Quotes About Classical

Being from a classical environment, I've always been provoked by classical musicians thinking that classical music is so much greater art than pop. I've always been annoyed by that.

In France cooking is a serious art form and a national sport. I think the French enjoy the complication of the art form and the cooking for cooking's sake. You can talk with a concierge or police officer about food in France as a general rule. It is not the general rule here. Classical cuisine, which I hope we are going back to, means certain ways of doing things and certain ways of not doing things. If you know classical French cooking you can do anything. If you don't know the basics, you turn out slop.

Classical music and pop are two different universes, each with its own difficulties, peculiarities, depth and artistic dignity. In Italy, I think there is a fairly clear line of demarcation, but the history of music is full of fusion. Popular and classical music have always found points of contact, of crossing, exchange, both drawing mutual profit.

When I was growing up, until I was 18 or 19, I was totally invested in the classical music world. I had no concept of anything else. The closest thing to a cool band I listened to was Radiohead. Radiohead were the only band I liked in high school. I was just obsessed with classical music, opera, Claude Debussy, and that kind of stuff.

I think the other thing that's important is getting to a place, which very, very rarely happens with improvising groups, where somebody can decide not to play for a while. You watch any group of musicians improvising together and they nearly all play nearly all the time. In fact I often say that the biggest difference between classical music and everything else is that classical musicians sometimes shut up because they're told to, because the score tells them to. Whereas any music that's sort of based on folk or jazz, everybody plays all the time.

The most important application of quantum computing in the future is likely to be a computer simulation of quantum systems, because that's an application where we know for sure that quantum systems in general cannot be efficiently simulated on a classical computer.

I am a ham. I've no business being rock 'n' roll. I've said it over and over again that I'm a classical composer, dishevelling my personality by dabbling in rock 'n' roll.

The naive is what is or appears to be natural, individual, or classical to the point of irony or to the point of continuous alternation of self-creation and self-destruction. If it is only instinct, then it is childlike, childish, or silly; if it is only intention, it becomes affectation.

The instrumental record is a bit subtler. It's the kind of stuff on sound check, when I first pick up my violin and start to play, the kind of melodies that just pour out of me. Some of them sound very classical. Some of them sound experimental, polyrhythmic loops that I make.

I like to listen the blues and some classical.

Classical music is far from boring - it has all the blood, energy, the sinister dark side, rhythm that rock music has, and all the refined, subtle sensuality that one can ask for

Classical tragedy was the war between good and evil. We wanted evil to be defeated and good to be victorious. But the battle in modern tragedy is between good and good. And no matter which side wins, we'll still be heartbroken.

I did not want to be the accompanist to an operatic star. But I was at a very high level for a 16-year-old, and I maintained that. So really good, but more impressive than classically trained. So I had to take a crash course in classical technique because I really wanted to get away with playing this character [in Florence Foster Jenkins] without people saying, "That's not really accurate."

I'm not really involved with politics... I'm living in my cocoon with my classical music around.

I grew up with classical music blasting in my parents' living room and my older brother's practicing saxophone in his room listening to jazz... a beautiful chaos.

But I'd play on everything from pop records to a lot of the glam stuff to rock stuff to classical stuff. I used to get called to do all those things, it was great.

I had to listen to the classical music because it calms me down, calms my nerves down.

What is important is that our optical awareness rids itself of classical notions of beauty and opens itself more and more to the beauty of the instant and of these surprising points of view that appear for a brief moment and never return; those are what make photography an art.

Opera Australia has a mix - it produces new work, it produces from the classical repertoire and, particularly in more recent years, it's done those blockbuster musicals which are very lucrative for it and reach an audience that classic opera or a new opera perhaps wouldn't reach, like South Pacific for example.

The history of music is nothing more than the history of art-music or classical music, the music that was commissioned by aristocrats.

My sense of the poet is classical - the poet is one who makes poems. In each book, I develop and repeat certain general themes - time, place, memory, God, history, class, race, beauty, love, poetry, identity. The core identity is the poet making the poems.

I think the classical music is on a dangerous downward slope, because it's not seeking strong enough resonance with its society.

