may or may not exist. It is immaterial whether these exist or not. By doing certain things certain results will follow; students are most earnestly warned against attributing objective reality or philosophic validity to any of them.

...and a dream away in space with neither her nor there where all the footsteps ever fell can never fare nearer to anywhere nor from anywhere further away. Nor for in the end again by degrees or as though switched on dark falls there again that certain dark that alone certain ashes can. Through it who knows yet another end beneath a cloudless sky of a last end if ever there had to be another absolutely had to be.

I do think, in time, people will have, sort of, relationships with certain kinds of robots - not every robot, but certain kinds of robots - where they might feel that it is a sort of friendship, but it's going to be of a robot-human kind.

I want to collaborate with me 'cause I've done so many collaborations that after a certain point unless you're really working with a certain caliber of an artist, there's no point [to collaborate].