Quotes About Classical

I wouldn't know anything about opera music if it wasn't for Bugs Bunny. That was my entire introduction to opera music. I wouldn't know anything about classical music if it wasn't for "Fantasia." They didn't have to do that stuff. They chose to base this ridiculous, funny, intriguing, creative story on this beautiful classical music. It's the combination of the high and the low that I thought was very cool. But I had no concept of it as a kid.

... Andres Segovia literally created the genre of classical guitar, which hadn't existed before around 1910. There was flamenco, which he borrowed from, but he actually arranged the works of Mozart and other classical composers for guitar, something that had never been done before ... Segovias' style is not slick or contrived, but it's still very clean and his timing is impeccable ... it's got a feeling of casual elegance, as if he's sitting around the house in Spain with a jug of wine, just playing from the heart.

There is a general decline of taste for classical dance,ce, which is neglected and this must be developed from the grassroots. There is so much of razzle-dazzle... that classical dance suffers.

A lot of my colleagues just don't really realize that they have to work in order to get the interest of an audience, especially with young kids, especially because it [classical music] is not that popular. You don't see it on TV, you don't hear it on radio, so you really gotta put an effort into promoting classical music.

When I'm in the classical world, I really treat it as exactly classical and I don't try and spruce it up or jazz it up or make it easier for the masses.

The Beatles are a classical group because they're classic.

Listening to classical music is a journey not a state; it's an activity not a meditation.

Apparently, in the Avesta classical period no one would have dreamed of having a spiritual experience without resort to drugs.

There was a long history of speculation that in quantum gravity, unlike Einstein's classical theory, it might be possible for the topology of spacetime to change.

Teaching is the last refuge of feeble minds with a classical education.

With rock music, the amount of power that you can generate, the intensity behind the intentions of your lyrics that you can really reflect through rock music - you can't do that in jazz. You can't do that with classical.

Thank God for movie music. It preserves the rich vocabulary in classical music through challenging times.

I grew up as a dancer. I did tap, classical ballet, all of that. I did Indian dancing, or Bharata Natyam, classic temple dancing from Madras, originally. My mother always had the great idea that I should learn it.

I did not want to be the accompanist to an operatic star. But I was at a very high level for a 16-year-old, and I maintained that. So really good, but more impressive than classically trained. So I had to take a crash course in classical technique because I really wanted to get away with playing this character [in Florence Foster Jenkins] without people saying, "That's not really accurate."

I remember being in college and taking a class on classical music and getting a big laugh when I said very sincerely that I was not really into trained voices. Some of the greatest singers can transcend their technical perfection and still sound great.

I did all the musicals in high school, and I loved it. And then I got to theater school at college, and was like, "No, I'm a serious actor. I want to do Shakespeare. I want to do classical theater." I took myself very seriously.

Scheherazade is the classical example of a woman saving her head by using it.

I have observed, too, that the people of the many countries that I have visited are showing an ever increasing interest in the classical and traditional music of their own cultures.

I'm not interested in popular culture. I hate Quentin Tarantino. I rarely go to movies. I hate rock 'n' roll. I work. I think. I listen to classical music. I brood. I like sports cars.

In Western classical music the idea of holiness, purity, perfection, and total beauty is expressed through clarity of sound - a bell-like sound. Obviously, that has its own place, and it's a beautiful way of doing it. But I don't think I am the first to point out that in Africa, the more buzzing the sound is, the more it indicates the other world - the spirit world.

That mainstream English is essential to our self-preservation is indisputable . . . but it is not necessary to abandon Spoken Soul to master Standard English, any more than it is necessary to abandon English to learn French or to deprecate jazz to appreciate classical music.

I did everything I could to not bring in any of the - any of the technical things I got from classical into jazz. And I did everything to really base it on my speaking voice and to just not try to make it sound pretty.

For if the modern mind is whimsical and discursive, the classical mind is narrow, unhesitating, relentless. It is not a quality of intelligence that one encounters frequently these days. But though I can digress with the best of them, I am nothing in my soul if not obsessive.

I grew up with classical music, and to a lesser extent electronic music, and that's where I belong, so to speak.

I think Bond the character is distinct: He's British, he has a certain code that he lives by, he's incorruptible... he's a classical hero, but he's also fallible. He has inner demons, inner conflicts, and he's a romantic.

The perfect aphorism would achieve classical balance and then immediately upset it.

