Quotes About Classical

Personally, I think young musicians need to learn to play more than one style. Jazz can only enhance the classical side, and classical can only enhance the jazz. I started out playing classical, because you have to have that as a foundation.

I only knew classical music, which to me was the only true music. The only way I could survive at the bar was to mix the classical music with popular songs, and that meant I had to sing. What happened was that I discovered I had a voice plus the talent to mix classical music together with more popular songs, which at the time I detested.

Classical music and pop are two different universes, each with its own difficulties, peculiarities, depth and artistic dignity. In Italy, I think there is a fairly clear line of demarcation, but the history of music is full of fusion. Popular and classical music have always found points of contact, of crossing, exchange, both drawing mutual profit.

But classical music is not entertainment, and I feel viciously strong about that. Classical music is forever. Entertainment is something that is here today, and may be gone tomorrow.

I think for a classical musician the goal is the same as an electronic musician. A very good professional classical musician must not think about technique.

When I'm in the classical world, I really treat it as exactly classical and I don't try and spruce it up or jazz it up or make it easier for the masses.

I listen to Neil Young and jazz and classical stations and, if my girlfriend's driving, it tends to be Hall & Oates.

So from Jazz, Blues, R&B, Soul, Classical and Country music, Hip Hop has introduced us to a little bit of everything.

I wanted to make a classical piece that was actually designed to be a CD, not designed for performance.

The illustrator is essentially a reporter: his subjects come from the outside, lit by a flash. A subject comes to the classical artist from inside, and when he discovers confirmation of it in the outside world he feels that it has been there all the time.

I went to Hollywood. I put the action in Hollywood. I watched a lot of movies, maybe 100 or something close to that. I have tons of DVDs now at home. I don't know what to do with them because they're not useful anymore. My kids never watched them. I read a lot of autobiographies, listened to a lot of music by classical era composers like Franz Waxman, Max Steiner, Bernard Herrmann, Alfred Newman and Leonard Bernstein. I listened to only that kind of music the entire time I was writing, even at home.

It was a grey day, that least fleshly of all weathers; a day of dreams and far hopes and clear visions. It was a day easily associated with those abstract truths and purities that dissolve in the sunshine or fade out in mocking laughter by the light of the moon. The trees and clouds were carved in classical severity; the sounds of the countryside had harmonized to a monotone, metallic as a trumpet, breathless as the Grecian urn.

Anybody can be a rapper, but not anybody can be a classical artist.

I'm not interested in popular culture. I hate Quentin Tarantino. I rarely go to movies. I hate rock 'n' roll. I work. I think. I listen to classical music. I brood. I like sports cars.

I think any classical training in the theatre is of enormous value.

Everybody loves classical music they just don't know about it yet.

Classical music is a wonderful 1200 year-old tradition that witnesses everything that it has meant and what it means right now to be human.

I love music, especially classical like Verdi; it's a great way to relax.

Another classical music teacher from Performing Arts that I've stayed in contact with is Jonathan Strasser.

When you train as a dancer, you understand you have to work exceptionally hard. I think dancers are the hardest - working people in show business. You have to push your body beyond where you thought it could go. It's athleticism. Perfection doesn't exist, but with classical ballet, there is an ideal, and I got obsessed with that ideal. In some ways, it was problematic because I don't have an ideal ballet body, but the discipline is what I carry with me to this day. That's my park, the discipline of dancing.

Hypostatized into a ritual pattern, Marxian theory becomes ideology. But its content and function distinguish it from classical forms of ideology; it is not false consciousness, but a rather consciousness of falsehood, a falsehood which is corrected in the context of the higher truth represented by the objective historical interest.

I grew up with classical music, and to a lesser extent electronic music, and that's where I belong, so to speak.

That's the thing - you do a job like 'Shameless,' and suddenly that's why you can get a job like 'The Virgin Queen', not because of all the classical theatre you've done. But we can be very snippy about television. It's absolutely the most potent and powerful form of storytelling we have.

This duality has been reflected in classical as well as modern literature as reason versus passion, or mind versus intuition. The split between the conscious mind and the unconscious. There are moments in each of our lives when our verbal-intellect suggests one course, and our hearts, or intuition, another.

I heard about Bhagavad Gita very early in my childhood, from the age of five onwards. It was one of the earliest things I started to read when I started to read. And it was very much a part of my consciousness. In the beginning, I saw the "Bhagavad Gita" as a text that was very classical, much like the "Iliad" and the "Odyssey" - a mythical saga that showed the eternal conflict between good and evil. But much later, as I grew up, I realized that it was much more than that.

