Quotes About Certain

A certain motion becomes understood when it is referred to a force; certain sensations, to matter; certain changes outside, to law; certain changes in thought, to mind; certain order singly, to causation - and joined to time, to law.

I think I have a certain kind of style. I think at the same time, I'm aware that there's certain things that I did as a playwright in certain plays, and I try not to repeat myself, even though I have a certain kind of sensibility, and I tend to gravitate toward certain things.

I think everybody's got a presentation. Everybody looks a certain way because they want to convey a certain image. You look a certain way because you want people to listen to you in a certain way.

There were times in my career I went a little further than I wanted because of expectations. Doing certain things onstage when children were in the audience, wearing certain clothes, singing certain lyrics.

I am determined to try to rebuild and renew this country in ways that will build community and level the playing field. To me, that means making certain that the fight to preserve our civil liberties is waged, making certain the fight against discrimination is waged, making certain that women have opportunity in this country.

This is one of the ways fiction is more liberating than nonfiction - I don't have to be so concerned with fact. I had the paradigm of certain people in my head who became my characters, but I never considered these people to be from a "certain sector of society," unless we agree that we're all from certain sectors of society.

It is not certain that everything is certain, neither is it certain that everything is uncertain.

The more you see, especially being young, the more you see the past, the more you can draw upon that and the more you can make the present and the future. It's how you process the past and at oftentimes in the picture, there are references to certain imagery from certain pictures, and certain novels.

A classic is classic not because it conforms to certain structural rules, or fits certain definitions It is classic because of a certain eternal and irrepressible freshness.

An emotion occurs when there are certain biological, certain experiential, and certain cognitive states which all occur simultaneously.

There are certain indicia of marriage - certain legal and social consequences and certain legitimacy - which if given to some relationship other than marriage between a man and a woman tend to degrade if not destroy the institution that's been honored over so many thousands of years.

I have scars on my hands from touching certain people…Certain heads, certain colours and textures of human hair leave permanent marks on me.

Every mind has its particular standard of good and bad, and of right and wrong. This standard is made by what one has experienced through life, by what one has seen or heard; it also depends upon one's belief in a certain religion, one's birth in a certain nation and origin in a certain race. But what can really be called good or bad, right or wrong, is what comforts the mind and what causes it discomfort. It is not true, although it appears so, that it is discomfort that causes wrongdoing. In reality, it is wrongdoing which causes discomfort, and it is right-doing which gives comfort.

The main reason I decided to study Latin American literature was because I'd gotten somewhat bored by the American fiction I was reading. I am not drawn to a specific style or aesthetic. When I think about literature, I think about it in the three languages I read easily - English, Spanish, and Portuguese. The authors I prefer are all very different and are not limited to certain genres or even certain time periods. Reading across three languages is a way for me to diversify my intake as a reader, not to tunnel into certain categories or demographics.

That's what's gonna make me come up with new stuff, if you get a good break or a good beat, you get a certain energy, and you wanna release that energy. Freezes to me are like releasing a certain energy. That's me releasing energy that beat gives me, to come up with certain things. A good beat, a rare break, a dope song that I've never really breaked to before will give me a new feeling, a new movement.

It doesn't take a brilliant mind to notice that adults are telling you what to do and then they do the opposite. I mean, I can't recall every stupid thing that adults were doing when I was six or seven. Some of it was the religious restrictions, where there were certain things that you were allowed to do and certain things that you weren't allowed to do, and I couldn't make sense of those things.

In France cooking is a serious art form and a national sport. I think the French enjoy the complication of the art form and the cooking for cooking's sake. You can talk with a concierge or police officer about food in France as a general rule. It is not the general rule here. Classical cuisine, which I hope we are going back to, means certain ways of doing things and certain ways of not doing things. If you know classical French cooking you can do anything. If you don't know the basics, you turn out slop.

I always worked as an individual artist even when Group Material asked me to join the group. There are certain things that I can do by myself that I would never be able to do with Group Material. First of all, they are a totally democratic entity and although you learn a lot from it, and it's very moving, it's very exacting, everything has to be by consensus, which is the beauty of it, but it is much more work. It's worth it 100%. But as an individual artist there are certain things that I want to bring out and express, and the collaborative practice is not conducive to that.

We are not certain, we are never certain.

It is only certain that there is nothing certain, and that nothing is more miserable or more proud than man.

The best advice that an accomplished writer could give a beginning writer is probably, "Find your slide and then grease it." Almost every writer that wants a rewarding career, in terms of money and status and number of readers, finally finds a certain genre or certain style that he or she sticks with until reaching a critical mass of readership. And I've violated this from the get-go.

If someone were to hire me for a film they'd be getting a certain kind of package, that's for sure, a certain set of tools. But I would listen to the director.

I'm one of those people that think certain things happen at certain times for all the right reasons.

There is no such thing as education. The thing is merely a loose phrase for the passing on to others of whatever truth or virtue we happen to have ourselves. It is typical of our time that the more doubtful we are about the value of philosophy, the more certain we are about the value of education. That is to say, the more doubtful we are about whether we have any truth, the more certain we are (apparently) that we can teach it to our children.

Writing style is something is a consequence of who you are. I think that I had a certain propensity for a style that I recognize in my early work, but that doesn't mean I didn't have to learn certain basics and the longer you write the better you get. The rhythms come from you. If the rhythm seem to echo the music, then that's delightful if people see that, but it's certainly not something that's intentional on my part. I'm trying to be as clear and precise as I can be and at the same time, I'm trying to be eloquent and witty and entertaining. I mean, writing should be a pleasure.