This duality has been reflected in classical as well as modern literature as reason versus passion, or mind versus intuition. The split between the conscious mind and the unconscious. There are moments in each of our lives when our verbal-intellect suggests one course, and our hearts, or intuition, another.

I did extensive, extensive recordings and made a classical CD-ROM set, which is still on the market. For ten years, it was by itself as the cream of the crop of samples.

As a rule, my focus is on classical music, but I love jazz. I love everything, actually.

We cannot pursue a classical and Christian education as a fad. We are not purchasing intellectual hula hoops for the kids.

The whole thing of singing on my own has been accidental and random. I sang a huge amount as a kid, and I was a boy soprano. I didn't do that much classical music; I did a little bit. I had a lovely voice. And then when my voice dropped, I didn't worry about it consciously because I wasn't that invested in my singing at the time.

I grew up as a dancer, and music and dance are so closely tied, that in ballet class you're listening to all this classical music, and in modern class you're working with a live drummer. It was something that always made me feel really comfortable and I've had a connection to since the beginning.

Classical, Romantic, and Baroque music, that's what I really like.

I have a piano in my living room that I mess around on a little bit and when I asked Len if I could find a piece of music, I went through a **** load of classical music to find something that I felt had a certain urgency to it, but also with a hint of melancholia and maybe a sense of longing. I found that which is public domain and I had a piano teacher to go through it with me.

An illuminating read for every classical scholar engaged with the current quest for the subject's roots, and the excavation of the way that it has evolved over the past century and a half.

I'm pretty optimistic about the future of rock... it will be back to composition as in classical music or jazz.

Jazz stands for freedom. It's supposed to be the voice of freedom: Get out there and improvise, and take chances, and don't be a perfectionist - leave that to the classical musicians.

In case you haven't noticed, they're moving a lot faster. I don't know about the laws of physics on your planet, but where I come from an object moving at subclass speed can't catch up to one running at starclass. But if you know something about turbines, thrusters and engines, quantum or classical physics that I've somehow missed, then please enlighten me. - Caillen Dagan to Desideria Denarii

A great ancient poet was blind. A great classical composer was deaf. Many of us are dumb. What have we to show for it?

I've been lucky that I've performed with a lot of the classical people I've wanted to work with so I'd like to do something that people didn't see coming. Like Madonna, or being Welsh - the Tom Jones thing. Or somebody suggested N-Dubz - that would be brilliant!

I went through eight years of classical piano lessons without being able to read notes. I only have to hear a melody to be able to play it. It used to freak my piano teacher out when he finally noticed that notes don't make any sense to me and that I played by ear.

All the classical genres are now ridiculous in their rigorous purity.

In those days a boy on the classical side officially did almost nothing but classics. I think this was wise; the greatest service we can to education today is to teach few subjects. No one has time to do more than a very few things well before he is twenty, and when we force a boy to be a mediocrity in a dozen subjects we destroy his standards, perhaps for life.

My influences are jazz, blues, European classical music; they are rock music and pop music. So many kinds of music. World music from different countries like India and China. I think that would be a shame not to take advantage and do something... not unique, because I don't have this pretension.

What I wanted to do was music, until I was about 16. But it was jazz and rock, never classical music.

We need to send Barack Obama back to Chicago. I'd like to send him back to Kenya, back to Indonesia. We have to unmask this man. This is a man that seeks to destroy all concept of God. And I will tell you what, this is classical Marxist philosophy.

Classical theology has erred in its insistence that theology be 'God-centered,' not 'man-centered'.

Marx set out to resolve the contradictions and to correct the errors in classical political economy. In this he thought he had succeeded very well. Judging by the sound and the fury of the controversy surrounding his interpretations, he either succeeded too well or deluded himself to the success of his enterprise.

The sort of commercial parameters of classical music changed after the [World War II] , and the whole industry became more backward-looking.

All directors make films in individual ways. But the classical kind of view of filmmaking is that you have a script and it's very linear.

Classical music's ability to translate emotional themes is fantastic.

The most important thing to do as an artist is to get out of your comfort zone and work with different people: people who can't read a note of music, people who have incredible classical skills, blues and jazz musicians, pop artists, visual artists, dancers and actors. Learn from people who are creative in a different way to you and you'll keep evolving.