Quotes About Colour

I first came up with the idea for the colour-chart pictures back in 1966, and my preoccupation with the topic culminated in 1974 with a painting that consisted of 4,096 colour fields. Initially I was attracted by the typical Pop Art aestheticism of using standard colour-sample cards; I preferred the unartistic, tasteful and secular illustration of the different tones to the paintings of Albers, Bill, Calderara, Lohse, etc.

The craving for colour is a natural necessity just as for water and fire. Colour is a raw material indispensable to life. At every era of his existence and his history, the human being has associated colour with his joys, his actions and his pleasures.

I see a green tree. And to me it is green. And you would call the tree green also. And we would agree on this. But is the colour you see as green the same colour I see as green?

I don't have anything against colour. It is just not my first preference. I have always found black and white photographs to be quieter and more mysterious than those made in colour.

I don't think that we are capable of anything like this many possible colour responses. Instead I argue that the perception of colour differences between two surfaces viewed side-by-side is a gestalt phenomenon.

I'm actually a 'Witch' not Wiccan...justa Witch. I started reading Tarot when I was 8 years old. I dabble in astrology, Candle Magick, gems/stone Magick and I mainly use herbs for cooking. But cooking is it's own Magick-when done right. Actually, when I colour Tarot...I do use a form of Colour Magick..colours do influence mood...so I conscienciously choose certain colours for certain scenes.

The theme, or harmony, of a painting can be created by any one of its visual elements. A single colour... repetition of shapes... Light can be a theme.

Ronald Reagan perfected the subtler version long ago by talking about "welfare mothers" - a code phrase for people of colour.

The writing is the springboard for your intuitive stuff and then you see, maybe a colour of what you want to achieve. Then you bring in the technique you've learnt. But when you're on film, you're not always in control of that. That's what makes me believe in a kind of collective unconscious, a sort of experience you draw on.

I was trained to look at colour, edges, to see negative space. I honestly think my greatest influence as a writer is from Cubism - the idea of a multi-faceted, multi-perspective way of looking at things.

Drink very good tea out of a thin Wocester cup of colour between apricot and pink.

Naked I came into the world, naked I shall go out of it! And a very good thing too, for it reminds me that I am naked under my shirt, whatever its colour.

The moon puts on an elegant show, different every time in shape, colour and nuance.

Red, of course, is the colour of the interior of our bodies. In a way it's inside out, red.

We perceive nature through the senses, which give us images of forms of colour, sounds etc. A form which exists only in relation to another form on its own, it does not exist.

the costume of the nineteenth century is detestable. It is so sombre, so depressing. Sin is the only real colour-element left in modern life.

Part of my preparation is I go and ask the kit man what colour we're wearing - if it's red top, white shorts, white socks or black socks. Then I lie in bed the night before the game and visualise myself scoring goals or doing well.

With the passing of time, as well as the social evolution and genetic exchange, we ended up putting our conscience in the colour of blood and in the salt of tears, and, as if that were not enough, we made our eyes into a kind of mirror turned inwards, with the result that they often show without reserve what we are verbally trying to deny.

I sometimes wish taste wasn't ever an issue, and the sounds of instruments or synths could be judged solely on their colour and timbre. Judged by what it did to your ears, rather than what its historical use reminds you of.

One sits more comfortably on a colour that one likes.

Sometimes the things I learn making paintings or drawings - composition, colour, expressionism, texture - can directly influence the making of a film. Sometimes it's great that they are different, and simply taking a break from one medium to spend time with another, recharges the batteries and I feel refreshed.

I make sure I have the best: I figure you could spend $800 on an outfit you wear three times, but with your hair it's there all the time. I also think it is really important to look after your colour once it's been done. I try and give my hair a really nourishing mask every so often to combat against all the styling. I also love to have beauty treatments that really benefit, like massages. t's divine to get up and feel all zen and relaxed.

The colours red, blue and green are real. The colour yellow is a mystical experience shared by everybody.

I have been doodling since childhood. I have a passion for illustrating but cannot paint or colour for that matter. I illustrate what I am trying to communicate through my writing. My images are like drawings in a science text book.

Those who can serve best, those who help most, those who sacrifice most, those are the people who will be loved in life and honoured in death, when all questions of colour are swept away and when in a free country free citizens shall meet on equal grounds.

It always amazes me to look at the little, wrinkled brown seeds and think of the rainbows in 'em," said Captain Jim. "When I ponder on them seeds I don't find it nowise hard to believe that we've got souls that'll live in other worlds. You couldn't hardly believe there was life in them tiny things, some no bigger than grains of dust, let alone colour and scent, if you hadn't seen the miracle, could you?

