Quotes About Childhood

The unsparing savagery of stories like “The Robber Bridegroom” is a sharp reminder that fairy tales belong to the childhood of culture as much as to the culture of childhood... They capture anxieties and fantasies that have deep roots in childhood experience.

All of childhood's unanswered questions must finally be passed back to the town and answered there. Heroes and bogey men, values and dislikes, are first encountered and labeled in that early environment. In later years they change faces, places and maybe races, tactics, intensities and goals, but beneath those penetrable masks they wear forever the stocking-capped faces of childhood.

In reality, childhood is deep and rich. It's vital, mysterious, and profound. I remember my OWN childhood vividly; I knew terrible things, but I knew I mustn't let the adults *know* I knew... it would scare them.

I think it shapes it in very deep ways that you don't entirely understand. Rainer Maria Rilke said there are two inexhaustible sources for poetry. One is dreams, and the other is childhood. I think childhood is an inexhaustible source of your becoming who you will be and certain deep feelings are set inside of you.

I don't mourn the loss of my childhood; I mourn because everything, including (my) childhood, is lost.

Never did I think that the university was properly ministerial to the society around it. Rather I thought and think that society is ministerial to the university, and I bless a society that tolerates and supports an eternal childhood for some, a childhood whose playfulness can in turn be a blessing to society.

The intimation never wholly deserts us that there is, in the unformed activities of childhood and youth, the possibilities of a better life for the community as well as for individuals here and there. This dim sense is the ground of our abiding idealization of childhood.

I think it is unnatural to think that there is such a thing as a blue-sky, white-clouded happy childhood for anybody. Childhood is a very, very tricky business of surviving it. Because if one thing goes wrong or anything goes wrong, and usually something goes wrong, then you are compromised as a human being. You're going to trip over that for a good part of your life.

A Lucky Child is an extraordinary story, simply and beautifully told. Heartbreaking and thrilling, it examines what it means to be human, in every good and awful sense. Perhaps most amazingly of all, Thomas Buergenthal remembers and renders the small mysteries and grand passions of childhood, even a childhood lived under the most horrific circumstances.

My childhood in Corfu shaped my life. If I had the craft of Merlin, I would give every child the gift of my childhood.

Childhood memories are sometimes covered and obscured beneath the things that come later, like childhood toys forgotten at the bottom of a crammed adult closet, but they are never lost for good.

My father was a farmer and my mother was a farmer, but, my childhood was very good. I am very grateful for my childhood, because it was full of gladness and good humanity.

And I wanted to do a movie [Moonrise Kingdom] about a childhood romance - a very powerful experience of childhood romance. About what it's like to just be blindsided, when you're in fifth grade or sixth grade, by these kinds of feelings. Along the way, I sort of mixed in some interest in "young adult fantasy" writing.

The songs from your childhood, when you hear them you get chills all over.

I am obsessed with Chinese restaurants. Like many Americans, I first discovered them in my childhood.

Sometimes I think that novelists suffer from P.C.S.: Perpetual Childhood Syndrome.

My dad is Irish. I spent my childhood going back and forth between Ireland and America.

At one magical instant in your early childhood, the page of a book—that string of confused, alien ciphers—shivered into meaning. Words spoke to you, gave up their secrets; at that moment, whole universes opened. You became, irrevocably, a reader.

I am obsessive, also I am industrious. Besides, the time when you are most alive and most aware is in childhood and one is trying to recapture that heightened awareness.

Sisters, while they are growing up, tend to be very rivalrous and as young mothers they are given to continual rivalrous comparisons of their several children. But once the children grow older, sisters draw closer together and often, in old age, they become each other's chosen and most happy companions. In addition to their shared memories of childhood and of their relationship to each other's children, they share memories of the same home, the same homemaking style, and the same small prejudices about housekeeping that carry the echoes of their mother's voice.

I have found that the person with a sense of story built in from childhood is in better shape than one who has not had stories . . One knows what stories can do, how they can make up worlds and transpose existence into these worlds. . . .One learns that worlds are made by words and not only by hammers and wires.

You have to keep being curious. The notion that the present is different than the past, and the future will be different than the present, and the present is past, as we say it. I think I, by nature, am an optimist. Maybe I was driven to escape from my childhood and to be something, create my own world or career the way I wanted it to be. And I keep doing that in very interesting ways.

A sibling is the lens through which you see your childhood.

I don't particularly like to go see 3D movies, but when I'm doing it I kind of do enjoy it. I enjoy seeing the image in 3D, there's a childhood fun about being able to see those dimensions.

Love childhood, indulge its sports, its pleasures, its delightful instincts. Who has not sometimes regretted that age when laughter was ever on the lips, and when the heart was ever at peace?

