Quotes About City

New Orleans is a city whose basic industry is the service industry. That's why it makes its money. That's - it brings people to the city. People come to the city and experience the wonders of this extraordinary city and everything else. The question is that, how do we create jobs which are the jobs that have pay, that - living wages?

When I talk about the city, I talk about a city that elevates people, which is the strength of New York. We always had the ability to do that. We had the services to do that: good schools, living-wage jobs. We're moving away from that toward a two-tiered system: a small group of very wealthy people and the rest of the city, poor and working poor.

I believe the challenge the city faces is attracting continued development into the inner and western part of Jersey City. Nobody should be left behind as Jersey City continues to prosper and grow.

In a city of illusion, where change is what the city does, it's no wonder Las Vegas is the court of last resort, the last place to start over, to reinvent yourself in the same way that the city does, time after time. For some it works; for some it doesn't, but they keep coming and trying.

Rome is the city of echoes, the city of illusions, and the city of yearning.

I always had a kind of strange relationship with New York City, with total love affair in the beginning then retreat during the kind of conservatives of politics and real estate and business came, and then I am again kind of fighting for the justice to the city, to open the city for the artists.

Seattle is beautiful. You look at the sky and it's one of the most beautiful skies in the world, and then there's the Puget Sound, which will kill you, if you fall into it, but it's also beautiful. Seattle is a city of contradictions. It's the most liberal and most literate city in America, and it has Starbucks and [Bill] Gates, but it's also where the Green River killer hunted women and where the runaway population is just shocking when you walk the streets. Within the same city, there's darkness and light.

It was if the city knew about Percy's dream of Gaea. It knew that the earth goddess intended on razing all human civilization, and this city, which had stood for thousands if years, was saying back at her: You wanna dissolve this city, Dirt Face? Give it a shot. In other words, it was the Coach Hedge of mortal cities- only taller.

If you work in the city long enough, it begins to deal with you on a personal level. Streets reveal their moods. Sometimes the signal light loves you. Sometimes they fight you. When you're hunting for a new building, you hope the city is on your side. You have to use a little bit of thinking--you might call it the process of elimination--and you need a little bit of instinct, but not too much of either. If you think too hard, you overshoot your target and end up at the Pier or the Tenderloin. If you relax and let the city help, the destination does all the work for you.

The City's going to be very very beautiful! Its going to be like a beautiful beautiful park in some places, and there in the lower level where the river flows right through the City there's going to be these beautiful trees growing on both sides, fruit trees with 12 different kinds of fruit, a different kind every month, think of that!-And leaves that'll be able to heal the people outside the City that are still sin-sick, and sick of their disobediences and their rebellion against God. We're going to be able to take those leaves outside and heal them!

Half of NYC's homeless populations are families.Homeless people have been ignored for too long. I'll just say this: If you are a family on the brink of eviction you are 80% less likely to get evicted if you have legal counsel. However, there is no right to legal counsel in housing court.It would cost the city $12,500 to grant that family legal counsel. Meanwhile, the average stay for a homeless family in a shelter once they have been evicted cost the city $45,000. So not only does it seem like the right thing to do morally, it's also the right thing to do fiscally.

Venice is not only a city of fantasy and freedom. It is also a city of joy and pleasure.

All urbanization, pushed beyond a certain point, automatically becomes suburbanization.... Every great city is just a collection of suburbs. Its inhabitantsdo not live in their city; they merely inhabit it.

Rome's just a city like anywhere else. A vastly overrated city, I'd say. It trades on belief just as Stratford trades on Shakespeare.

In a sense, touring is crazy. You go city to city playing the show over and over again. But there's something magic about being in front of people, so it's not like going through the motions every night. It's a different experience.

Noise is manufactured in the city, just as goods are manufactured. The city is the place where noise is kept in stock, completely detached from the object from which it came.

Cities have always offered anonymity, variety, and conjunction, qualities best basked in by walking: one does not have to go into the bakery or the fortune-teller's, only to know that one might. A city always contains more than any inhabitant can know, and a great city always makes the unknown and the possible spurs to the imagination.

When you work from city to city or country to country, you work the same way; the working method is the same.

We've actually seen Black man murders [in] many a major city in the United States - New York City, St. Louis, Missouri, from Cleveland to Baltimore. It was those sorts of incidents that were very much prevalent in the forefront of that jury's conscience that allowed them to believe that this man [O.J. Simpson] could have been set up.

I really feel that New York City is the greatest city in the world.

I am sure everyone here has noticed a city where they felt at home, or a city that had “bad vibes.”

In Riyadh, there's going to be a huge project that will house at least 12,000 units with inhabitants of approximately 150,000 people. It's like a city within a city.

The thing about Paris, it's a great city for wandering around and buying shoes and nursing a cafe au lait for hours on end and pretending you're Baudelaire. But it's not a city where you can work.