It's not like we have not had close games. We've just been able to win them, and as a result, the reality sometimes doesn't set in that you're weak in certain areas or you're not doing certain things well. ... When you win, sometimes it overshadows a poor performance.

Reading is at the threshold of spiritual life; it can introduce us to it; it does not constitute it. There are, however, certain cases, certain pathological cases, so to speak, of spiritual depression in which reading can become a sort of curative discipline and assume the task, through repeated stimulation, of continuously reintroducing a lazy mind into the life of the spirit.

War is smaller in scale than in recent memory, but it is far more ambiguous, intractable, and nasty. Money flows more quickly than ever, but it is still somehow manages to gather and puddle in certain places, for certain people rather then others.

You just go through a certain kind of drudgery every time you have to look for something. I've got certain things grouped by now, but there's a drudgery in finding them. There's always stuff missing.

When I come to a new city is I combine: I say, well, it's like Barcelona and Edinburgh, though I can't imagine what that would be. But Toronto, the last few times I've been here, what always comes up is Chicago and West Berlin. It's a big, sprawling city beside a lake, of a certain age and a certain architectural complexity. But the high-end retail core looks more like West Germany than the Magnificent Mile. Yonge Street is like K-Damm. There's an excess of surface marble and bronze: it's Germanic and as pretentious as pretentious can be.

Architects see the world a certain way, and cooks see and smell the world a certain way. [Dancing ] is always been my lens, what I use to see.

For me to want to be an actor was an improbable idea. I wasn't beautiful or pretty in any conventional way. I wasn't an ingenue at 22. But I was always certain of it and certain of its power. I felt the power when I went to the theater at 9, 10, 12 and 14.

Now he realized the truth: that sacrifice was no purchase of freedom. It was like a great elective office, it was like an inheritance of power - to certain people at certain times an essential luxury, carrying with it not a guarantee but a responsibility, not a security but an infinite risk. Its very momentum might drag him down to ruin - the passing of the emotional wave that made it possible might leave the one who made it high and dry forever on an island of despair...Sacrifice by its very nature was arrogant and impersonal; sacrifice should be eternally supercilious.

There is no longer any question about the importance of fruits and vegetables in our diet. The greater the quantity and assortment of fruits and vegetables consumed, the lower the incidence of heart attacks, strokes, and cancer. There is still some controversy about which foods cause which cancers and whether certain types of fat are the culprits with certain cancers, but there's one thing we know for sure: raw vegetables and fresh fruits have powerful anti-cancer agents.

I've always thought it was important not to attach too much superstition to the space where you're writing, because once you get into the mindset that you can only do it a certain way in a certain place, your creativity can get blocked.

There are certain things we can only do together. There are certain things only a union can do. Only a union could harness the courage of our pioneers to settle the American west, which is why President Abraham Lincoln passed a Homestead Act giving a tract of land to anyone seeking a stake in our growing economy.

Each of us does, in effect, strike a series of deals or compromises between the wants and longings of the inner self, and an outer environment that offers certain possibilities and sets certain limitations.

I get off on the interaction with people, and I love the chess of a movie and particularly - not only in preproduction or in production or postproduction - the behavioral chess. That is, learning and being humbled by and also teaching certain people certain things. I love that. As a producer, you have an opportunity to see the whole and bring people together.

Standards are different for all things, so the standard set by man is by no means the only 'certain' standard. If you mistake what is relative for something certain, you have strayed far from the ultimate truth.

A certain degree of physical harmony and comfort is necessary, but above a certain level it becomes a hindrance instead of a help. Therefore the ideal of creating an unlimited number of wants and satisfying them seems to be a delusion and a snare.

In some conditions, the architecture of textile is more relevant than in other conditions or the opacity of the material form. Pattern in the world of scarce materiality and a hybridity becomes a way of creating a new authenticity. Sometimes there is a certain kind of nobility of a group of materials literally of the earth, which had a certain nobility of presence, but is very different from the materials we have now.

When desire for a certain person's attention becomes an "I have to have" kind of grasping, then identity gets organized around needing that and it becomes very solid and sticky. That causes suffering because we're not inhabiting the fullness of who we are, we're fixated and contracted on life being a certain way.

Strictly speaking, no activity and no industry is possible without a certain amount of violence, no matter how little. Even the very process of living is impossible without a certain amount of violence. What we have to do is to minimize it to the greatest extent possible.

There's a certain pleasure of the life of the mind that cannot be denied. There's a certain pleasure about being around people who enact a playfulness when it comes to the world of ideas.

Self-censorship happens not only in China, or Iran or ex-Soviet places. It can happen anywhere. If an artist penetrates a certain taboo or a certain power through their work, he or she will face this problem. I'm always saying that commercial censorship is our foremost censorship globally today. Why do we still pretend we are free?

It is true that it feels very differently to enjoy a good meal, taking part in an interesting conversation, or to think of how successful your children are. Suppose we do all these things at a particular time. How happy are we at the time? We do not need to calculate the value of each such feelings on any singular scale to answer this question. We need not see our happiness at the time as a mathematical function of these items. It is rather that all these experiences, together with many other factors, causally puts us at the time at a certain level of happiness, i.e. in a certain mood.

I think at a certain point the book develops a certain weight, or pressure. You've been pushing the rock up the hill for a long time and then it starts to roll and things do start to come together in the last two thirds.

There is a kind of silver spiderweb that's spun around the world, and the strands of that web are certain loves and certain understandings. And if we follow those, and if we walk those strands, we're going to meet others at the intersections who have been walking the same way across this web. And when we meet, there's a kind of "I know who you are."