Is the world all grown up? Is childhood dead? Or is there not in the bosom of the wisest and the best some of the child's heart left, to respond to its earliest enchantments?

I'd always had a childhood ambition to go into the investment capital business, and spent twenty-odd years in it. But the thought of spending the second half of my career in the same business was boring, so I looked around for other opportunities .

The protected place in space and time that we once called childhood has grown shorter.

I had an Edinburgh, middle-class childhood and a public school education.

I think back to when I was growing up in Fort Worth, Texas, in the 1950s, during the [John] McCarthy era, with two parents who founded a Unitarian Church. We lived in a little frame house, and my bedroom was just down the hall from the kitchen. My favorite memories of childhood are of the smell of coffee wafting into my bedroom as my parents and their friends talked about the big, important things - about racism and about how to move our country to live its values.

Most of us have unhealthy thoughts and emotions that have either developed as a result of trauma or hardships in their childhood, or the way they were raised.

Childhood is not a race to see how quickly a child can read, write and count. It is a small window of time to learn and develop at the pace that is right for each individual child. Earlier is not better.

Femininity, yes, effectively there is more in The First Man, not only in terms of women but stylistically, in its elements, the notes he wrote. You can see a real love story in it, a childhood love story, [Albert] Camus' first. Meursault [protagonist of The Outsider] and Marie were never up to much really. There is Dora in The Just and others in his plays, but they aren't so well known.

Ever since childhood I have scorned the commonplace limits so often set upon human ambition. Possessions, outward success, publicity, luxury - to me these have always been contemptible. I believe that a simple and unassuming manner of life is best for everyone; best both for the body and the mind

I think from my earliest childhood, I liked to tell stories, put on plays and write things. It's funny to think of it as an "artistic bug" because I didn't necessarily want to be an artist. It's just who I was and how I communicate.

Because we don't know when we will die, we get to think of life as an inexhaustible well. Yet everything happens only a certain number of times, and a very small number really. How many more times will you remember a certain afternoon of your childhood, an afternoon that is so deeply a part of your being that you can't even conceive of your life without it? Perhaps four or five times more, perhaps not even that. How many more times will you watch the full moon rise? Perhaps 20. And yet it all seems limitless.

I spent much of my later childhood and adolescence very, very involved and interested in art, and particularly in animated movies.

Each person decides in early childhood how he will live and how he will die... His trivial behavior may be decided by reason, but his important decisions have already been made: what kind of person he will marry, how many children he will have, what kind of bed he will die in... It is incredible to think, at first, that man's fate, all his nobility and all his degradation, is decided by a child no more than six years old, and usually three... (but) it is very easy to believe by looking at what is happening in the world today, and what happened yesterday, and seeing what will happen tomorrow.

My childhood was epitomized by my parents who were uneducated but had a doctorate in love. My dad pressed coats and through my mom and dad I learned about love, family and respecting people. They never went to high school but they had within them every element that makes a great American. They had pride and a great work ethic and they knew how to do things the right way.

Growing up in Poland, I didn't have the experience of going to Disneyland as a child, so I don't have any childhood memories connected to it, good or bad.

The dreams of childhood - it's airy fables, its graceful, beautiful, humane, impossible adornments of the world beyond; so good to be believed in once, so good to be remembered when outgrown.

One strain could call up the quivering expectancy of Christmas Eve, childhood, joy and sadness, the lonely wonder of a star

Success is becoming in middle adulthood what you dreamed to be in late childhood.

Childhood is usually identified with fantasy, adventure, and dreaming. But mine didn't offer a lot of hope. I could read my future in my palm. Everything foretold: "You have no future!" A person must be very strong to keep going without hope.

Childhood is a complex dialectical process characterized by periodicity, unevenness in the development of different functions, metamorphosis or qualitative transformation of one form into another, intertwining of external and internal factors, and adaptive processes which overcome impediments that the child encounters.

The monsters of our childhood do not fade away, neither are they ever wholly monstrous. But neither, in my experience, do we ever reach a plane of detachment regarding our parents, however wise and old we may become. To pretend otherwise is to cheat.

I grew up with probably three different authors having a seminal influence on my childhood, Dr. Seuss being one and Maurice Sendak being another. That was my parents, who exposed me to their stories. That's how I was introduced to the whole idea of not just reading, but storytelling in general.

Lyra learns to her great cost that fantasy isn’t enough. She has been lying all her life, telling stories to people, making up fantasies, and suddenly she comes to a point where that’s not enough. All she can do is tell the truth. She tells the truth about her childhood, about the experiences she had in Oxford, and that is what saves her. True experience, not fantasy - reality, not lies - is what saves us in the end.