It's America's classical music ... this becomes our tradition ... the bottom line of any country in the world is what did we contribute to the world? ... we contributed Louis Armstrong

Classical music gradually lost popularity because it is too complicated: you need twenty-five or thirty skilled musicians just to hum it properly. So people began to develop regular music.

Above all, in comedy, and again and again since classical times, passages can be found in which the level of representation is interrupted by references to the spectators or to the fictive nature of the play.

I know there are a lot of eyes on me now from young girls, and it makes me so proud. The only Black woman examples aren't Rihanna and Beyoncé. It makes me proud that I am a classical ballerina and they can look at me and see another way to succeed. That is setting a new standard.

Piano was - well, all musical instruments were taught in this very rigid, formal, classical method when I was young.

I always wanted to be a journeyman actor. I wanted to be able to do comedy and drama, classical and contemporary. I like to do film and theater. And I pride myself on that diversity of being a journeyman actor.

One should study the Bible alongside other intellectual traditions - such as British constitutionalism, Enlightenment liberalism, and classical republicanism - in order to truly understand the American founding.

I always listen to all kinds of different music from different years. I listen to the contemporary, but once in a while into eighties, you know just for fun, and sometimes classical too. So I have this big mix on my i-pod... Amy Winehouse, Gwen Stefani, OutKast, Jay-Z. I listen to trance, pop, everything. It really depends on my mood.

Marijuana is a useful catalyst for specific optical and aural aesthetic perceptions. I apprehended the structure of certain pieces of jazz and classical music in a new manner under the influence of marijuana, and these apprehensions have remained valid in years of normal consciousness.

O. Hahn and F. Strassmann have discovered a new type of nuclear reaction, the splitting into two smaller nuclei of the nuclei of uranium and thorium under neutron bombardment. Thus they demonstrated the production of nuclei of barium, lanthanum, strontium, yttrium, and, more recently, of xenon and caesium. It can be shown by simple considerations that this type of nuclear reaction may be described in an essentially classical way like the fission of a liquid drop, and that the fission products must fly apart with kinetic energies of the order of hundred million electron-volts each.

I started playing classical music, and I still do. I think music ultimately is kind of on a theoretical level, is about collecting and learning as much vocabulary as possible. It's kind of like writing. It's kind of like writing because the more you read, the more you hear people describe things. The more you soak in, as far as vocabulary, the more access you have in order to express yourself accurately and vividly.

I've done classical theaters. I played Hamlet myself and Romeo.

I've been lucky that I've performed with a lot of the classical people I've wanted to work with so I'd like to do something that people didn't see coming. Like Madonna, or being Welsh - the Tom Jones thing. Or somebody suggested N-Dubz - that would be brilliant!

All the classical genres are now ridiculous in their rigorous purity.

Several classical sayings that one likes to repeat had quite a different meaning from the ones later times attributed to them.

Music has always been transnational; people pick up whatever interests them, and certainly a lot of classical music has absorbed influences from all over the world.

When I was studying... there weren't any black concert pianists. My choices were intuitive, and I had the technique to do it. People have heard my music and heard the classic in it, so I have become known as a black classical pianist.

Every teacher will tell you that you cannot dance classical technique with perfection, there is no such thing, there is no way. So you have to adapt the technique to your abilities or to your deficiencies. Learn to cheat!

Classical theology has erred in its insistence that theology be 'God-centered,' not 'man-centered'.

This freedom of political discussion on the highest level is something which Western civilization has in common with that of classical antiquity, but with no other

Music was literally in the air at the time, the Vienna of 1780. Everybody played music, classical music. There were in fact so many musicians that in apartment buildings people had to come up with a schedule - you practice at 5 p.m., I'll practice at 6 p.m. That way the music didn't collide with one another.

My Dad died during the flu epidemic in 1918 when I was 4 years old. He left a lot of classical recordings behind that I began listening to at an early age, so he must have been a music lover.

That is why I think, in defiance of Plato, that there is at once error and vulgarity in saying that poetry is a lie, except in the sense that Cocteau wrote one day: I am a lie who always tells the truth. The only poetry which lies purely and simply is academic, pseudo-classical, conceptually repetitive poetry, and it is not poetry.