In affirming God to be supreme in all things, the classical theist describes him in a number of ways. He is perfect, loving, good, infinite, omnipotent, omniscient, eternal, timeless, transcendent, personal, immutable and immanent. But how can this be? Is it really possible to be both eternal and timeless? Immutable and immanent? Personal and at the same time transcendent?

Many fail to realize this great recording industry was built by so-called jazz artists. And at the other end of the spectrum, a base in European classical music as well.

Perhaps if the year was 1447 instead of 1947 I might have hoodwinked my gentle nature by administering her some classical poison from a hollow agate, some tender philter of death. But in our middle-class nosy era it would not have come off the way it used to in the brocaded palaces of the past. Nowadays you have to be a scientist if you want to be a killer.

Laurence Olivier said if you have ambition to be a serious classical actor, you must be as fit as an athlete. For me, the breakthrough was going to live in California. I exercised. I drank less. It was one of the things about California that had a positive impact on me.

Einstein does not remain attached to the classical principles, and when presented with a problem in physics he quickly envisages all of its possibilities. This leads immediately in his mind to the prediction of new phenomena which may one day be verified by experiment.

There's so many different styles and facets of the 360-degree musical sphere to listen to. From tribal to classical music, it's all there. If the bottom was to sag out of that, for God's sake, help us all.

I am a very good archer. I use archery as my way of meditation. I cannot sit down and just meditate in the classical sense. I am very active. So, I use archery. I have my bow, my arrow and I use this tension and relaxation in the second after throwing the arrow. And it is my way to meditate and this is the only thing that clears my mind. When I do archery, I am totally there with my bow, my target, my arrow, and I don't think, I am communion with the universe.

I took classical piano lessons from the age of five.

We are used to discounting the river-gods and dryads of the Greeks as poetical fancies, and even the chief figures in the classical Pantheon-Venus, Minerva, Mars, and the rest-as allegories. But, forgetting that they once carried as much sanctity as our saints and divinities, we refrain from applying the same reasoning to our own objects of worship.

A theory is the more impressive the greater the simplicity of its premises is, the more different kinds of things it relates, and the more extended is its area of applicability. Therefore the deep impression which classical thermodynamics made upon me. It is the only physical theory of universal content concerning which I am convinced that within the framework of the applicability of its basic concepts, it will never be overthrown.

I'm pretty optimistic about the future of rock... it will be back to composition as in classical music or jazz.

It started so early, it all runs together. But what made a huge impact on me was when I went to Europe at 15 or 16 years old. All I knew before that was music on the radio and TV. When I went over there I realized there are all different levels of music. There are people who do blues, jazz, classical, working in film, TV and all kinds of places. You might not see them on MTV but there are lots of needs and uses and opportunities for all kinds of music.

We want to answer this classical question, who am I? So I think that most of our works are for art, or whatever we do, including science or religion, tried to answer that question.

In fact, among the 1000 titles which I have recorded in the past 35 years, there are less than 10% of classical titles.

What I wanted to do was music, until I was about 16. But it was jazz and rock, never classical music.

I grew up with classical music when I was a ballet dancer. Now when I have to prepare an emotional scene, to cry or whatever, I listen to sonatas. Vivaldi and stuff. It's just beautiful to me.

Because I was a chemistry student and was never supposed to be a musician, I always felt like I was an outsider looking at music going "Why is this interesting to me? Why should I be doing this?" and I never felt like I was a natural musician. It came into my life, kind of, as a conceptual problem and I think all my pieces are, in a way, looking at some issue and sometimes veering toward an inside baseball model of classical music.

The notion that Nature does not proceed by jumps is only one of the budget of plausible lies that we call classical education. Nature always proceeds by jumps. She may spend twenty thousand years making up her mind to jump; but when she makes it up at last, the jump is big enough to take us into a new age.

In some ways, it is difficult for contemporary composers to find an audience. Both men and women would love a culture that embraced and hungered for new music, as they did in the Classical period. I tell my students that they should just keep writing, write what pleases you, and don't worry about what people or critics may think about your music.

Honest, I listen to classical mostly. It keeps my mind fresh to write rock songs.

Jazz isn't like pop, where you sell millions of records with a hit. Your spirit and soul aren't important in pop music. But jazz is like classical music. If people like you, they'll remember you and you'll last forever.

A consistent pursuit of classical physics forces a transformation in the very heart of that physics.