When you want to take over a city, you have to destroy the illusion of safety it provides. You have to hit the large well-protected establishments, find the powerful people who run them and are viewed as invincible, and kill them. You want to destroy the morale first. Once the people's resolve is gone and everyone is scared for their own skin, the city is yours.

Friends, to me for years St. Louis represented a city of fear... humiliation... misery and terror... A city where in the eyes of the white man a Negro should know his place and had better stay in it.

I went to really good New York City public schools that had arts programs. So in junior high, I got into the drama department. From there, I went to a performing arts high school in New York City called Laguardia and I just kind of fell into the professional side by happenstance.

It's been amazing getting to go from city to city and perform for thousands of people. It's an amazing feeling, and the energy is crazy.

New York is eating young geniuses [businessmen] up alive. It's eating them up alive, Stone. And it's showing the beauty of the city, but it's showing the toughness and the viciousness of the city.

I'm obsessed with New York. I just find it so remarkable. You really treasure this city when you go to different countries and you see that there is no mix. When you get back to the city, it's such an exciting place.

I grew up in a city, I'm a city person - I go on holiday and I'm bored.

New York city, the incomparable, the brilliant star city of cities, the forty-ninth state, a law unto itself, the Cyclopean Paradox, the inferno with no-out-of bounds, the supreme expression of both the miseries and the splendors of contemporary civilization, the Macedonia of the United States. It meets the most severe test that may be applied to definition of a metropolis - it stays up all night. But also it becomes a small town when it rains.

When I lived in Pinetop I just wanted to leave - I thought the city was where I belonged. But now that I'm living in the city, I love it for what it is. It's brought me closer to my art and put me in the right place as far as having people around me. It's very inspiring, but I miss our little town. There's something very simple and beautiful about growing up in a small place. That's where my heart is, for real.

Blood Dazzler is Patricia Smith's impassioned lyric chronicle of a beloved city in peril, a city whose people were left to die before us all, a people who were the heart of our country and lifeblood of our culture. After rising water, winds and abandonment, after our failure and neglect, comes this symphony of utterance from the ruins: many-voiced, poignant, sorrowful and fierce. This is poetry taking the full measure of its task.

I'm not sure what's going on in Britain. I don't know what's going on in London. Because London is no longer an English city, and that's how they got the Olympics. I mean, they said, "We're the most cosmopolitan city on Earth," but it doesn't feel English.

Any city, however small, is in fact divided into two, one the city of the poor, the other of the rich; these are at war with one another.

The old Catholic parties hounded me with a Christian hatred from station to station, city to city, one stage to another.

Ever since ROME, OPEN CITY, I have maintained a conscious, determined endeavor to try to understand the world in which I live, in a spirit of humility and respect for the facts and for history. What as the meaning of ROME, OPEN CITY? We were emerging from the tragedy of the war. We had all taken part in it, for we were all its victims. I sought only to picture the essence of things. I had absolutely no interest in telling a romanticized tale along the usual lives of film drama. The actual facts were each more dramatic than any screen cliche.

The city is going to survive, we are going to get through it, It's going to be very, very difficult time. I don't think we yet know the pain that we're going to feel when we find out who we lost, but the thing we have to focus on now is getting this city through this, and surviving and being stronger for it.

To fully embark on the whole Phish experience, it's all about going to the city they built beforehand, with the fans and tent city or whatever it's called.

It's basically a city of songwriters and that's what gives it it's strength, that's what gives it its lasting ability. You've got people making all different kinds of music and that's what attracts me to Nashville as Music City.

I'm practically broke and homeless. This fatal city, Antioch, has devoured all my money: this fatal city with its extravagant life.

It is the Late city that first defies the land, contradicts Nature in the lines of its silhouette, denies all Nature. It wants to be something different from and higher than Nature. These high-pitched gables, these Baroque cupolas, spires, and pinnacles, neither are, nor desire to be, related with anything in Nature. And then begins the gigantic megalopolis, the city-as-world, which suffers nothing beside itself and sets about annihilating the country picture.

I'm terrified to ride a bike in a city - and I grew up riding bikes in the city. I've just heard enough stories - I have enough friends who've been hit by taxicabs and things.

The city is not the problem; the city is the solution.

I think the people here in New York appreciated what I brought to the table, and they showed it when I retired by the way they came out and supported me, and it meant a lot to me. It made me feel like I am a part of this city, and I will remain a part of this city.

My Sin City heroes are knights in dirty, blood-caked armor. They bring justice to a world that gives them no medals, no praise, no reward. That world, that city, often kills them for their brave service.

I was born and raised in Dallas, Texas and seasonally lived in New Orleans and Boston. Given that this was all at a tender age, I imagine I was very impressionable. I was a kid that was always moving, city to city, school to school. I adapted easily wherever I was, I knew how to blend.

I dwell in the city and the city dwells in me.