Makeup is my world, and I know that a little things . . . the right technique, colour or brush . . . can make all the difference.

Nor is the darkness of colour a proof of the earth's baseness; for the brightness of the sun, which is visible to us, would not be perceived by anyone who might be in the sun.

If, I can someday see M. Claude Monet's garden, I feel sure that I shall see something that is not so much a garden of flowers as of colours and tones, less an old-fashioned flower garden than a colour garden, so to speak, one that achieves an effect not entirely nature's, because it was planted so that only the flowers with matching colours will bloom at the same time, harmonized in an infinite stretch of blue or pink.

Good Hamlet, cast thy nighted colour off ... Do not for ever with thy vailed lids Seek for thy noble father in the dust.

Alfred Nobel stipulated that no distinction of race or colour will determine who received of his generosity.

For with him the phantoms of the mind (which to the average man are merely phantoms) projected themselves with a bodily vividness and violence. Not only had they the colour and authority of accomplished fact, they were invested with an immortality denied to facts.

I have sat here happy in the gardens, Watching the still pool and the reeds And the dark clouds. . . . But though I greatly delight In these and the water lilies, That which sets me nighest to weeping Is the rose and white colour of the smooth flag-stones, And the pale yellow grasses Among them.

There should be a law that no ordinary newspaper should be allowed to write about art. The harm they do by their foolish and random writing it would be impossible to overestimate--not to the artist but to the public.... Without them we would judge a man simply by his work; but at present the newspapers are trying hard to induce the public to judge a sculptor, for instance, never by his statues but by the way he treats his wife; a painter by the amount of his income and a poet by the colour of his necktie.

When I think of flavours, I think colour, so lemon should be yellow and orange is orange.

Colour is the ultimate in art. It is still and will always remain a mystery to us, we can only apprehend it intuitively in flowers.

Water in swimming pools changes its look more than in any other form its colour can be man-made and its dancing rhythms reflect not only the sky but, because of its transparency, the depth of the water as well. If the water surface is almost still and there is a strong sun, then dancing lines with the colours of the spectrum appear everywhere.

His eyes were rolling in their sockets, and his face had taken on the colour and expression of a devout tomato. I could see he loved like a thousand bricks.

Happy are the painters, for they shall not be lonely. Light and colour, peace and hope, will keep them company to the end of the day.

You once said to me that I talk like a man in a book. I not only talk, but think and feel like one. I have spent my life in books; literature has deeply dyed my brain its own colour. This literary colouring is a protective one--like the brown of the rabbit or the checks of the quail--making it impossible for me to tell where literature ends and I begin.

Bear in mind that the children of life are the children of joy; that the lower animals are only unhappy when made so by man; that man alone of all the creatures, has "found out many inventions", the chief of which appears to be the art of making himself miserable, and of seeing all Nature stained with that dark and hateful colour.

I walk in the garden, I look at the flowers and shrubs and trees and discover in them an exquisiteness of contour, a vitality of edge, or a vigour of spring, as well as an infinite variety of colour that no artefact I have seen in the last sixty years can rival...each day, as I look, I wonder where my eyes were yesterday.

Blushing is the colour of virtue.

Racism is an attack on the very notion of the universality of human rights. It systematically denies certain people the enjoyment of their full human rights because of their colour, race, ethnicity, descent or national origin.

We shouldn't build a technology to colour, or grey out, what people say. The media in general is balanced, although there are a lot of issues to be addressed that the media rightly pick up on.

From the time I entered cabinet, the emphasis was on reforms, but reforms which did not abolish separate development, but reforms which were aimed at changing the very, very dehumanising aspects. Giving greater freedom of movement, giving private property ownership within so-called white South Africa also to blacks. Abolishing the concept of job reservation on the basis of race and colour. Allowing free organisation for trade unions, also black trade unions.

The dawn came - not the flaming sky that promises storm, but a golden dawn of infinite promise. The birds came flying up out of the east in wedge-shaped formation, and the mist lifted in soft wreaths of sun-shot silver. Colour came back to the world. The grass glowed with a green so vivid that it seemed pulsing, like flame, from some hidden fire in the earth, the distant woods took on all the amazing deep crimsons and purples of their winter colouring, the banks were studded with their jewels of lichens and bright moss, and above the wet hedges shone with sun-shot orbs of light.

It's a dumb question, because I don't look at things as a black director, just as a director, so ask me as a director first and we can segue into the colour thing later.