Quotes About City

On numerous visits to Manhattan, I have found myself poking around the city trying to find a moment of quiet and once located a hint of it in Central Park during a windless, late-night snowfall. There I stood absolutely still in the lemon glow of the city, a sky full of snow. The city still roared from all sides, a thousand noises compressed down to just one. I counted that distant, mild roar as quiet, a welcome relief from the more pressing noises of the daytime city.

When I choose the picture of the cover of the book 'Instant City: Life and Death in Karachi', I thought, gosh, many people in Karachi may not like this image; I'm representing the city as a burning bus. But to the contrary, they loved it, because that is people's understanding of their own city, of going on with life no matter what.

It's the city's crush and heave that move you; its intricacy; its endless life. You know the story about Manhattan as a wilderness purchased for strings of beads, but you find it impossible not to believe that it has always been a city; that if you dug beneath it you would find the ruins of another, older city, and then another and another.

Europe becomes more and more a province of Islam, a colony of Islam. And Italy is an outpost of that province, a stronghold of that colony... In each of our cities lies a second city: a Muslim city, a city run by the Quran. A stage in the Islamic expansionism.

Miami Beach is a completely interesting hybrid because it is, on the one hand, a resort and, on the other hand, a real city. This condition of city and water on two sides I think is really amazing. And in the heart of that city, it has put an enormous convention center, an enormous physical presence.

I opposed annexing in areas around our city borders, because I knew that if neighborhoods wanted to be a part of the city, well, they would mandate themselves in and invite themselves into a city. That's just one example of even on a local level how dangerous it is for a politician to start thinking they know more than that individual family, that individual business.

Ever since I was a little kid, I always dreamed of being a Big City kid, because I grew up in a very small town up north in Canada. I have to say I just love the city lights at night.

Being a resident of the city and spending most of my time in the city, I've always been perplexed with how people could say there's nothing to do and nothing going on in Detroit, and how could you raise your family in Detroit. My reality is that I hang around with some of the most interesting creative people in the world, people doing things that could only be done in Detroit.

Presidents and presidential assassins are like Las Vegas and Salt Lake City. Even though one city is all about sin and the other is all about salvation, they are identical, one-dimensional company towns built up by the sheer will of true believers.

There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter — the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something.

who knows if the moon's a balloon,coming out of a keen city in the sky--filled with pretty people? ( and if you and I should get into it,if they should take me and take you into their balloon, why then we'd go up higher with all the pretty people than houses and steeples and clouds: go sailing away and away sailing into a keen city which nobody's ever visited,where always it's Spring)and everyone's in love and flowers pick themselves

There is such a cool vibe in Nashville. It is has the excitement of a big city, but also has this amazing small town feel. I have definitely come to call it my home, and have my favorite go-to spots. But most of all it's the people. The southern charm, and hospitality. And some great shopping never hurts. As fun as Music City is during the day, the real magic happens at night ... The lights, the energy, the music, how could you not love this town?

No true work since the world began was ever wasted; no true life since the world began has ever failed. Oh, understand those two perverted word, failure and success and measure them by the eternal, not the earthly, standard. When after thirty obscure, toilsome, unrecorded years in the shop of the village carpenter, one came forth to be pre-eminently the man of sorrows, to wander from city to city in homeless labors, and to expire in lonely agony upon the shameful cross -- was that a failure.

Every city is different for playing, actually. That's one of the hardest things: to play abroad. Because sometimes you know your city and your audience and you know what to play and what people will dance to. And later, you go to a place and you think this thing will work and you start playing and it doesn't work, and you have to be able to go to another side just to try to find what people like or whatever, or, like, try to make people dance as they are more used to. I don't know, it's quite strange - people dance in different parts of Europe in a different way.

Eventually, I decided that if I was going to really write a novel, I couldn't do it in New York City while holding down a job. You need a constant money source to live in New York City unless you're independently wealthy, which I'm not.

I was Chairman of the Federal Reserve Bank of Kansas City. As you know, there are twelve banks and they have their citizens board, and I got elected to the Fed Chairmanship for the Federal Reserve Kansas City Bank back in the mid-'90s. It might have been 1995-'96.

I have struck a city - a real city - and they call it Chicago... I urgently desire never to see it again. It is inhabited by savages.

The great city is that which has the greatest man or woman: if it be a few ragged huts, it is still the greatest city in the whole world.

Something will be there when the flood recedes. We know that. It will be those people now standing in the water, and on those rooftops - many black, many poor. Homeless. Overlooked. And it will be New Orleans - though its memory may be shortened, its self-gaze and eccentricity scoured out so that what's left is a city more like other cities, less insular, less self-regarding, but possibly more self-knowing after today. A city on firmer ground.

You just let your lower self go, and then it takes on all these aspects of the society - the city with horns blowing, the people yelling things at each other, and the all-in-all violence and chaos of the city. Put that on stage with music, and that's what this is.

Mumbai may not be my city. But it is my kind of city.

There's such a freewheeling nature to 'Second City,' and the greatest thing about 'Second City' was having a sophisticated audience night after night who appreciated what it was. They knew it wasn't all going to be great when you improvised, so they were very forgiving that way.

City of prose and fantasy, of capitalist automation, its streets a triumph of cubism, its moral philosophy that of the dollar. New York impressed me tremendously because, more than any other city, it is the fullest expression of our modern age.

Chicago's such a great city because it's got so many different brilliantly architecturally looking buildings, and you can really modify that city.

I live in New York City. I could never live anywhere else. The events of September 11 forced me to confront the fact that no matter what, I live here and always will. One of my favorite things about New York is that you can pick up the phone and order anything and someone will deliver it to you. Once I lived for a year in another city, and almost every waking hour of my life was spent going to stores, buying things, loading them into the car, bringing them home, unloading them, and carrying them into the house. How anyone gets anything done in these places is a mystery to me.

I went to really good New York City public schools that had arts programs. So in junior high, I got into the drama department. From there, I went to a performing arts high school in New York City called Laguardia and I just kind of fell into the professional side by happenstance.

Mortal City was really influenced by geography. [The song] "The Ocean" is the Pacific Northwest. Southern California and New York also figure into songs, and Iowa. "February" is very much about New England. "Mortal City" is Philadelphia. The whole album is this anthropomorphized landscape where the metaphors live in this geography.

When you go away for a month on tour, there's only so much information you can take in. You're traveling city by city every day. I think five of the 30 days you actually keep with you and the rest becomes mush. And when you get back you're really mushy.

It is difficult to find a reputable American historian who will acknowledge the crude fact that a Franklin Roosevelt, say, wanted to be President merely to wield power, to be famed and to be feared. To learn this simple fact one must wade through a sea of evasions: history as sociology, leaders as teachers, bland benevolence as a motive force, when, finally, power is an end to itself, and the instinctive urge to prevail the most important single human trait, the necessary force without which no city was built, no city destroyed.

I love everything about Philadelphia, and its food is like the city itself: real-deal, hearty, and without pretension. We've always had an underdog vibe as a city, but that just makes us try harder, and I love our scrappiness and scruffiness.

I was in Mexico City. It's a very pleasant city in many ways. It's vibrant, lively, pretty exciting society, but also depressing in other ways, and sometimes almost hopeless, you know. So it's a combination of vibrancy and, I wouldn't say despair, but hopelessness, you know. Doesn't have to be, but it is. I mean, there is almost no economy.

"A Tale of Three Cities" is a tribute to our parents' generation, who escaped from city to city in search of their loved ones and in search of a place to build a better home. The story is set during the turbulent war years in China in the '40s and '50s.

Montreal is a very cosmopolitan, sophisticated, erudite, educated, glorious city today. But it wasn't quite that way when I was growing up there. There was a lot of anti-Semitism. And I had to deal with that in an area of the city that had very few Jews.

It makes me crazy to think that somebody might attack my city or any other city.

The right to the city is far more than the individual liberty to access urban resources: it is a right to change ourselves by changing the city. It is, moreover, a common rather than an individual right since this transformation inevitably depends upon the exercise of a collective power to reshape the processes of urbanization. The freedom to make and remake our cities and ourselves is, I want to argue, one of the most precious yet most neglected of our human rights.

Any city, however small, is in fact divided into two, one the city of the poor, the other of the rich; these are at war with one another.

The feeling of New Orleans is so pervasive. It's such a strange and decadent and enchanted embrace that that city has. There's a dark magic present. It's no wonder that it's been the hot bed for so much vampiric folklore. The city has got an ancient quality. It's one of the oldest cities in North America.

Represent to yourself a dark city all burning and stinking with fire and brimstone. The damned are in the depth of hell within this woful city, where they suffer unspeakable torments in all their senses and members. Consider above all the eternity of their pains, which above all things makes hell intolerable.

They can print statistics and count the populations in hundreds of thousands, but to each man a city consists of no more than a few streets, a few houses, a few people. Remove those few and a city exists no longer except as a pain in the memory, like a pain of an amputated leg no longer there.

Whoever is born in New York is ill-equipped to deal with any other city: all other cities seem, at best, a mistake, and, at worst, a fraud. No other city is so spitefully incoherent.

My favorite place in L.A. is Manhattan Beach. It's an intimate, friendly little beachside city within a city-smaller than most of its neighbors, so it reminds me of a British seaside resort. If my three teenage sons are in town, we'll play some cricket on the flat, hard sand where the water breaks, just to really confuse the locals!

I'm practically broke and homeless. This fatal city, Antioch, has devoured all my money: this fatal city with its extravagant life.

It is still the arena of those who dream of the City of Man and those who envision a City of Things. The battle appears to be forever joined. The armies, ignorant and enlightened, clash by day as well as night. Chicago is America's dream, writ large. And flamboyantly.

The city is not the problem; the city is the solution.

The city is like a great house, and the house in its turn a small city.

When you walk 25-30 feet above ground, it is a miracle, because you are still in the city ... but you are flying above the city. You are in the middle of trees, and that is a moment of beauty.

in the big city nobody has time to make friends. The big city is a big solitude.

I think it's a great thing that women went out in droves to see Sex and the City movie. I think it's wonderful and I think women have always shown they're looking both to be entertained and challenged in a theatre. I don't think women are afraid of movies that make them think; make them feel sad. The movies that I've been associated with are not exactly Sex and the City but women are leading the way to the theatre on those. They used to call it a date movie where the girl gets to choose.